The printed materials of artist Rimer Cardillo measure 0.4 linear feet and date from 1985 to 2012. The collection is comprised of clippings including reviews of the exhibition Revelaciones / Revelations: Hispanic Art of Evanescence, exhibition announcements and catalogs, and newsletters relating to Cardillo's career as a printmaker and graphic artist.
The papers of artist Pepe Coronado measure 1.5 linear feet and date from 1995 to 2016. The collection is comprised of exhibition files, professional files, printed materials, and artwork that document Coronado's career as a printmaker.
The papers of painter, printmaker, educator and administrator Ed Colker are dated 1944-2013 and measure 3.2 linear feet. Colker's painting, printmaking, and Haybarn Press, as well as his career as an art teacher and university administrator, are documented through biographical materials, correspondence, interviews, writings, subject files, printed material, and photographs.
The Ryah Ludins portfolio measures 0.1 linear feet and dates from circa 1920-1950. The porfolio contains photographs of murals by Ryah Ludins, which were mostly commissioned for government art projects in the 1930s.
The papers of Joseph Tobin regarding his friend, painter and printmaker Alton Pickens, measure 0.3 linear feet and date from 1946-circa 1970s. Correspondence primarily pertains to an exhibition that Tobin was trying to organize for Pickens in France, however the exhibition never came to fruition. Also included in the collection are printed material and photographs related to Pickens and his work.
The papers of painter, printmaker and sculptor Agnes Mills measure 1.1 linear feet and date from 1948 to 1999, with the bulk of the material from 1974 to 1993. Her enduring interest in dance theatre is demonstrated in the papers. Reminiscences of her time in the WPA, artist statements, sketchbooks, and a bound compilation of publicity, biographical notes, and images of artwork provide an overview of her professional accomplishments. The collection also includes curricula vitae; correspondence; writings by and about the artist; price lists and inventories; articles, news clippings, press releases and exhibition announcements; original artwork; and photographs of both the artist and her work.
The papers of the painter, photographer, printmaker, and teacher Joseph Kaplan measure 4.5 linear feet and date from 1915-1977. The bulk of the collection consists of printed material, specifically exhibition catalogs. Also found are a large number of photographs taken of and by Kaplan. The papers also include biographical material, correspondence, personal business records, and artwork.
Curated by César Piñeiro, Art-Caribe featured works of Puerto Rican born artist, Dennis Mario Rivera. The exhibition was organized by the Anacostia Museum and held there September 18, 1994 through November 06, 1994. Rivera uses his art to tell stories of his homeland and the Caribbean. Many of his works is this exhibit focused on the region's African heritage.
The collection is a set of twenty-four black-and-white silver gelatin prints entitled "Potomac: East and West," by Jan Faul, 1991. They include agricultural landscapes, cemeteries, industrial buildings commercial buildings in rural areas, etc., in the Potomac River region of Washington, D.C., Maryland, Virginia, and West Virginia. Each image contains a small area hand-colored by the photographer, providing a subtly mysterious, often whimsical or humorous effect.
The papers of painter, printmaker, performance artist, and teacher Roger Shimomura measure 2.6 linear feet and date from 1965 to 1990. Found within the papers are biographical materials, correspondence, writings, notes, printed material, one scrapbook, and photographs.