Jones-Harvey, Eleanor, 2006
- Level:
- file
- Collection ID:
- Accession 14-099
- Repository:
-
Smithsonian Institution Archives
Cirque des Voix
- Level:
- item
- Dates:
-
2018 July 08
- Size:
-
1 Sound recording (digital audio file)
- Collection ID:
- CFCH.SFF.2017
- Repository:
-
Ralph Rinzler Folklife Archives and Collections
Cirque des Voix
- Level:
- item
- Dates:
-
2018 July 08
- Size:
-
1 Sound recording (digital audio file)
- Collection ID:
- CFCH.SFF.2017
- Repository:
-
Ralph Rinzler Folklife Archives and Collections
Cirque des Voix [Low Level]
- Level:
- item
- Dates:
-
2017 July 07
- Size:
-
1 Sound recording (digital audio file)
- Collection ID:
- CFCH.SFF.2017
- Repository:
-
Ralph Rinzler Folklife Archives and Collections
Exhibition Records
This accession consists of records which document the research, development, fundraising, publicity, production, and execution of exhibitions at the Smithsonian American Art Museum (SAAM), previously known as the National Museum of American Art, 1980-2000, as well as exhibitions displayed in the Renwick Gallery. These materials were primarily created by Chief Curator …
Museum of the American Indian/Heye Foundation records
Heye, George G. (George Gustav), 1874-1957
These records document the governance and programmatic activities of the Museum of the American Indian/Heye Foundation (MAI) from its inception in 1904 until its sublimation by the Smithsonian Institution in 1990. The types of materials present in this collection include personal and institutional correspondence, individual subject files, minutes and annual reports, financial ledgers, legal records, expedition field notes, research notes, catalog and object lists, publications, clippings, flyers, maps, photographs, negatives and audio-visual materials. These materials span a varied range of subjects relating to the activities of the museum which are more fully described on the series level.
Henri Gallery records
1940-1996
bulk 1957-1995
The records of Henri Gallery, a Washington, D.C. gallery that showed painters from the Washington Color School and emerging artists, measure 55.4 linear feet and date from circa early 1900s, 1940 to 1996, with the bulk of the materials dating from 1957 to 1995. The gallery's relationship with artists and clients, exhibitions, sales, and other business is documented in alphabetical files containing a wide variety of materials, including correspondence, sales records, printed materials, photographs, slides, and motion picture film. Additional correspondence, newspaper clippings, 114 exhibition posters, scattered drawings, illustrated cards, and photographic materials are also found in the collection.
Records
This finding aid was digitized with funds generously provided by the Smithsonian Institution Women's Committee.
John Davis Hatch papers
The papers of art historian, collector, educator, and museum administrator John Davis Hatch measure 24.9 linear feet and date from 1790-1995. Within the papers are biographical materials; correspondence; personal business and legal documents; diaries; research, organization, and teaching files; writings; printed materials; photographs; and works of art (mostly sketches) by American artists. Research files regarding artists and specific subjects comprise the bulk of this collection.
Frank K. M. Rehn Galleries records
bulk 1919-1968
The Frank K. M. Rehn Galleries records measure 21.8 linear feet and are dated 1858-1969 (bulk 1919-1968). The records consist mainly of business correspondence with collectors, artists, museums and arts organizations, colleagues, and others. A small amount of Frank K. M. Rehns personal correspondence and a few stray personal papers of individual artists are interfiled. Also included are financial records, scrapbooks, printed matter, miscellaneous records, and photographs documenting most of the history of a highly regarded New York City art gallery devoted to American painting.
