58 records — Page 1 of 2
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Creators:
Smithsonian Astrophysical Observatory. Science Media Group
Dates:
1986-2013
Size:
45.5 cu. ft. (45 record storage boxes) (1 document box)
Collection ID:
Accession 16-090
Repository:
Smithsonian Institution Archives

The Science Media Group (SMG) was founded by Dr. Matthew H. Schneps and Dr. Philip Michael Sadler as an experimental project to explore novel applications of video in the service of science education. In operation at the Smithsonian Astrophysical Observatory and the Harvard College Observatory from 1989 to 2013, this accession consists of...

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Creators:
Smithsonian Astrophysical Observatory. Science Media Group
Dates:
1994-2013
Size:
5 cu. ft. (5 record storage boxes)
Collection ID:
Accession 17-067
Repository:
Smithsonian Institution Archives

The Science Media Group (SMG) was founded by Dr. Matthew H. Schneps and Dr. Philip Michael Sadler as an experimental project to explore novel applications of video in the service of science education. In operation at the Smithsonian Astrophysical Observatory and the Harvard College Observatory from 1989 to 2013, this accession consists of...

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Level:
file
Collection ID:
Accession 16-090
Repository:
Smithsonian Institution Archives
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Level:
file
Collection ID:
Accession 16-090
Repository:
Smithsonian Institution Archives

Shedding Light on Science (SLS)

Contained In:
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Level:
file
Collection ID:
Accession 17-067
Repository:
Smithsonian Institution Archives

SLS/SLOS - Shedding Light on Science

Contained In:
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Dates:
circa 1936-1980
Level:
series
Size:
(Box 5, 38, Sol 42; 0.5 linear feet)
Collection ID:
AAA.neveloui
Repository:
Archives of American Art

Series consists of writings by Nevelson, which shed light on different aspects of her creativity and on her ideas about art in general and her work in particular. Included are a journal of sorts in which she recorded her dreams for a two-month time period (from April 21 to June 21) in 1936; various poems and fragments of writings; various writings ...

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Dates:
1804-1972
Level:
series
Size:
8.5 Linear feet (Boxes 11-18, 25-28, OV 29)
Collection ID:
AAA.cornjose
Repository:
Archives of American Art

Series consists of Cornell's two-dimensional and textual source material and is largely comprised of files of clippings, notes, writings, stats, cutouts, and other printed material, stemming from his various artistic, research, writing, collecting, and collating activities. Some files are devoted to people and topics. Other files relate to specific...

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Creators:
Strong, William Duncan, 1899-1962
Dates:
1902-1965
bulk 1927-1955
Size:
64.88 Linear feet (87 boxes; 16 map folders; and 14 boxes of nitrate negatives, which are not included in the linear feet extent measurement)
Collection ID:
NAA.1974-28
Repository:
National Anthropological Archives

William Duncan Strong's early interest was in zoology, but, while an undergraduate at the University of California, he was brought into anthropology under the influence of Alfred Louis Kroeber. He conducted archaeological and ethnological field research in several areas of the New World and was the first professionally trained archaeologist to focus on the Great Plains, where he applied the so-called direct historical method, working from known history in interpreting archaeological sites. Strong's papers include correspondence, field notes, diaries, newspaper clippings, teaching notes and student papers, manuscripts of his writings, writings by other authors, papers from the various organizations in which he served, maps, and a considerable number of photographs from his field work. The materials date from 1902 to 1965, with most of the materials being from 1927 to 1955.

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Creators:
Marsh, Reginald, 1898-1954
Dates:
1897-1955
Size:
9.3 Linear feet
Collection ID:
AAA.marsregi
Repository:
Archives of American Art

The papers of Reginald Marsh (1898-1954) measure approximately 9.3 linear feet and date from circa 1897 to 1955. The collection documents the life and work of the artist, who was best known for his paintings and illustrations depicting scenes of vaudeville, night clubs, burlesque, and New York City. Marsh was a lifelong free-lance illustrator for the New Yorker, Esquire and many other national magazines. Papers include correspondence, diaries, notebooks, sketches, scrapbooks, business and financial papers, and photographs, as well as some biographical and printed material.

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58 records — Page 1 of 2