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Level:
file
Collection ID:
Record Unit 7098
Repository:
Smithsonian Institution Archives
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Level:
file
Collection ID:
Record Unit 497
Repository:
Smithsonian Institution Archives
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Level:
file
Collection ID:
Record Unit 481
Repository:
Smithsonian Institution Archives
Digitized Content Discusses the design, installation, and opening of the Hirshhorn Museum and Sculpture Garden, reminiscences of staff, the board of trustees, artists, and critics; the opening of the museum, and early exhibitions, including: architect Gordon Bunschaft's vision for the Hirshhorn building; the installation of the collection for the opening of the museum; reminiscences of staff Michael Shapiro, Cynthia Jaffee McCabe, and Inez Garson; the plan and reconfiguration of the Sculpture Garden; the role of the Smithsonian in the new museum; the purpose of the Hirshhorn Museum and Sculpture Garden Board of Trustees; reflections on the political climate during the 1970s; the initial objections toward the Hirshhorn Museum prior to its opening; hearings on the museum by the U.S. Congress; moving the collection to Washington, D.C.; the Bicentennial of the American Revolution exhibitions; public attendance and response once the museum opened; ideas on the depth of the collections and the role that research plays in a museum; the The Noble Buyer: John Quinn, Patron of the Avant-Garde exhibition; Hirshhorn's collection of Benin art now housed at the National Museum of African Art; the article by Harold Rosenberg on the opening of the museum; John Beardsley and the Probing the Earth: Contemporary Land Projects exhibition; reminiscences of the sculptor Henry Moore; the exhibition interests of Charles W. Millard, III, the first Chief Curator; The Avant Garde in Russia exhibition and the play Victory Over the Sun; reminiscences of artist Larry Rivers; exhibitions curated by Joseph Shannon, such as the R. B. Kitaj exhibition; the obligation to show overseas exhibitions; the installation of the Jesus Raphael Soto retrospective; the Bicentennial exhibition openings; The Sources of Country Music (Thomas Hart Benton's final mural) exhibition; personal recollections of Thomas Hart Benton and American mural painting; the Raphael Soyer exhibitions; the Smithsonian underground complex; the curatorial staff; the Hirshhorn film program; acquisition of Action in Chains (L'Action Enchainee) Monument to Louis-Blanqui by Aristide Maillol; reminiscences of registrars Brian Kavanaugh and Doug Robinson; reminiscences of artists Fernando Botero and Raphael Soyer; foreign dignitaries; the di Suvero dedication ceremony; the Hirshhorn Holiday program; and reminiscences of Steven E. Weil.
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Level:
file
Collection ID:
Record Unit 9600
Repository:
Smithsonian Institution Archives
Contained In:
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Creators:
Hirshhorn Museum and Sculpture Garden. Department of Painting and Sculpture
Dates:
1963-1991
Size:
35 cu. ft. (35 record storage boxes) (1 oversize folder)
Collection ID:
Record Unit 469
Repository:
Smithsonian Institution Archives

These records consist of professional correspondence and administrative and research files of a number of curators from the Department of Painting and Sculpture. Included are correspondence and memoranda with HMSG staff, artists, galleries, and other museums; loan agreements, checklists, scripts, and installation plans for HMSG exhibitions; ...

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