Oral history interview with Rupert Garcia
Karlstrom, Paul J.
166 Pages (Transcript)
An interview of Rupert Garcia conducted 1995 Sept. 7-1996 June 24, by Paul J. Karlstrom, for the Archives of American Art, at Rupert Garcia's home and studio, in Oakland, Calif.
Oral history interview with Celia Alvarez Muñoz
Cordova, Cary
Recuerdos Orales: Interviews of the Latino Art Community in Texas
An interview of Celia Alvarez Muñoz conducted 2004 Feb. 7-28, by Cary Cordova, for the Archives of American Art, in Arlington, Tex.
Oral history interview with Peter Rodriguez
Wagner, Nora
An interview of Peter Rodriguez conducted 2004 October 23-24, by Nora Wagner, for the Archives of American Art, in San Francisco, Calif.
Oral History interview with Carlos Villa
Karlstrom, Paul J.
An interview of Carlos Villa conducted 1995 June 20-July 10, by Paul Karlstrom, for the Archives of American Art.
Cook Labs records
Cook, Emory, 1913-2002
63.5 Cubic feet (Open-reel tapes)
8.75 Cubic feet (Business records)
78.55 Cubic feet
The Cook Labs records, which date from 1939-2002, document the activities of audio engineer Emory Cook and his label Cook Labs. The contents include business records, materials relating to recording artists, photographs, and production materials, as well as phonograph records, master recordings and unpublished recordings produced by or associated with the Cook Labs label. The collection also contains two interviews conducted with Emory Cook in 1990: one by Jeff Place and one by Anthony Seeger and Nicholas Spitzer. There are several physical objects relating to Cook Labs including a bag of powdered vinyl, a binaural playing arm, and a condenser microphone.
George Deem papers
bulk 1960-2008
10.71 Gigabytes
The papers of painter, writer, and dancer George Deem measure 18.2 linear feet and 10.71 GB and date from 1904-2015, with the bulk of the material dating from 1960-2008. The collection documents Deem's path from Midwestern farm child to New York City artist and teacher who specialized in recreating works of great masters, especially Johannes Vermeer. Correspondence, exhibition files, subject files, project files, writings by and about Deem, printed and digital material and photographic materials all show the trajectory of Deem's development as an artist.
John Canfield Ewers Papers
Conner, Stuart W.
Dempsey, Hugh A.
Ewers, John C. (John Canfield), 1909-1997
More …
The John Canfield Ewers Papers document his wide ranging anthropological interests from early White depictions of Native Americans to the material culture of the Plains tribes through correspondence, exhibit catalogs, field notes, illustrations, lectures, maps, photocopies of archival materials, photographs, and writings. The collection includes materials relating to his numerous …
Willis Wagner Wirth Papers
This accession consists of professional correspondence of Willis Wagner Wirth, an entomologist specializing in the study of Diptera. Most of the correspondence concerns the identification of specimens.
Exhibition Records
This accession consists of records which document the research, development, fundraising, publicity, production, and execution of exhibitions at the Smithsonian American Art Museum (SAAM) and the Renwick Gallery. Staff represented include Harry Rand, Curator, Department of 20th Century Painting and Sculpture, SAAM; Louise Reeves, Exhibitions Coordinator, SAAM; Jacquelyn Days Serwer, Chief …
The Garden Club of America collection
33 Linear feet ((garden files))
3,000 Lantern slides
This collection contains over 37,000 35mm slides, 3,000 glass lantern slides and garden files that may include descriptive information, photocopied articles (from journals, newspapers, or books), planting lists, correspondence, brochures, landscape plans and drawings. Garden files were compiled by Garden Club of America (GCA) members for most of the gardens included in the collection. Some gardens have been photographed over the course of several decades; others only have images from a single point in time. In addition to images of American gardens, there are glass lantern slides of the New York Flower Show (1941-1951) and trips that GCA members took to other countries, including Mexico (1937), Italy, Spain, Japan (1935), France (1936), England (1929), and Scotland. A number of the slides are copies of historic images from outside repositories including horticultural and historical societies or from horticultural books and publications. The GCA made a concerted effort in the mid-1980s to acquire these images in order to increase its documentation of American garden history. Because of copyright considerations, use of these particular images may be restricted.
