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Creators:
Okada, Frank S. (Frank Sumio), 1931-2000
Johns, Barbara
Dates:
1990 Aug. 16-17
Size:
87 Pages (Transcript)
Collection ID:
AAA.okada90
Repository:
Archives of American Art

An interview of Frank Okada conducted 1990 Aug. 16-17, in Seattle, Wash., by Barbara Johns, for the Archives of American Art Northwest Asian American Project. Okada discusses his parents' background; his family including his brothers, John, author of "No-No Boy," and Charlie, a graphic designer; traveling to Japan for the Pacific Northwest Artists ...

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Creators:
Parsons, Betty
Cummings, Paul
Dates:
1969 June 4-9
Size:
44 Pages (Transcript)
Collection ID:
AAA.parson69
Repository:
Archives of American Art

An interview of Betty Parsons conducted 1969 June 4-9, by Paul Cummings, for the Archives of American Art. Parsons speaks of her family background; her years in Paris; living in California for four years; teaching sculpture and drawing; the Wakefield Gallery; the establishment of her own gallery, and some of her clients and artists; a pre-Columbian...

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Creators:
Laigo, Val M., 1930-1992
Nakane, Kazuko
Lau, Alan Chong
Dates:
1989 July 12
Size:
42 Pages (Transcript)
Collection ID:
AAA.laigo89
Repository:
Archives of American Art

An interview of Val Laigo conducted 1989 July 12, by Alan Lau and Kazuko Nakane, for the Archives of American Art Northwest Asian American Project, in Laigo's home, Seattle, Wash.

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Dates:
circa 1950-1982
Level:
file
Collection ID:
AAA.parsbett
Repository:
Archives of American Art

Oliver, Alex Okada, Kenzo and Kimi Passante, Anne Perreault, John Perkins, Helvetia Porter, Aline Porter, Pat Pousette-Dart, Richard Putnam, Wallace

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Creators:
Brooklyn Museum
Dates:
1965-1968
Size:
7 Linear feet
Collection ID:
AAA.broomuse
Repository:
Archives of American Art

Interviews of 72 artists, and transcripts for all but five, conducted by Arlene Jacobowitz, the Associate Curator for the Department of Painting and Sculpture at the Brooklyn Museum, between 1965 and 1968. The artists discuss their work in the museum collection. Also included are 38 edited excerpts of the interviews, approximately 2-3 min. in length, used as "audio-labels" in the 1968 "Listening to Pictures" installation at the museum.

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Dates:
1922-1979, 1993
Level:
series
Size:
1.5 Linear feet (Boxes 1-2)
Collection ID:
AAA.cahiholg
Repository:
Archives of American Art

This series consists of personal and work-related correspondence (primarily incoming correspondence) between Cahill and various friends and colleagues. While a large portion of the series documents Cahill's position as Director of the FAP, it also extends beyond those years and illuminates other aspects of Cahill's career including his interest in ...

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Creators:
American Federation of Arts
Dates:
1895-1993
bulk 1909-1969
Size:
79.8 Linear feet
Collection ID:
AAA.amerfeda
Repository:
Archives of American Art

The records of the American Federation of Arts (AFA) provide researchers with a complete set of documentation focusing on the founding and history of the organization from its inception through the 1960s. The collection measures 79.8 linear feet, and dates from 1895 through 1993, although the bulk of the material falls between 1909 and 1969. Valuable for its coverage of twentieth-century American art history, the collection also provides researchers with fairly comprehensive documentation of the many exhibitions and programs supported and implemented by the AFA to promote and study contemporary American art, both nationally and abroad.

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Level:
series
Collection ID:
CFCH.SFF.1989
Repository:
Ralph Rinzler Folklife Archives and Collections
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Dates:
1990
Size:
13 videotapes (Reference copies). 39 digital .wmv files and .rm files (Reference copies).
Collection ID:
Record Unit 9553
Repository:
Smithsonian Institution Archives

The Smithsonian Videohistory Program, funded by the Alfred P. Sloan Foundation from 1986 until 1992, used video in historical research. Additional collections have been added since the grant project ended. Videohistory uses the video camera as a historical research tool to record moving visual information. Video works best in historical r...

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