- Collection ID:
- Accession 03-143
Smithsonian Institution Archives
Exhibition #214, DIRECTIONS - Cindy Sherman, March 15 - June 25, 1995
This accession consists of records documenting publicity for exhibitions, lectures, films, public programs, and other activities. Exhibitions documented in this accession include Clyfford Still: Paintings, 1944-1960; Edward Ruscha; Regarding Beauty: A View of the Late Twentieth Century; William Kentridge; Alberto Giacometti, 1901-1966; DIRECTIONS: Alison Saar; DIRECTIONS: Juan Munoz; DIRECTIONS: Robert Cummings: Intuitive …
This accession primarily consists of records documenting writer's workshops led by the Hirshhorn Museum and Sculpture Garden in association with specific exhibitions. Each workshop results in a compilation of reflections and poetry related to the exhibition. Workshops covered in this accession are related to the exhibitions Edward Ruscha; Regarding Beauty …
LeRoy Neiman papers
The papers of LeRoy Neiman measure approximately 70.5 linear feet and date from 1938-2005. The collection includes biographical materials, correspondence, project files, printed material and artifacts documenting the career of the American painter LeRoy Neiman.
This accession consists of records that document the activities of Neal David Benezra, Assistant Director for Art and Public Programs (1995-2000). Materials dated prior to 1995 were created and maintained by the Benezra during his tenure as the Chief Curator (1995). Please note that a small portion of the records was created and …
This accession consists of records created and maintained by James Demetrion, Director, 1984-2001, documenting exhibitions created at the Hirshhorn Museum and Sculpture Garden by various curators, including Stanley Spencer: An English Vision and Clyfford Still: Paintings, 1944-1960, curated by Demetrion. Materials include correspondence and memoranda. Materials for exhibitions curated by Demetrion also …
This accession consists of records documenting objects used in exhibitions at the Hirshhorn Museum and Sculpture Garden. Materials consist of correspondence, memoranda, loan agreements, object lists, loan record sheets, shipping records, insurance records, condition notes, and indemnities.
Leo Castelli Gallery records
The Leo Castelli Gallery records measure 215.9 linear feet and 0.001 GB and date from circa 1880-2000, with the bulk of the materials dating from the gallery's founding in 1957 through Leo Castelli's death in 1999. The major influence of dealer Leo Castelli and his gallery on the development of mid-to-late twentieth century modern art in America is well-documented through business and scattered personal correspondence, administrative files, exhibition files, extensive artists' files and printed materials, posters, awards and recognitions, photographs, and sound and video recordings. Also included are records for the subsidiary firms of Castelli Graphics and Castelli/Sonnabend Tapes and Films.
This accession consists of records that document the publicity that promoted and supplemented exhibitions at the Hirshhorn Museum and Sculpture Garden. There is also a smaller amount of material in boxes 5 and 6 that document general museum activities and events. Materials include press releases, brochures, clippings, fact sheets, notes, pamphlets, photographs …
These records document the planning, development, and installation of exhibitions by the Department of Painting and Sculpture, Hirshhorn Museum and Sculpture Garden (HMSG). Included are biographical and bibliographical research files on artists; correspondence with museums, galleries, and artists concerning loan of artwork; loan reports; shipment records; installation notes and photographs …