272 records — Page 2 of 26
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Creators:
Hallam, Beverly, 1923-2013
Dates:
1899-2013
Size:
24.2 Linear feet
2.73 Gigabytes
Collection ID:
AAA.hallbeve
Repository:
Archives of American Art

The papers of painter, printmaker, photographer, and educator Beverly Hallam measure 24.2 linear feet and 2.73 Gigabytes, and date from 1899-2013. The collection includes biographical material, correspondence, personal business records, writings, journals, teaching materials, printed material, photographs, film, video, and sound recordings, guest books, and artwork.

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Creators:
Music, Sports and Entertainment, Division of, NMAH, SI
Sidney, Corinne Entratter
Sidney, George, 1916-2002
Dates:
1885-2002
bulk 1940-1967
Size:
54 film reels
96 Cubic feet (288 boxes, 6 oversize folders)
Collection ID:
NMAH.AC.0867
Repository:
Archives Center, National Museum of American History

George Sidney (1916-2002) was a film director during the Golden Age of Hollywood filmmaking (1927-1954). He spent the longest period of his career at Metro-Goldwyn-Mayer (MGM) until the 1950s. He later produced and directed films for Columbia Pictures and Paramount Pictures. He was a president of the Directors Guild of America and an avid photographer. He was the recipient of three awards from the Academy of Motion Picture Arts and Sciences (Oscar). The collection consists of photographs, photographic negatives, personal and business materials, and film. The collection also contains material created by George Sidney's uncle, George Sidney, vaudevillian and motion picture actor.

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Creators:
National Collection of Fine Arts. Office of the Director
Dates:
1892-1960
Size:
22 cu. ft. (44 document boxes)
Collection ID:
Record Unit 311
Repository:
Smithsonian Institution Archives

This record unit documents the administration of William Henry Holmes, first Curator of the National Gallery of Art (NGA), 1907-1920, and Director of the Gallery, 1920-1932. To a lesser extent, it also documents the administration of Ruel P. Tolman, Acting Director of NGA, 1932-1937, and the National Collection of Fine Arts (NCFA), 1937-1946, ...

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Creators:
Washington, Rico, Music Journalist
Yanagawa, Shino, Photographer
Dates:
2009-2011
Size:
4 Linear feet (2 boxes; 4 linear ft., 3.58 GB)
Collection ID:
ACMA.06-103
Repository:
Anacostia Community Museum Archives

An exhibition exploring the varied stigmas and stereotypes applied to New York City's Housing Authority sites and the residents (past and present) who live in them. Journalist Rico Washington and photographer Shino Yanagawa collaborated on this exhibit which offers an in-depth look at how New York City public housing has impacted society-at-large by producing some of the world's most influential and dynamic artists, entrepreneurs, athletes, musicians, politicians, and thinkers. It was exhibited at the World Festival of Black Arts and Culture in Dakar, Senegal, 2010, at the Gordon Parks Gallery at the College of New Rochelle (NY), 2013, and the Brooklyn Historical Society from 2014-2015.

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Creators:
Gilliam, Sam
Dates:
1957-1989
Size:
7.9 Linear feet
Collection ID:
AAA.gillsam
Repository:
Archives of American Art

The papers of contemporary Color Field painter and educator Sam Gilliam measure 7.9 linear feet and date from 1957 to 1989. The papers include biographical material, correspondence, writings, business records, printed material, subject files, a scrapbook, artwork, and photographic material that document Gilliam's life from his time as a student through his teaching, professorial, and artistic career. The collection highlights Gilliam's close involvement with the art institutions, racial politics, and artistic innovation taking place in 1960s through 1980s America, specifically in Washington D.C.

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Creators:
Stirling, Matthew Williams, 1896-1975
Stirling, Marion
Dates:
1876-2004, undated
bulk 1921-1975
Size:
37.94 Linear feet (84 boxes, 3 map folders)
Collection ID:
NAA.2016-24
Repository:
National Anthropological Archives

The Matthew Williams Stirling and Marion Stirling Pugh papers, 1876-2004 (bulk 1921-1975), document the professional and personal lives of Matthew Stirling, Smithsonian archaeologist and Chief of the Bureau of American Ethnology (1928-1957), and his wife and constant collaborator, Marion Stirling Pugh. The bulk of the material is professional in nature and includes material from Matthew's early career in the 1920s, the careers of Matthew and Marion together from when they married in 1933 to Matthew's death in 1975, and Marion's life and work from 1975 until her death in 2001. The majority of the documentation relates to the investigation of the Olmec culture in Mexico by the Stirlings, including the discoveries of eight colossal Olmec heads. In addition, the collection documents their work in Panama, Ecuador, and Costa Rica, looking for connections between Mesoamerica and South America. Materials include field notes, journals, correspondence, photographs, writings, clippings, ephemera, articles, and scrapbooks.

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Creators:
Art Foundry
Art Foundry Editions
Dates:
circa 1975-circa 2007
Size:
25.7 Linear feet
0.891 Gigabytes
Collection ID:
AAA.artfoued
Repository:
Archives of American Art

The Art Foundry and Art Foundry Editions records measure 25.7 linear feet and 0.891 GB and date from circa 1975 to circa 2007. Records include administrative files; correspondence with artists, collectors, dealers, galleries, and others; eight gallery appointment books and fourteen notebooks; exhibition files; extensive artists' files; financial and legal materials; sculpture production and inventory files; and photographic and digital materials.

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Creators:
Madsen, Loren, 1943-
Dates:
1969-2019
Size:
5.2 Linear feet
45.82 Gigabytes
Collection ID:
AAA.madslore
Repository:
Archives of American Art

The papers of artist Loren Madsen measure 5.2 linear feet and 45.82 GB and date from 1969 to 2019. The collection primarily consists of project and exhibition files, and also includes personal business records, correspondence, writings, photographic material, and artwork. There are materials in physical and digital format.

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Creators:
Ottenberg, Simon
Dates:
1959-1960
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.2000-007
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This photograph was taken by Dr. Simon Ottenberg while conducting field research at Afikpo village-group, southeastern Nigeria, from September 1959 to December 1960.

Original caption reads, "Masquerades on days following whipping day contests, Mgbom Village. Hihi masqueraders, on orie day, a form that looks like logholo, unusual compared to logholo, in that nobody plays with it, no chasing, it only dances. Fiber netted mask, raffia dress, ikpo metal bell hanging on chest." [Ottenberg field research notes, Septe...

"There is an annual form of initiation called isubu eda, which is found only in the Itim subgroup of the Afikpo villages. In this form the boys are initiated in a forest bush area one evening, spend the night in the common, and are free to leave the next morning. For the next six orie days those boys from the home village who are initiated into isu...

The photograph depicts hihi masked performers. The net mask is dark and usually has a headpiece, called ekoro. A raffia dress is worn from the shoulders to the feet. The hihi like to dance about together, shoulder to shoulder, singing the songs used in the annual whipping ritual day in the village.

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Creators:
Ottenberg, Simon
Dates:
1959-1960
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.2000-007
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This photograph was taken by Dr. Simon Ottenberg while conducting field research at Afikpo village-group, southeastern Nigeria, from September 1959 to December 1960.

Original caption reads, "Masquerades on days following whipping day contests, Mgbom Village. Hihi masqueraders, on orie day, a form that looks like logholo, unusual compared to logholo, in that nobody plays with it, no chasing, it only dances. Fiber netted mask, raffia dress, ikpo metal bell hanging on chest." [Ottenberg field research notes, Septe...

"There is an annual form of initiation called isubu eda, which is found only in the Itim subgroup of the Afikpo villages. In this form the boys are initiated in a forest bush area one evening, spend the night in the common, and are free to leave the next morning. For the next six orie days those boys from the home village who are initiated into isu...

The photograph depicts hihi masked performers. The net mask is dark and usually has a headpiece, called ekoro. A raffia dress is worn from the shoulders to the feet. The hihi like to dance about together, shoulder to shoulder, singing the songs used in the annual whipping ritual day in the village.

272 records — Page 2 of 26