John Quinn ledgers
Ledgers detailing the art purchases of John Quinn. Entries include the Association of American Painters and Sculptors listing purchases from the Armory Show, February to June 1913, of works by Cezanne, Renoir, Raymond Villon-Duchamp, Andre Derain, Jules Pascin, Odilon Redon, Walt Kuhn, Jacques Villon and others. Also entered are purchases from …
Material for Catalog
- Level:
- file
- Dates:
-
1951-1952
undated
- Collection ID:
- AAA.jacqself
- Repository:
-
Archives of American Art
Correspondence
- Level:
- file
- Dates:
-
1951-1952
- Collection ID:
- AAA.jacqself
- Repository:
-
Archives of American Art
Newspaper Clippings
- Level:
- file
- Dates:
-
1951
- Collection ID:
- AAA.jacqself
- Repository:
-
Archives of American Art
Lists
- Level:
- file
- Dates:
-
1951
- Collection ID:
- AAA.jacqself
- Repository:
-
Archives of American Art
Photographs
- Level:
- file
- Dates:
-
undated
- Collection ID:
- AAA.jacqself
- Repository:
-
Archives of American Art
Swetzoff Gallery Records
The records of the Boston, Massachusetts Swetzoff Gallery measure 18.6 linear feet and date from 1941 to 1968. Materials include administrative files, scattered general correspondence, named files, exhibition files, financial records, printed material, a scrapbook of printed material, photographs, and the personal papers of Hyman Swetzoff.
Ehrich Print Gallery. Odilon Redon, 1840-1916: Exhibition of Etchings and Lithographs. Introduction by Walter Pach. New York
- Level:
- file
- Dates:
-
1919 February 18-March 12
- Collection ID:
- AAA.pachwalt2
- Repository:
-
Archives of American Art
1951-1952: Odilon Redon, 1840-1916: Pastels and Drawings
- Level:
- file
- Collection ID:
- AAA.jacqself
- Repository:
-
Archives of American Art
Alan R. Solomon papers
bulk 1944-1970
The papers of New York art historian, museum director, curator, writer, and educator, Alan R. Solomon, measure 9.9 linear feet and date from 1907-1970, with the bulk of the material dating from 1944-1970. Through biographical material, correspondence, interview transcripts, writings and notes, teaching and study files, subject files, exhibition files, business records, printed material, and photographs, the collection documents Solomon's education, his early teaching appointments at Cornell University, and his subsequent direction of many diverse curatorial and research projects relating to contemporary American art, particularly the transition from Abstract Expressionism to later modern movements, and the thriving New York City art scene.
