Chief Garfield, Pouche Te Foya and Sanches, Apaches, No. 53413
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- Dates:
-
circa 1900
- Level:
- item
- Size:
-
1 Photographic print
- Collection ID:
- NMAI.AC.119
- Repository:
-
National Museum of the American Indian
Photomechanical color print depicting Jicarilla Apache chiefs Garfield (center), Pouche Te Foya, and Sanches, dressed in traditional clothing. Photograph by William Henry Jackson and published by his company the Detroit Photographic Co.
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- Dates:
-
circa 1900
- Level:
- item
- Size:
-
1 Photographic print
- Collection ID:
- NMAI.AC.119
- Repository:
-
National Museum of the American Indian
Photomechanical color print depicting a portrait of Pee Viggi and an unidentified woman (Southern Ute). Photograph by William Henry Jackson and published by his company the Detroit Photographic Co.
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- Dates:
-
circa 1900
- Level:
- item
- Size:
-
1 Photographic print
- Collection ID:
- NMAI.AC.119
- Repository:
-
National Museum of the American Indian
Photomechanical color print depicting a portrait of four children (Ute) in traditional clothing. Photograph by William Henry Jackson and published by his company the Detroit Photographic Co.
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- Dates:
-
circa 1900
- Level:
- item
- Size:
-
1 Photographic print
- Collection ID:
- NMAI.AC.119
- Repository:
-
National Museum of the American Indian
Photomechanical color print depicting a portrait of Jose Romero (Ute) and his wife and child. The couple are dress in traditional clothing and the baby is in a cradleboard. Photograph by William Henry Jackson and published by his company the Detroit Photographic Co.
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- Dates:
-
circa 1900
- Level:
- item
- Size:
-
1 Photographic print
- Collection ID:
- NMAI.AC.119
- Repository:
-
National Museum of the American Indian
Photomechanical color print depicting a portrait of Chief Sevara (Ute) and family. The group is dressed in traditional clothing and two babies are in cradleboards. Photograph by William Henry Jackson and published by his company the Detroit Photographic Co.
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- Dates:
-
circa 1900
- Level:
- item
- Size:
-
1 Photographic print
- Collection ID:
- NMAI.AC.119
- Repository:
-
National Museum of the American Indian
Photomechanical color print depicting a portrait of Chief Iron Tail [Oglala Lakota (Oglala Sioux)] in traditional clothing. Photograph by William H. Rau in 1901.
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- Creators:
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Procter & Gamble Company
- Dates:
-
1998
- Level:
- item
- Size:
-
1 Item (col., 26.5 x 20 cm.)
- Collection ID:
- NMAH.AC.0791
- Repository:
-
Archives Center, National Museum of American History
Tear sheet of advertisement with text and photomechanical reproduction of a color photograph: African American woman kicking feet in water.
Published Feb. 1999.
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- Creators:
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Teich, Curt, 1877-1974
West, Thomas R.
- Level:
- item
- Size:
-
1 Item (color, 3.5" x 5.5".)
- Collection ID:
- NMAH.AC.0200
- Repository:
-
Archives Center, National Museum of American History
Image: color photomechanical reproduction, derived from a photograph of a woman leaning on a tree with macaws surrounding her. She seems to be portrayed as dark olive-skinned and dark-haired, possibly suggesting she is Latina, unique within postcards of Florida in this collection, in which women are typically blonde. The original image, reproduced ...
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- Creators:
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Rinehart, F. A. (Frank A.)
Muhr, Adolph F., -1913
Jackson, William Henry, 1843-1942
Rau, William Herman, 1855-1920
More … - Dates:
-
1898-1901
- Size:
-
56 Photographic prints
- Collection ID:
- NMAI.AC.119
- Repository:
-
National Museum of the American Indian
This collection contains 44 photographs in a photo album and 12 loose prints that depict American Indian leaders circa 1898 to 1901. The bulk of the photographs were shot at the Indian Congress of the Trans-Mississippi and International Exposition, 1898 and the Greater America Exposition, 1899, both held in Omaha, Nebraska.
Found In
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- Creators:
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d'Arazien, Arthur
- Dates:
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circa 1930-2002
- Size:
-
11 Cubic feet (28 boxes)
- Collection ID:
- NMAH.AC.0314
- Repository:
-
Archives Center, National Museum of American History
The collection includes Arthur d'Arazien's professional work in industrial photography from the late 1940's through about 1981; personal creative photography and other types of professional work were retained by Mr. d'Arazien or placed elsewhere. Thus this collection is a very cohesive, unified body of work, which documents primarily American (and...