Collapse [ ]
Expand
- Creators:
-
Phillips, Margot
- Dates:
-
[ca. 1972]
- Size:
-
0.2 Linear feet
- Collection ID:
- AAA.philmargo
- Repository:
-
Archives of American Art
Untranscribed interviews conducted by Margot Phillips of, or about, Maine artists. Interviewees include: Conol C. Clark, John and Helen Dirks, Dewitt Hardy, Elyot Henderson, Roby Littlefield, Harmon Neill, Chris Ritter, Alden F. Shum and David Woodbury (2 interviews) regarding his father Charles H. Woodbury.
Found In
Collapse [ ]
Expand
- Creators:
-
Whitney Museum of American Art
- Dates:
-
1914-1966
- Size:
-
78 Microfilm reels
- Collection ID:
- AAA.whitmuse
- Repository:
-
Archives of American Art
REELS N591-N597: Photographs of the Museum, Juliana Force, Herman Moore; scrapbooks on the Whitney Studio Club, Whitney Studio Galleries and the Museum, 1927-1965.
Found In
Collapse [ ]
Expand
- Creators:
-
Bender, William H., 1894-
- Dates:
-
[ca. 1940]- 1972
- Size:
-
6 Linear feet
- Collection ID:
- AAA.bendwill
- Repository:
-
Archives of American Art
Correspondence, photographs, clippings, catalogues, business records, and files on his collection of works of art. These files include clippings, photographs, biographical information about the artists, research summaries on the subjects of the works of art, and correspondence with relatives, agents, or the artists themselves, about the works of ar...
Found In
Downtown Gallery records
Collapse [ ]
Expand
- Creators:
-
Downtown Gallery
- Dates:
-
1824-1974
bulk 1926-1969
- Size:
-
109.56 Linear feet
- Collection ID:
- AAA.downgall
- Repository:
-
Archives of American Art
The records of the Downtown Gallery date from 1824 to 1974 (bulk 1926-1969) and measure 109.56 linear feet. The records present a comprehensive portrait of a significant commercial gallery that operated as a successful business for more than forty years, representing major contemporary American artists and engendering appreciation for early American folk art. There is an unprocessed addition to this collection dating circa 1970 of a single financial/legal document.
Found In
Collapse [ ]
Expand
- Creators:
-
Milch Gallery
- Dates:
-
1911-1995
- Size:
-
42.2 Linear feet
- Collection ID:
- AAA.milcgall
- Repository:
-
Archives of American Art
The records of Milch Gallery measure 42.5 linear feet and date from 1911-1995. Edward Milch (1865-1953) opened the Edward Milch Gallery in New York City. In 1916, he formed a partnership with his brother Albert Milch (1881-1951), a gilder and framer, creating E. & A. Milch, Inc., a gallery specializing in American art. Harold C. Milch (1904-1981), Albert's son, was appointed a partner in 1944 and continued the business until his death. Business records of Milch Gallery, 1911-1968, include correspondence, sales records, inventories, financial records, printed matter, photographs, and legal documents. Later additions to the records date from 1922-1995 and include correspondence; artists' files; financial, sales, and stock records; printed material; and photographs.
Found In
Collapse [ ]
Expand
- Dates:
-
1926-1974, undated
- Level:
- series
- Size:
-
22 Linear feet (Boxes 1-22; Reels 5488-5545)
- Collection ID:
- AAA.downgall
- Repository:
-
Archives of American Art
This series consists of the business and personal correspondence of Edith Gregor Halpert and the Downtown Gallery. For the most part, this series is general business correspondence concerning routine activities of the Downtown Gallery, including the American Folk Art Gallery and the Daylight Gallery, both operated by the Downtown Gallery on the sam...
Contained In:
Collapse [ ]
Expand
- Creators:
-
American Federation of Arts
- Dates:
-
1895-1993
bulk 1909-1969
- Size:
-
79.8 Linear feet
- Collection ID:
- AAA.amerfeda
- Repository:
-
Archives of American Art
The records of the American Federation of Arts (AFA) provide researchers with a complete set of documentation focusing on the founding and history of the organization from its inception through the 1960s. The collection measures 79.8 linear feet, and dates from 1895 through 1993, although the bulk of the material falls between 1909 and 1969. Valuable for its coverage of twentieth-century American art history, the collection also provides researchers with fairly comprehensive documentation of the many exhibitions and programs supported and implemented by the AFA to promote and study contemporary American art, both nationally and abroad.
