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Creators:
Wolff Gallery (New York, N.Y.)
Dates:
1981-1993
Size:
6.2 Linear feet
Collection ID:
AAA.wolfgall
Repository:
Archives of American Art

The Wolff Gallery records measure 6.2 linear feet and date from 1981 to 1993. The records document the gallery's operations through administrative files and artist files.

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Dates:
1860-1974
Level:
series
Size:
3.4 Linear feet (Box 1-4)
Collection ID:
AAA.valewilh
Repository:
Archives of American Art

Chronological letters are primarily written to friends and professional acquaintances in German. Letters dating from 1918-1919 include correspondence from acquaintainces affiliated with the Arbeitsrat für Kunst group. Family correspondence includes letters in German from Valentiner's parents, Karl Wilhelm and Anna Lepsius Valentiner, siblings, exte...

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Creators:
Valentiner, Wilhelm Reinhold, 1880-1958
Dates:
1853-1977
Size:
6.9 Linear feet
Collection ID:
AAA.valewilh
Repository:
Archives of American Art

The papers of art historian and museum director Wilhelm Reinhold Valentiner measure 6.9 linear feet and date from 1853 to 1977. Found within the collection are biographical materials, including information on the Lepsius and Valentiner families; correspondence with family, friends, art collectors, and art historians; seven diaries; additional writings and notes; printed materials; three clippings scrapbooks; artwork in the form of prints and woodcuts; and photographs of Valentiner and his family and friends, including two photograph albums.

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Creators:
Luchs, Kenneth J.
Henry J. Kaufman and Associates (Washington, D.C.)
Dates:
1930-1980
bulk 1930s-1970s
Size:
2 Cubic feet
Collection ID:
NMAH.AC.0843
Repository:
Archives Center, National Museum of American History

Materials relating to Henry J. Kaufman, including photographs and ID cards; and the records of the Kaufman firm, including six scrapbooks, one for each decade; company newsletters, photographs, and other papers detailing the business history of the company as well as its social and other internal activities.

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Creators:
Cohen, Michael, 1936-
Williams, Gerald, 1926-2014
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America
Dates:
2001 August 11
Size:
37 Pages (Transcript)
Collection ID:
AAA.cohen01
Repository:
Archives of American Art

An interview of Michael Cohen conducted 2001 August 11, by Gerry Williams, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at his home, in Pelham, Massachusetts.

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Creators:
Ellis, Estelle
Dates:
1942 - 2004
Size:
29 Cubic feet (42 boxes)
Collection ID:
NMAH.AC.0423
Repository:
Archives Center, National Museum of American History

Estelle Ellis is a pioneer in publishing, advertising, and marketing. She was among the first to focus on the American female demographic, especially teens and working-class women. Condé Nast Publications, Incorporated, Carter Hawley Hale-owned department stores, Phillips-Van Heusen, Dow Chemical, and the Kimberly-Clark Corporation were among her clients. The Papers include business correspondence and proposals, marketing materials, advertisements, and oral history interviews with Ellis.

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Creators:
McLaughlin, John, 1898-
Dates:
1922-1979
bulk 1936-1976
Size:
3.2 Linear feet
Collection ID:
AAA.mclajohn
Repository:
Archives of American Art

The papers of Southern California art dealer and abstract painter John McLaughlin measure 3.2 linear feet and date from 1922 to 1979, bulk 1936 to 1976. The collection documents John McLaughlin's personal life and career through biographical material, correspondence, writings, Tamarind Lithography fellowship files, scattered personal business records, printed materials, preliminary sketches and designs, and photographic material.

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Creators:
Barnett-Aden Gallery
Dates:
1954-1989
bulk 1961-1977
Size:
0.5 Cubic feet
Collection ID:
NMAAHC.A2014.63.32
Repository:
National Museum of African American History and Culture

The Historical Records of the Barnett-Aden Gallery showcases one of the first galleries owned and operated by African Americans. The work of the Gallery was invaluable as they opened the exhibition space to established and unknown artists regardless of race or gender.

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