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Creators:
Thompson, Everett Edward, 1876-1962
Dates:
1899-1962
Size:
151 Lantern slides (approximate number: 151 Items)
Collection ID:
FSA.A1991.05
Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

The papers, 1899-1962, of editor, lexicographer, author, and lecturer Everett Edward Thompson (1876-1962) primarily document his 1905 trip to Indonesia and subsequent lectures delivered from 1913-1919 and 1956. Portions of the papers are photocopies. Included are obituaries; a portrait photograph dated 1899; portions of a travel journal; announcements, notes, and 132 glass stereopticons assembled in preparation for lectures on Indonesia; a letter; printed material and clippings related to language and the Webster-Merriam dictionaries; and a handwritten copy of Irene Kuhn's 1961 news article on the early history of U.S. field teaching in the Philippines.

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Dates:
1961
Level:
item
Collection ID:
FSA.A1991.05
Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

"Peace Corps Educated Filipinos" by Irene Corbally Kuhn. Handwritten copy.

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Dates:
1922-1989
Level:
subseries
Collection ID:
AAA.glacwill
Repository:
Archives of American Art

Ira Glackens' correspondence primarily documents arrangements for loans to exhibitions, sales, donations, and authentication of artwork and gifts of paintings by William Glackens, in addition to including personal correspondence with friends and family. Correspondents in this series include: Laura (Mrs. Albert C.) Barnes, Ada Britton (cousin), Cha...

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Creators:
Glackens, Ira, 1907-1990
Dates:
circa 1900-1990
Size:
2.3 Linear feet
Collection ID:
AAA.glacwill
Repository:
Archives of American Art

The Ira and William Glackens papers, circa 1900-1990, measure 2.3 linear feet. The collection consists primarily of the papers of Ira Glackens relating to the artwork of his father, William Glackens, but also contains scattered correspondence of William and his wife Edith, including letters from Albert Barnes. Ira Glackens' papers include books written by Ira; exhibition catalogs and clippings about William and others; photographs of the Glackens family and friends, of Ira, and of the Glackens residence; and an audio recording of William Glackens' remarks upon accepting an award at the Carnegie International Exhibition in 1936. There are also records of the Sansom Foundation, which was set up by Ira Glackens and his wife Nancy.

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Creators:
Whitney Museum of American Art
Dates:
1914-1966
Size:
78 Microfilm reels
Collection ID:
AAA.whitmuse
Repository:
Archives of American Art

REELS N591-N597: Photographs of the Museum, Juliana Force, Herman Moore; scrapbooks on the Whitney Studio Club, Whitney Studio Galleries and the Museum, 1927-1965.

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Dates:
1890-1966
Level:
subseries
Size:
4 Linear feet (Box 5-9, 32, 56, OV 40)
Collection ID:
AAA.kuhnwalt
Repository:
Archives of American Art

Correspondence in this series is primarily between Walt Kuhn and his professional and personal contacts and spans his entire career. Correspondents include family members, fellow artists, students, dealers, museum and gallery staff, collectors, friends, fans, critics and colleagues. Copies of outgoing correspondence are often present and are interf...

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Dates:
1926-1974, undated
Level:
series
Size:
22 Linear feet (Boxes 1-22; Reels 5488-5545)
Collection ID:
AAA.downgall
Repository:
Archives of American Art

This series consists of the business and personal correspondence of Edith Gregor Halpert and the Downtown Gallery. For the most part, this series is general business correspondence concerning routine activities of the Downtown Gallery, including the American Folk Art Gallery and the Daylight Gallery, both operated by the Downtown Gallery on the sam...

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Creators:
American Federation of Arts
Dates:
1895-1993
bulk 1909-1969
Size:
79.8 Linear feet
Collection ID:
AAA.amerfeda
Repository:
Archives of American Art

The records of the American Federation of Arts (AFA) provide researchers with a complete set of documentation focusing on the founding and history of the organization from its inception through the 1960s. The collection measures 79.8 linear feet, and dates from 1895 through 1993, although the bulk of the material falls between 1909 and 1969. Valuable for its coverage of twentieth-century American art history, the collection also provides researchers with fairly comprehensive documentation of the many exhibitions and programs supported and implemented by the AFA to promote and study contemporary American art, both nationally and abroad.

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