16 records — Page 1 of 2
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Creators:
Becker, John M.
Gay Officers Action League. GOAL
Heritage of Pride (HOP)
Hirsch, Leonard
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Dates:
1825-2023, undated
bulk 1960-2022
1825-2022, undated
bulk 1960-2022
Size:
64 Cubic feet (193 boxes, 21 map-folders)
64.1 Cubic feet (193 boxes, 21 map-folders)
Collection ID:
NMAH.AC.1146
Repository:
Archives Center, National Museum of American History

This collection contains a variety of periodicals, photographs, correspondence, business and advertising ephemera (corporate and non-profit, personal), organizational records and ephemera, created by, for, and in reaction to the Lesbian, Gay, Bisexual, Transgender (LGBT) community.

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Creators:
Brooks, Michael
Shifrin, Art
Baker, Kenny, 1926-2011
Forrest, Helen
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Dates:
1977
Level:
item
Size:
1 Phonograph record (analog, 33 1/3 rpm, 12 in.)
Collection ID:
CFCH.RINZ
Repository:
Ralph Rinzler Folklife Archives and Collections

When the Lusitania went down / Herbert Stuart --I didn't raise my boy to be a soldier / Morton Harvey --Let's all be Americans now / American Quartet --Over there / Nora Bayes --Hello, Central! Give me No Man's Land / Al Jolson -- There's a vacant chair in every home tonight / The Shannon Four --I've got my captain working for me now / Al Jolson --...

209 My Guy's Come Back / Helen Forrest. Vocals,Orchestra. 101 When the Lusitania Went Down / Herbert Stuart. 102 I Didn't Raise My Boy to Be a Soldier / Morton Harvey. 103 Let's All Be Americans Now / American Quartet, Billy Murray, John Young. 104 Over There / Nora Bayes. 105 Hello, Central! Give Me No Man's Land / Al Jolson. 106 There's a V...

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Level:
file
Collection ID:
Record Unit 481
Repository:
Smithsonian Institution Archives
Digitized Content Discusses the design, installation, and opening of the Hirshhorn Museum and Sculpture Garden, reminiscences of staff, the board of trustees, artists, and critics; the opening of the museum, and early exhibitions, including: architect Gordon Bunschaft's vision for the Hirshhorn building; the installation of the collection for the opening of the museum; reminiscences of staff Michael Shapiro, Cynthia Jaffee McCabe, and Inez Garson; the plan and reconfiguration of the Sculpture Garden; the role of the Smithsonian in the new museum; the purpose of the Hirshhorn Museum and Sculpture Garden Board of Trustees; reflections on the political climate during the 1970s; the initial objections toward the Hirshhorn Museum prior to its opening; hearings on the museum by the U.S. Congress; moving the collection to Washington, D.C.; the Bicentennial of the American Revolution exhibitions; public attendance and response once the museum opened; ideas on the depth of the collections and the role that research plays in a museum; the The Noble Buyer: John Quinn, Patron of the Avant-Garde exhibition; Hirshhorn's collection of Benin art now housed at the National Museum of African Art; the article by Harold Rosenberg on the opening of the museum; John Beardsley and the Probing the Earth: Contemporary Land Projects exhibition; reminiscences of the sculptor Henry Moore; the exhibition interests of Charles W. Millard, III, the first Chief Curator; The Avant Garde in Russia exhibition and the play Victory Over the Sun; reminiscences of artist Larry Rivers; exhibitions curated by Joseph Shannon, such as the R. B. Kitaj exhibition; the obligation to show overseas exhibitions; the installation of the Jesus Raphael Soto retrospective; the Bicentennial exhibition openings; The Sources of Country Music (Thomas Hart Benton's final mural) exhibition; personal recollections of Thomas Hart Benton and American mural painting; the Raphael Soyer exhibitions; the Smithsonian underground complex; the curatorial staff; the Hirshhorn film program; acquisition of Action in Chains (L'Action Enchainee) Monument to Louis-Blanqui by Aristide Maillol; reminiscences of registrars Brian Kavanaugh and Doug Robinson; reminiscences of artists Fernando Botero and Raphael Soyer; foreign dignitaries; the di Suvero dedication ceremony; the Hirshhorn Holiday program; and reminiscences of Steven E. Weil.
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Level:
file
Collection ID:
Record Unit 9600
Repository:
Smithsonian Institution Archives
Contained In:
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Level:
series
Collection ID:
CFCH.SFF.2010
Repository:
Ralph Rinzler Folklife Archives and Collections
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Creators:
Hersh, Phyllis
Lensen-Tomasson, Nancy, 1931-
Dates:
1974-2008
bulk 1975-1980
Size:
89 Negatives (photographic)
536 Photographic prints
1.3 Linear feet
Collection ID:
NMAI.AC.023
Repository:
National Museum of the American Indian

The Phyllis Hersh collection consists of papers and photographs associated with a book project on contemporary Hopi, Navajo, Santo Domingo, and Zuni jewelry and jewelers. The collection measures 1.3 linear ft. of mansucript materials, 521 photographic prints, and 85 photographic negatives, and dates from 1974 to 2008, with the bulk of the material dating from 1975 to 1980. The papers primarily document Hersh's work on "The Indian Jewelers' Art," an unfinished book on contemporary Native American jewelry.

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Creators:
Peters, James Arthur, 1922-1972
Dates:
1927-1973 (Papers), 1927-1966 (Records)
Size:
24.25 cu. ft. (48 document boxes) (1 half document box)
Collection ID:
Record Unit 7175
Repository:
Smithsonian Institution Archives

These papers include both personal and professional correspondence and documents relating to Peters' academic and curatorial careers. Also included are files of the Division of Reptiles and Amphibians maintained by Peters' predecessor, Doris Mable Cochran (1898-1968). Correspondents include Jorge W. Abalos, M. Acosta-Solis, Kraig Kerr Adl...

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Dates:
1968
Level:
file
Size:
3 Folders
Collection ID:
NAA.2009-27
Repository:
National Anthropological Archives
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Dates:
1989
Size:
7 videotapes (Reference copies). 25 digital .wmv files and .rm files (Reference copies).
Collection ID:
Record Unit 9542
Repository:
Smithsonian Institution Archives

The Smithsonian Videohistory Program, funded by the Alfred P. Sloan Foundation from 1986 until 1992, used video in historical research. Additional collections have been added since the grant project ended. Videohistory uses the video camera as a historical research tool to record moving visual information. Video works best in historical r...

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16 records — Page 1 of 2