Hundred Acres gallery records
The records of New York City gallery Hundred Acres measure 3.2 linear feet and date from 1969 to 1977. The collection contains files documenting the activities of artists such as John Baeder, Nancy Blanchard, Frederick John Eversley, John Fekner, Richard Haas, Eleanor Hubbard, Stevan Jennis, Noel Mahaffey, Ed Paschke, Liliana Porter, and Mark Wilson. Also included are gallery files consisting of administrative records, sales and inventory records, correspondence, exhibition files, and a file regarding the Radical Realism I print portfolio.
Allan Stone Gallery records
The Allan Stone Gallery records measure 196.1 linear feet and date from 1960 though 2019. The collection encompasses correspondence, photographs and transparencies, calendars, manuscripts, catalogs, news clippings, and documents pertaining to art transactions and exhibitions. The breadth of the Gallery papers demonstrates its eponymous founder's eclectic approach to collecting and his early advocacy …
Records
These records consist primarily of incoming and outgoing correspondence of the curatorial staff of the Division of Crustacea, 1965-1979, and its predecessor, the Division of Marine Invertebrates, 1908-1965. Most of the correspondence dates from 1937, with a small amount created before that date. A few photographs and manuscripts are included in the records …
Ivan C. Karp papers and OK Harris Works of Art gallery records
O.K. Harris Gallery (New York, N.Y.)
The Ivan C. Karp papers and OK Harris Works of Art gallery records measure 80.3 linear feet and are dated 1960-2014. The collection documents the operation and activities of the contemporary art gallery founded by Ivan C. Karp in the SoHo area of Manhattan. Exhibition files, artist files, printed material and photographic materials reveal the wide range of artists represented by OK Harris and the gallery's role in introducing Photo-realism to the public. Aso included are administrative files, prints by OK Harris artists, business and personal correspondence, 39 journals by Karp spanning a period of 62 years, and other personal papers. Material pre-dating the 1969 establishment of OK Harris Works of Art consists of printed items and a few letters.
Holly Solomon Gallery records
0.002 Gigabytes
The records of Holly Solomon Gallery, a New York City gallery specializing in contemporary American art, measure 200.6 linear feet and 0.002 GB and date from circa 1948-2003. The gallery's activities are documented through dealer files, subject files, artists' files, inventories, sales and loan records, administrative and financial records, printed and digital materials, photographic materials of artwork and exhibitions, and sound, video, and film recordings. Also found are records of the alternative space, 98 Greene Street Loft, as well as Holly Solomon's personal papers.
Museum Events, Programs, and Projects, 1967-1989
392 Sound recordings (50 open reel 1/4" sound recordings ; 5 microcassette sound recordings ; 337 audio cassette sound recordings)
266 Video recordings (1 Super 8 film reel ; 152 open reel 1/2" video recordings ; 3 U-matic 3/4" video recordings ; 110 VHS 1/2" video recordings)
This collection contains video and audio recordings of events, talks, and ceremonies hosted at or by the Anacostia Community Museum. It also contains audiovisual PR materials for the museum and its events. The collection includes recordings of a wide array of events, including the opening of the Anacostia Community Museum …
Fast Folk Musical Magazine records
Hardy, Jack, 1947-2011
Meyer, Richard , 1952-
bulk 1982-1995
720 Folders (Business records)
163 reel to reel tapes,136 VHS tapes, 188 cassette tapes, 100 DAT tapes, 20 467 tapes, 6 compact discs, 16 miscellaneous audio materials, all are mostly recordings of Fast Folk events or Fast Folk recording artists; 604 folders containing information and materials relating to magazines, recordings, events and business; objects related to the Fast Folk Musical Magazine
The Fast Folk Musical Magazine records, which date from 1982-2002, document the activities of Fast Folk Musical Magazine. The collection is comprised chiefly of audio/video materials and the paper business records of the company. Audio and video materials include phonograph records, reel-to-reel tapes, VHS videotapes, audiocassettes, digital audiotapes, compact discs and miscellaneous audio material. The paper records include press materials related to Fast Folk and Fast Folk recording artists, magazine source materials, recording agreements, lyrics, artist biographies, photographs, financial documents, correspondence, planning for events and other miscellany. Additionally, there is a Fast Folk t-shirt and a bag of Fast Folk pencils, pens and erasers.
Scurlock Studio Records, Series 1: Black and White Photographs
Scurlock, Addison N., 1883-1964
Custom Craft
Scurlock Studio (Washington, D.C.)
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The Scurlock photographic studio was a fixture in the Shaw area of Washington, DC from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Series 1 primarily consists of black and white photographs, but also includes job envelopes, order forms, correspondence, notes, and other photographic materials such as negatives. An overview to the entire Scurlock collection is available here: Scurlock Studio Records.
LeRoy Neiman papers
The papers of LeRoy Neiman measure approximately 70.5 linear feet and date from 1938-2005. The collection includes biographical materials, correspondence, project files, printed material and artifacts documenting the career of the American painter LeRoy Neiman.
Scurlock Studio Records, Subseries 4.5: Black and white negatives in cold storage arranged by job number
Scurlock Studio (Washington, D.C.)
Scurlock, Addison N., 1883-1964
Scurlock, George H. (Hardison), 1919-2005
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The materials document the orders placed by the clients of the Scurlock Studio. The photographs primarily depict individual portrait sittings but there are also portraits of children, groups, and other subjects.
