Jacques Lipchitz papers
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- Creators:
-
Lipchitz, Jacques, 1891-1973
Bassett, Bruce W.
- Dates:
-
circa 1910-1999
bulk 1941-1999
- Level:
- series
- Size:
-
9.5 Linear feet (Boxes 1-10, OV 11-12)
- Collection ID:
- AAA.lipcjacq2
- Repository:
-
Archives of American Art
The papers of sculptor Jacques Lipchitz measure 9.5 linear feet and are dated circa 1910-1999, with the bulk of the material from the period 1941-1999. Personal and professional correspondence comprises nearly half of the collection. It, along with biographical material, writings by and about Lipchitz, printed material, and photographs document Lip...
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- Dates:
-
circa 1995-1996
- Level:
- file
- Collection ID:
- AAA.lipcjacq2
- Repository:
-
Archives of American Art
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- Dates:
-
circa 1992-1999
- Level:
- subseries
- Collection ID:
- AAA.lipcjacq2
- Repository:
-
Archives of American Art
Administrative correspondence is mainly between Marlborough Gallery staff and the author, Alan G. Wilkinson. Research correspondence includes several letters received in response to inquiries made during preparation of volume 1 that also contain information about works produced after 1940. They were used for researching volume 2 and remain with th...
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- Dates:
-
1992-1999
- Level:
- subseries
- Size:
-
1.7 Linear feet (Boxes 5-7, 10 )
- Collection ID:
- AAA.lipcjacq2
- Repository:
-
Archives of American Art
Sponsored by Marlborough Gallery, Inc., Alan G. Wilkinson's The Sculpture of Jacques Lipchitz: A Catalogue Raisonné was published by Thames and Hudson. Volume One: The Paris Years, 1910-1940 appeared in 1996, and Volume Two: The American Years, 1941-1973 was issued in 2000.
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- Creators:
-
Lipchitz, Jacques, 1891-1973
- Dates:
-
circa 1910-2001
bulk 1941-2001
- Size:
-
52.8 Linear feet
- Collection ID:
- AAA.lipcjacq2
- Repository:
-
Archives of American Art
The Jacques Lipchitz papers and Bruce Bassett papers concerning Jacques Lipchitz measure 52.8 linear feet and are dated circa 1910-2001, with the bulk of the material from the period 1941-2001. Papers are comprised of sculptor Jacques Lipchitz's personal papers and filmmaker Bruce Bassett's papers relating to Jacques Lipchitz. Lipchitz's personal papers contain personal and professional correspondence, comprising nearly half of the series, and biographical material, writings by and about Lipchitz, printed material, and photographs documenting Lipchitz's commissions, exhibitions, friendships, and interests. Also found are records relating to the compilation and production of The Sculpture of Jacques Lipchitz: A Catalogue Raisonné by Alan G. Wilkinson. The Bruce Bassett papers relating to Jacques Lipchitz consist mainly of Bassett's extensive audiovisual documentation of Lipchitz's life and art. Also found are paper records related to the audiovisual projects, including letters, business records, printed materials, and production records. A small quantity of material unrelated to Lipchitz is also found among the Bassett material, including video and sound recordings related to Sidney Lifchez, IBM, Isamu Noguchi, the Storm King Sculpture Center, and Auguste Rodin.
Found In
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- Dates:
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1919-1987
- Level:
- series
- Size:
-
21.9 Linear feet (Boxes 1-22)
- Collection ID:
- AAA.hitchenp
- Repository:
-
Archives of American Art
Files consist of Henry-Russell Hitchcock's personal and professional correspondence, as well as subject files relating to academic research, teaching, curatorial interests, and professional associations. Subject files are comprised mainly of correspondence and printed material, with a small number of photographs that mostly relate to exhibitions an...
Contained In:
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- Creators:
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Blanch, Gertrude
Bloch, Richard M.
Bradburn, James
Brainerd, John G.
More … - Dates:
-
1969-1973, 1977
- Size:
-
43.5 Cubic feet (158 boxes)
- Collection ID:
- NMAH.AC.0196
- Repository:
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Archives Center, National Museum of American History
The Computer Oral History Collection (1969-1973, 1977), was a cooperative project of the American Federation of Information Processing Societies (AFIPS) and the Smithsonian Institution. This project began in 1967 with the main objective to collect, document, house, and make available for research source material surrounding the development of the computer.
Found In
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- Creators:
-
Scurlock, Robert S. (Saunders), 1917-1994
Custom Craft
Scurlock, Addison N., 1883-1964
Scurlock, George H. (Hardison), 1919-2005
More … - Dates:
-
1929-1989
- Size:
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87 Boxes
The subseries consists of black and white silver gelatin negatives.
- Collection ID:
- NMAH.AC.0618.S04.06
- Repository:
-
Archives Center, National Museum of American History
The Scurlock photographic studio was a fixture in the Shaw area of Washington, D.C. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Subseries 4.6 consists of black and white silver gelatin negatives. An overview to the entire Scurlock collection is available here: Scurlock Studio Records
Found In
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- Creators:
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American Federation of Arts
- Dates:
-
1895-1993
bulk 1909-1969
- Size:
-
79.8 Linear feet
- Collection ID:
- AAA.amerfeda
- Repository:
-
Archives of American Art
The records of the American Federation of Arts (AFA) provide researchers with a complete set of documentation focusing on the founding and history of the organization from its inception through the 1960s. The collection measures 79.8 linear feet, and dates from 1895 through 1993, although the bulk of the material falls between 1909 and 1969. Valuable for its coverage of twentieth-century American art history, the collection also provides researchers with fairly comprehensive documentation of the many exhibitions and programs supported and implemented by the AFA to promote and study contemporary American art, both nationally and abroad.