16618 records — Page 1020 of 1662
[ ]
Collapse
[ ]
Expand
Creators:
Elisofon, Eliot
Dates:
1967
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Several major geographic regions may be defined in terms of terrain and patterns of natural vegetation, namely the central Congo Basin, the uplands north and south of the basin, and the eastern highlands. The eastern highlands region is the highest and most rugged portion of the country. It extends for more than 1,500 kilometers from above Lake Alb...

[ ]
Collapse
[ ]
Expand
Creators:
Elisofon, Eliot
Dates:
1967
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Several major geographic regions may be defined in terms of terrain and patterns of natural vegetation, namely the central Congo Basin, the uplands north and south of the basin, and the eastern highlands. The eastern highlands region is the highest and most rugged portion of the country. It extends for more than 1,500 kilometers from above Lake Alb...

[ ]
Collapse
[ ]
Expand
Creators:
Ottenberg, Simon
Dates:
1978-1980
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.2005-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This photograph was taken by Dr. Simon Ottenberg while conducting field research in northern Sierra Leone within Bafodea Town, the capital of Wara Wara Bafodea Chiefdom, while on an Art Historical and Anthropological Field Research from October of 1978 through July of 1980.

Original title reads, "At Bafodea Town. Bira musical group from Kadanso Village greeting me at my home. A certain boy from there introduced it from Biriwa [Limba] Chiefdom, some distance south of Bafodea. Kadanso Village, in the southern part of Bafodea chiefdom, is nearer to Biriwa than Bafodea Town." [Ottenberg field research notes, Limba Slides ...

[ ]
Collapse
[ ]
Expand
Creators:
Ottenberg, Simon
Dates:
1978-1980
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.2005-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This photograph was taken by Dr. Simon Ottenberg while conducting field research in northern Sierra Leone within Bafodea Town, the capital of Wara Wara Bafodea Chiefdom, while on an Art Historical and Anthropological Field Research from October of 1978 through July of 1980.

Original title reads, "At Bafodea Town, Kamagban farm area outside of Bafodea Town, where Pa Sori, Ruth Finnegan's old cook, farms. She did field research further south in Limba country." [Ottenberg field research notes, Limba Slides and Photographs, October 1978-July 1980].

[ ]
Collapse
[ ]
Expand
Creators:
Ottenberg, Simon
Dates:
1978-1980
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.2005-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This photograph was taken by Dr. Simon Ottenberg while conducting field research in northern Sierra Leone within Bafodea Town, the capital of Wara Wara Bafodea Chiefdom, while on an Art Historical and Anthropological Field Research from October of 1978 through July of 1980.

Original title reads, "At Bafodea Town, Kamagban farm area outside of Bafodea Town, where Pa Sori, Ruth Finnegan's old cook, farms. She did field research further south in Limba country." [Ottenberg field research notes, Limba Slides and Photographs, October 1978-July 1980].

[ ]
Collapse
[ ]
Expand
Creators:
Ottenberg, Simon
Dates:
1978-1980
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.2005-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This photograph was taken by Dr. Simon Ottenberg while conducting field research in northern Sierra Leone within Bafodea Town, the capital of Wara Wara Bafodea Chiefdom, while on an Art Historical and Anthropological Field Research from October of 1978 through July of 1980.

Original title reads, "At Kadanso Village. Second funeral [memorial] of Pa Hono, famous chief of Kadanso, Many chiefs and people come from various Bafodea villages and Fadagu Chiefdom Limba villages south of Bafodea, as Kadanso Village is in southern Bafodea country. Native pants, new." [Ottenberg field research notes, Limba Slides and Photographs,...

[ ]
Collapse
[ ]
Expand
Creators:
Elisofon, Eliot
Dates:
1972
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

"Mbuti children are highly valued and are frequently passed from adult to adult to adolescent around the camp. Children therefore with so many caretakers available are quickly allowed free range of the camp. The demands of Mbuti women's work often require that they be out of camp in places where it is difficult to care for small children. A mother ...

[ ]
Collapse
[ ]
Expand
Creators:
Elisofon, Eliot
Dates:
1972
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

"Mbuti people go net hunting, not only to provide meat for themselves to eat, but to acquire their main trade item to exchange for Bira commodities and cultivated food. The Mbuti have invested all their energies into satisfying their exchange partners' demands for meat and are now dependant on this system for nearly all their carbohydrate calories ...

[ ]
Collapse
[ ]
Expand
Creators:
Elisofon, Eliot
Dates:
1972
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

"Mbuti children are highly valued and are frequently passed from adult to adult to adolescent around the camp. Children therefore with so many caretakers available are quickly allowed free range of the camp. The demands of Mbuti women's work often require that they be out of camp in places where it is difficult to care for small children. A mother ...

[ ]
Collapse
[ ]
Expand
Creators:
Elisofon, Eliot
Dates:
1972
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

"According to Patrick and Anne Putman, Mbuti art, both on the body and on bark cloth, is of purely aesthetic nature, without magical significance. Certain facial scarifications may indicate the membership of a clan. Elsewhere the design owes more to the artist's imagination than to any agreed subject." [Meurant G., Farris thompson R., 1995: Mbuti D...

16618 records — Page 1020 of 1662