Elizabeth M. Sharpe Files

This accession consists of the records of Elizabeth M. Sharpe, former Deputy Assistant Director for Public Programs at the National Museum of American History (NMAH), and Project Manager for the Science in American Life (SAL) exhibition. In 1994 the Department of Public Programs was reorganized as the Office of Public Services. The records p...

Shand, Robert G. Shannon, Mr. and Mrs. Ogden K. Shapiro, Daisy V. Shapiro, Hilda Shapiro, Morton Sharison, Saul S. Sharon Creative Arts Sharp and Dohme Sharpe, Mary Elizabeth Sharpe, Mrs. N. Sharpless, Ti-Grace Shaughnessy, Edward Shaw, F. H. Shaw, Mrs. George H. Shaw, Samuel T.

These records mostly consist of staff correspondence and memoranda documenting administrative and program-oriented activities of the Department of Public Programs. The records pertain to fundraising, social history lectures and seminars, the Senior Series Program, budget, educational outreach proposals, grant information, planning for the...

Series consists of Vedder's personal, professional, and family correspondence, comprised mostly of incoming letters as well as some copies or drafts of outgoing letters. Correspondents include family, friends, artists, dealers, collectors, admirers, and publishers. The bulk of the business correspondence was written by Caroline R. Vedder on behalf ...

Records kept by Adams while Director of the New York State Museum in Albany, mainly relating to his efforts to build the museum's collections. Included are correspondence, notes, printed materials and photographs.

"The portrait might be of Ali Khan Safi Ali shah, Zahir al-Dawla in his younger days." [Freer Gallery of Art and Arthur M. Sackler Gallery Archives, Curatorial Research Assistant]

- FSg curatorial research specialist remark on Antoin Sevruguin photo manipulation reads, "The four edges are chopped off to eliminate the margins. The faces has very light touch ups with something like a pencil: sharp and graphite."

- Handwritten number (inked, probably by Antoin Sevruguin) reads, "937."

- Handwritten information on slip of paper (from a 1943-1944 cash book, produced by the Bathni Brothers, Tehran) reads, "413) Government minister." [Myron Bement Smith Collection, Subseries 2.1: Islamic Archives History, Collection Information]

- Myron Bement Smith handwritten caption in English reads, "47.P; Box 52.2: Government minister (413)." [Myron Bement Smith Collection, Subseries 2.1: Islamic Archives History, Collection Information; Box 60; Folder 44: 47 P: Antoine Sevruguin, glass negatives, Iran]

"Regiment dressed in the Austrian model. The Austrian military appointment in Iran was requested in 1878. The instructors arrived in 1879 - along with instructors from Russia - and the regiment was established in 1880. By 1881-2, the Austrian regiment was disbanded. The photo shows the group of men in two seated and one standing row. The middle fig...

- FSg curatorial research specialist remark on Antoin Sevruguin photo manipulation reads, "All of the faces are touched up with with very sharp pencil."

- Handwritten number (inked, probably by Antoin Sevruguin) reads, "7??."

- Scratched handwritten number (inked, probably by Antoin Sevruguin) reads, "747."

- Handwritten information on slip of paper (from a 1943-1944 cash book, produced by the Bathni Brothers, Tehran) reads, "169) Soldiers or police." [Myron Bement Smith Collection, Subseries 2.1: Islamic Archives History, Collection Information]

- Myron Bement Smith handwritten caption in English reads, "47.P; Box 54.2: Soldiers or police (169)." [Myron Bement Smith Collection, Subseries 2.1: Islamic Archives History, Collection Information; Box 60; Folder 44: 47 P: Antoine Sevruguin, glass negatives, Iran]

This series consists of the business and personal correspondence of Edith Gregor Halpert and the Downtown Gallery. For the most part, this series is general business correspondence concerning routine activities of the Downtown Gallery, including the American Folk Art Gallery and the Daylight Gallery, both operated by the Downtown Gallery on the sam...

Correspondence regarding the preparation of Reese's book "American Prize Prints of the 20th Century" (1949), mainly soliciting biographical information and information about specific art works. Some of the artists responded with detailed information.