Oral history interview with Bruce Metcalf
Cooke, Edward S., 1954-
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America
5 Items (Sound recording: 5 sound files (4 hr., 10 min.), digital, wav)
An interview of Bruce Metcalf conducted 2009 June 10, by Edward S. Cooke, Jr., for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at Metcalf's home, in Bala Cynwyd, Pennsylvania. Mr. Metcalf discusses his early years in Amherst, Massachusetts; beginnings as a maker …
Susan Cummins Gallery records
The Susan Cummins Gallery records measure 6.4 linear feet and date from 1984 to 2002, with the bulk of the records dating from 1990 to 2001. The collection sheds light on the California gallery's artists and operations through administrative records, artists' files, printed materials, photographic materials, audiovisual recordings, correspondence, and more. Also included are two files relating to art panels and lectures given by Susan Cummins.
Oral history interview with John Marshall
Herman, Lloyd E.
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America
45 Pages (Transcript)
An interview of John Marshall conducted 2001 April 5, by Lloyd Herman, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, in Edmonds, Washington.
Oral history interview with Boris Bally
Riedel, Mija, 1958-
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America
109 Pages (Transcript)
An interview of Boris Bally conducted 2009 May 26-27, by Mija Riedel, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at Bally's home and studio, in Providence, Rhode Island.
Milch Gallery records
The records of Milch Gallery measure 42.5 linear feet and date from 1911-1995. Edward Milch (1865-1953) opened the Edward Milch Gallery in New York City. In 1916, he formed a partnership with his brother Albert Milch (1881-1951), a gilder and framer, creating E. & A. Milch, Inc., a gallery specializing in American art. Harold C. Milch (1904-1981), Albert's son, was appointed a partner in 1944 and continued the business until his death. Business records of Milch Gallery, 1911-1968, include correspondence, sales records, inventories, financial records, printed matter, photographs, and legal documents. Later additions to the records date from 1922-1995 and include correspondence; artists' files; financial, sales, and stock records; printed material; and photographs.
Bruce C. Heezen Papers
This finding aid was digitized with funds generously provided by the Smithsonian Institution Women's Committee.
Dowd Harpsichord Collection
The collection documents Dowd's career as a maker and scholar of harpsichords through correspondence, photographs, drawings, notes, and financial materials. The collection contains templates and drawings for harpsichords built or restored by Dowd. The collection also documents the activities of small business and its owner in Boston from 1959-1988.
General Correspondence
- Level:
- subseries
- Dates:
-
1890-1966
- Size:
-
4 Linear feet (Box 5-9, 32, 56, OV 40)
- Collection ID:
- AAA.kuhnwalt
- Repository:
-
Archives of American Art
Chronological Name and Subject Files
- Level:
- series
- Dates:
-
1919-1987
- Size:
-
21.9 Linear feet (Boxes 1-22)
- Collection ID:
- AAA.hitchenp
- Repository:
-
Archives of American Art
Jacques Lipchitz papers and Bruce Bassett papers concerning Jacques Lipchitz
bulk 1941-2001
The Jacques Lipchitz papers and Bruce Bassett papers concerning Jacques Lipchitz measure 52.8 linear feet and are dated circa 1910-2001, with the bulk of the material from the period 1941-2001. Papers are comprised of sculptor Jacques Lipchitz's personal papers and filmmaker Bruce Bassett's papers relating to Jacques Lipchitz. Lipchitz's personal papers contain personal and professional correspondence, comprising nearly half of the series, and biographical material, writings by and about Lipchitz, printed material, and photographs documenting Lipchitz's commissions, exhibitions, friendships, and interests. Also found are records relating to the compilation and production of The Sculpture of Jacques Lipchitz: A Catalogue Raisonné by Alan G. Wilkinson. The Bruce Bassett papers relating to Jacques Lipchitz consist mainly of Bassett's extensive audiovisual documentation of Lipchitz's life and art. Also found are paper records related to the audiovisual projects, including letters, business records, printed materials, and production records. A small quantity of material unrelated to Lipchitz is also found among the Bassett material, including video and sound recordings related to Sidney Lifchez, IBM, Isamu Noguchi, the Storm King Sculpture Center, and Auguste Rodin.