234 records — Page 1 of 5
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Creators:
West, Benjamin, 1738-1820
Dates:
1817 Apr 7
Size:
1 Item
Collection ID:
AAA.westbenj1
Repository:
Archives of American Art

One page handwritten letter dated April 7, 1817 from Benjamin West to sculptor Sir Francis Legatt Chantrey (West gives his name as "Mr. Chantery"). West requests figures by Antonio Canova (1757-1822) for a Royal Academy exhibition. He also refers to works by Chantrey entered into the exhibition.

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Creators:
Hanbury, Una, 1904-1990
Dates:
1910-1994
Size:
5.3 Linear feet
Collection ID:
AAA.hanbuna
Repository:
Archives of American Art

The papers of Una Hanbury measure 5.3 linear feet and date from 1910 to 1994, with the bulk of the material from 1966 to 1990. The collection documents the sculptor's career and the dispersal of her estate through business records, project files, subject files, printed material, and photographs. There is also a small amount of material relating to her personal life including correspondence with friends and family and photographs from various stages of her life.

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Creators:
James McNeill Whistler, 1834-1903
Dates:
1863-1906, circa 1940
Size:
0.2 Linear feet
Collection ID:
AAA.whisjame2
Repository:
Archives of American Art

The collection measures 0.2 linear feet and provides scattered documentation of the career of American-born British-based painter and etcher James McNeill Whistler (1834-1903) through 39 items from Whistler to various recipients, including 25 letters, 9 telegraphs, 3 invitations, one thank you card and a postcard. The collection also contains 4 letters from others, 7 catalogs of Whistler exhibitions, a note from the back of Whistler's painting The Beach at Selsey Bill, and a 1906 copy of Wilde v. Whistler: being an acromonious correspondence on art between Oscar Wilde and James A. McNeill Whistler, a pamphlet containing letters originally published in London newspapers between 1885 and 1890.

Found In
United Kingdom, England: O-R - Oxford University, All Souls College; Oxford University, Ashmolean Museum; Oxford University, Bodleian Library; Oxford University, Botany Department; Oxford University, Christ Church Library; Oxford University, Department of Geology; Oxford University, Magdalen College; Oxford University, Manchester College; Oxford University, Museum of the History of Science; Oxford University, Nuffield College; Oxford University, Somerville College; Philosophical Magazine; City of Plymouth; Plymouth Institution; Public Record Office; Religious Society of Friends; Rothamsted Experimental Station; Royal Academy of Arts; Royal Aeronautical Society; Royal Agricultural Society of England; Royal Anthropological Institute of Great Britain and Ireland; Royal Artillery Institute; Royal Astronomical Society; Royal Botanic Gardens; Royal College of Physicians; Royal College of Surgeons of England; Royal Commission on Historical Manuscripts; Royal Cornwall Polytechnic Society; Royal Engineers Corps Library; Royal Entomological Society of London; Royal Geographical Society; Royal Greenwich Observatory; Royal Horticultural Society; Royal Institute of British Architects; Royal Institution of Cornwall; Royal Meteorological Society; Royal Military Academy, Sandhurst; Royal Military College of Science; Royal Mint; Royal Society for the Encouragement of Arts, Manufactures and Commerce; Royal Society of Medicine; Royal United Service Institution; John Rylands Library (2 folders)
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Level:
file
Collection ID:
Accession 15-217
Repository:
Smithsonian Institution Archives
Contained In:
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Creators:
National Academy of Design (U.S.)
Dates:
1817-2012
Size:
92.7 Linear feet
Collection ID:
AAA.natiacad
Repository:
Archives of American Art

The records of New York City's National Academy of Design measure 92.7 linear feet and date from 1817-2012. The records pertain to all three constituents of the tripartite organization consisting of the Academy, a membership body of artists founded in 1825; the school, founded at the same time to promote arts education; and the exhibition program, inaugurated in 1826. Extensive administrative records include minutes, committee files, director files, annual reports, constitutions, and correspondence and subject files of council officers. Exhibition records, also substantive, date to the Academy's first annual exhibition and include gallery and special exhibitions, as well as exhibitions at the Academy's museum, established in 1979. The collection also includes gifts and funding files, especially relating to endowments and prizes; membership records; National Academy Association records; Ranger Fund assignments; extensive files pertaining to the school's administration, courses of instruction, registrations, and attendance; twenty scrapbooks containing clippings and ephemera; Society of American Artists records; correspondence and ephemera from other organizations; transcripts from oral histories with Academy members; extensive photographic material documenting artists, members, the school, exhibitions, buildings, and artwork created by Academy members; artist files containing correspondence, writings, and sketches from those associated with the Academy; and assorted printed material and ephemera.

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Creators:
Ezekiel, Moses Jacob, 1844-1917
Dates:
undated
Size:
656 Pages ((on partial microfilm reel))
Collection ID:
AAA.ezekmose
Repository:
Archives of American Art
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Creators:
Sousberghe, Léon de
Dates:
1955-1957
Size:
212 slides (photographs) (color)
1 map (black & white, 50 x 70 cm.)
1 map (color, 40 x 53 cm.)
Collection ID:
EEPA.1999-010
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Photographs taken among the Pende peoples in the Democratic Republic of the Congo in the years 1955-1957. Publications used for identifying and describing the collection photographs include L'Art Pende (Bruxelles: Académie royale de Belgique, 1958) and Les danses rituelles Mungonge et Kelas des Bapende (Academie royale des sciences coloniales, 1956), both by Léon de Sousberghe; Inventing Masks: Agency and History in the Art of the Central Pende by Z.S. Strother (The University of Chicago Press, 1998); and, from Secrecy: African Art that Conceals and Reveals Mary H. Nooter, ed. (New York: Museum for African Art, 1993), Z.S. Strother's article, The Physical and Social Boundaries of Secrecy: Eastern Pende Constuctions of Secrecy, pp. 157-178.

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Creators:
Alexander, John White, 1856-1915
Dates:
1775-1968
bulk 1870-1915
Size:
11.9 Linear feet
Collection ID:
AAA.alexjohn
Repository:
Archives of American Art

The papers of the painter, muralist, and illustrator John White Alexander measure 11.9 linear feet and date from 1775 to 1968, with the bulk of materials dating from 1870 to 1915. Papers document Alexander's artistic career and many connections to figures in the art world through biographical documentation, correspondence (some illustrated), writings, 14 sketchbooks, additonal artwork and loose sketches, scrapbooks, photographs, awards and medals, artifacts, and other records. Also found is a souvenir engraving of a Mark Twain self-portrait.

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Creators:
Hopkins, Edna Boies, 1872-1937
Dates:
1902-1903
Size:
0.2 Linear feet ((on 1 microfilm reel))
Collection ID:
AAA.hopkedna
Repository:
Archives of American Art

A scrapbook of lecture notes and student exercises for the 1902-1903 class on design taught by Edna Boies at the Veltin School for Girls, Manhattan. This scrapbook provides unusual documentation of the kind of instruction and course work found in an art class at the turn of the century. The chronologically arranged lecture notes are composed of dir...

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Dates:
1912-1966
Level:
series
Size:
(Boxes 1-2; 1.0 linear foot)
Collection ID:
AAA.faulbarr
Repository:
Archives of American Art

Most of this series consists of writings by Faulkner about other artists and writers who were friends and contemporaries. There are writings on Gifford Beal, George de Forest Brush, James Earle Fraser, Harriet Hosmer, Paul Manship, Charles Adams Platt, Hiram Powers, Edward Willis Redfield, Joseph Lindon Smith, Mary Lawrence Tonetti, Mark Twain, Law...

234 records — Page 1 of 5