115 records — Page 11 of 12
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Creators:
Ottenberg, Simon
Dates:
1959-1960
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.2000-007
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This photograph was taken by Dr. Simon Ottenberg while conducting field research at Afikpo village-group, southeastern Nigeria, from September 1959 to December 1960.

Original caption reads, "Uninitiated boys into men's secret society emulate adult otero masquerade by wearing their own to perform. Ezi Ume compound, Mgbom Village. Just play, chase girls. For initiated male doing otero they can punish wrongs, as if given soup to prepare for a title and do not do it or do it right they will come and flog you and te...

"There are two classes of masquerades in which direct physical action plays an important role. One of these includes masks and costumes used for social control. The other is a sport contest. Otero, the second form of the masked costumes, is seen during the dry season on nonfarming days, aho and eke, and on feast days, such as Mbe and during the Nje...

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Creators:
Ottenberg, Simon
Dates:
1959-1960
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.2000-007
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This photograph was taken by Dr. Simon Ottenberg while conducting field research at Afikpo village-group, southeastern Nigeria, from September 1959 to December 1960.

Original caption reads, "Okumkpa performance at Mgbom Village square. The second leader, who is the responder to the leader's songs and talk. He wears a special leader's mask, somewhat similar to the main leader's." [Ottenberg field research notes, September 1959-December 1960, Part I].

"Okumpka, the most elaborate masquerade found at Afikpo Village-Group, is the most popular and well attended Afikpo masked ritual. It consists of a series of skits, songs, and dances presented by masked players in the main common of a village during of an afternoon or evening. The play is closely associated with the village secret society; all play...

The photograph depicts an nnade okumkpa mask only worn by the senior and junior okumkpa leaders, and occasionally by assistant leaders. The two leaders, okumkpa odudo, wear a floppy, wide-brimmed mat hat and are easily identifiable amongst the players by their special dress and actions. They do not sit down and do not usually dance about. The two m...

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Creators:
Ottenberg, Simon
Dates:
1959-1960
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.2000-007
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This photograph was taken by Dr. Simon Ottenberg while conducting field research at Afikpo village-group, southeastern Nigeria, from September 1959 to December 1960.

Original caption reads, "Okumkpa performance at Mgbom Village square. The second leader, who is the responder to the leader's songs and talk. He wears a special leader's mask, somewhat similar to the main leader's." [Ottenberg field research notes, September 1959-December 1960, Part I].

"Okumpka, the most elaborate masquerade found at Afikpo Village-Group, is the most popular and well attended Afikpo masked ritual. It consists of a series of skits, songs, and dances presented by masked players in the main common of a village during of an afternoon or evening. The play is closely associated with the village secret society; all play...

The photograph depicts an nnade okumkpa mask only worn by the senior and junior okumkpa leaders, and occasionally by assistant leaders. The two leaders, okumkpa odudo, wear a floppy, wide-brimmed mat hat and are easily identifiable amongst the players by their special dress and actions. They do not sit down and do not usually dance about. The two m...

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Creators:
Ottenberg, Simon
Dates:
1959-1960
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.2000-007
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This photograph was taken by Dr. Simon Ottenberg while conducting field research at Afikpo village-group, southeastern Nigeria, from September 1959 to December 1960.

Original caption reads, "Okumkpa performance at Mgbom Village square. The two leaders sing to the chorus, or seated masquerade group, who respond." [Ottenberg field research notes, September 1959-December 1960, Part I].

Publication caption reads, "Okumkpa play leaders singing to the chorus at Mgbom in 1960."

"Okumpka, the most elaborate masquerade found at Afikpo Village-Group, is the most popular and well attended Afikpo masked ritual. It consists of a series of skits, songs, and dances presented by masked players in the main common of a village during of an afternoon or evening. The play is closely associated with the village secret society; all play...

The photograph depicts nnade okumkpa masks only worn by the senior and junior okumkpa leaders, and occasionally by assistant leaders. The two leaders, okumkpa odudo, wear a floppy, wide-brimmed mat hat and are easily identifiable amongst the players by their special dress and actions. They do not sit down and do not usually dance about. The two men...

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Creators:
Ottenberg, Simon
Dates:
1959-1960
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.2000-007
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This photograph was taken by Dr. Simon Ottenberg while conducting field research at Afikpo village-group, southeastern Nigeria, from September 1959 to December 1960.

Original caption reads, "Okumkpa performance at Mgbom Village square. Second leader." [Ottenberg field research notes, September 1959-December 1960, Part I].

"Okumpka, the most elaborate masquerade found at Afikpo Village-Group, is the most popular and well attended Afikpo masked ritual. It consists of a series of skits, songs, and dances presented by masked players in the main common of a village during of an afternoon or evening. The play is closely associated with the village secret society; all play...

The photograph depicts an nnade okumkpa mask only worn by the senior and junior okumkpa leaders, and occasionally by assistant leaders. The two leaders, okumkpa odudo, wear a floppy, wide-brimmed mat hat and are easily identifiable amongst the players by their special dress and actions. They do not sit down and do not usually dance about. The two m...

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Creators:
Ottenberg, Simon
Dates:
1959-1960
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.2000-007
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This photograph was taken by Dr. Simon Ottenberg while conducting field research at Afikpo village-group, southeastern Nigeria, from September 1959 to December 1960.

Original caption reads, "Okumkpa performance at Mgbom Village square. Second leader putting 'dashes' just given him into his pocket." [Ottenberg field research notes, September 1959-December 1960, Part I].

Publication caption reads, "Junior leader of the Mgbom okumkpa in 1960 receiving a 'dash' of money, which he is putting in his pocket."

"Okumpka, the most elaborate masquerade found at Afikpo Village-Group, is the most popular and well attended Afikpo masked ritual. It consists of a series of skits, songs, and dances presented by masked players in the main common of a village during of an afternoon or evening. The play is closely associated with the village secret society; all play...

The photograph depicts an nnade okumkpa mask only worn by the senior and junior okumkpa leaders, and occasionally by assistant leaders. The two leaders, okumkpa odudo, wear a floppy, wide-brimmed mat hat and are easily identifiable amongst the players by their special dress and actions. They do not sit down and do not usually dance about. The two m...

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Creators:
Ottenberg, Simon
Dates:
1959-1960
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.2000-007
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This photograph was taken by Dr. Simon Ottenberg while conducting field research at Afikpo village-group, southeastern Nigeria, from September 1959 to December 1960.

Original caption reads, "Okumkpa performance at Mgbom Village square. Second leader, who responds to the first in a sort of dialogue in talk and song." [Ottenberg field research notes, September 1959-December 1960, Part I].

"Okumpka, the most elaborate masquerade found at Afikpo Village-Group, is the most popular and well attended Afikpo masked ritual. It consists of a series of skits, songs, and dances presented by masked players in the main common of a village during of an afternoon or evening. The play is closely associated with the village secret society; all play...

The photograph depicts an nnade okumkpa mask only worn by the senior and junior okumkpa leaders, and occasionally by assistant leaders. The two leaders, okumkpa odudo, wear a floppy, wide-brimmed mat hat and are easily identifiable amongst the players by their special dress and actions. They do not sit down and do not usually dance about. The two m...

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Creators:
Medicine, Beatrice
Dates:
1914, 1932-1949, 1952-2003 (bulk dates, 1945-2003).
Size:
28 Linear feet (65 document boxes, 1 box of oversize materials, 1 box of ephemera, 1 shoebox of index cards, 1 map drawer)
Collection ID:
NAA.1997-05
Repository:
National Anthropological Archives

The Beatrice Medicine papers, 1913-2003 (bulk 1945-2003), document the professional life of Dr. Beatrice "Bea" Medicine (1923-2005), a member of the Standing Rock Sioux tribe, anthropologist, scholar, educator, and Native rights activist. The collection also contains material collected by or given to Medicine to further her research and activism interests. Medicine, whose Lakota name was Hinsha Waste Agli Win, or "Returns Victorious with a Red Horse Woman," focused her research on a variety of topics affecting the Native American community: 1) mental health, 2) women's issues, 3) bilingual education, 4) alcohol and drug use, 5) ethno-methodologies and research needs of Native Americans, and 6) Children and identity issues. The collection represents Medicine's work as an educator for universities and colleges in the United States and in Canada, for which she taught Native American Studies courses. Additionally, because of the large amount of research material and Medicine's correspondence with elected U.S. officials and Native American leaders, and records from Medicine's involvement in Native American organizations, the collection serves to represent issues affecting Native Americans during the second half of the 20th century, and reflects what Native American leaders and organizations did to navigate and mitigate those issues. Collection materials include correspondence; committee, conference, and teaching material; ephemera; manuscripts and poetry; maps; notes; periodicals; photographs; training material; and transcripts.

Found In
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Creators:
Karp, Ivan
Dates:
circa 1945-2012
bulk 1969-2012
Size:
16.24 Linear feet (43 boxes and 2 sets of rolled maps)
0.21 Gigabytes
19 Sound recordings
Collection ID:
NAA.2013-30
Repository:
National Anthropological Archives

Ivan Karp (1943-2011) was a curator of African Ethnology at the Smithsonian Institution's National Museum of Natural History (NMNH) from 1984 to 1993. He was also a professor at Emory University from 1993 to 2011. He conducted fieldwork among the Iteso (Teso) of Kenya and made significant contributions to the areas of African systems of thought, social theory, museum studies, and public scholarship. His collection contains his research on the Iteso of Kenya; his work at Emory University and the Smithsonian Institution; his reviews of manuscripts and books; recommendations that he wrote for his colleagues and students; his published articles and papers presented at conferences; and his project files on various topics including museum studies, African philosophy, public scholarship, agency and personhood, and the history of social anthropology.

Found In
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Creators:
Harris, Marvin, 1927-2001
Dates:
1945-2001
Size:
42.27 Linear feet (85.5 document boxes, 1 oversize box, 4 record storage boxes, 90 computer disks, 19 cassette tapes, 1 7" sound reel, 3 vinyl records, and 1 map folder)
Collection ID:
NAA.2009-27
Repository:
National Anthropological Archives

This collection contains the professional papers of anthropologist Marvin Harris. Harris was a prominent anthropologist, best known for developing the controversial paradigm of cultural materialism. He authored several important books in the field of anthropology and taught at Columbia University and The University of Florida. The papers include correspondence, research materials, his publications, unpublished manuscripts, conference papers, lectures, subject files, teaching files, computer files, and photographs.

Found In
115 records — Page 11 of 12