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Creators:
Sevruguin, Antoin, 1851-1933
Dates:
1880-1930
Level:
item
Size:
1 glass negative (b&w, 23.6 cm. x 17.7 cm.)
Collection ID:
FSA.A.04
Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

"The bridge was reconstructed by Shah Abbas II in mid 17th century. Being a gathering spot for tourists and locals alike, the relative but striking emptiness of people from crowds leaves the view open for the capturing of the bridge's intricate brickwork and overall design. The front view allows for the continuity of water to the other side of the ...

- Myron Bement Smith handwritten caption in English reads, "47.P; Box 40.2: Isfahan. Pol-i Kaju. Lower side." [Myron Bement Smith Collection, Subseries 2.1: Islamic Archives History, Collection Information; Box 60; Folder 44: 47 P: Antoine Sevruguin, glass negatives, Iran]

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Creators:
Sevruguin, Antoin, 1851-1933
Dates:
1880-1930
Level:
item
Size:
1 glass negative (b&w, 23.8 cm. x 17.8 cm.)
Collection ID:
FSA.A.04
Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

"The bridge was reconstructed by Shah Abbas II in mid 17th century. Being a gathering spot for tourists and locals alike, the relative but striking emptiness of people from crowds leaves the view open for the capturing of the bridge's intricate brickwork and overall design. The front view allows for the continuity of water to the other side of the ...

- Myron Bement Smith handwritten caption in English reads, "47.P; Box 40.4: Isfahan. Pol-i Kaju. Lower side." [Myron Bement Smith Collection, Subseries 2.1: Islamic Archives History, Collection Information; Box 60; Folder 44: 47 P: Antoine Sevruguin, glass negatives, Iran]

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Creators:
Sevruguin, Antoin, 1851-1933
Dates:
1880-1930
Level:
item
Size:
1 glass negative (b&w, 23.9 cm. x 17.7 cm.)
Collection ID:
FSA.A.04
Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

"The bridge was reconstructed by Shah Abbas II in mid 17th century. Being a gathering spot for tourists and locals alike, the relative but striking emptiness of people from crowds leaves the view open for the capturing of the bridge's intricate brickwork and overall design. The front view allows for the continuity of water to the other side of the ...

- Myron Bement Smith handwritten caption in English reads, "47.P; Box 40.3: Isfahan. Pol-i Kaju. Upper side." [Myron Bement Smith Collection, Subseries 2.1: Islamic Archives History, Collection Information; Box 60; Folder 44: 47 P: Antoine Sevruguin, glass negatives, Iran]

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Creators:
Sevruguin, Antoin, 1851-1933
Dates:
1890
Level:
item
Size:
1 glass negative (b&w, 17.9 cm. x 12.8 cm.)
Collection ID:
FSA.A.04
Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

"The photograph depicts the throne room or Talar-i Salam.Talar-I Takht or Throne room of Gulistan palace housed the famous Peacock throne and was the offical reception room of the palace. Located on the northwest side of the complex, the room was initially designed as a museum but was later known for its primary use as the official reception room o...

- FSg curatorial research specialist remark on Antoin Sevruguin photo manipulation reads, "A large spot of varnish? Is on the top left side of the images that turns the whole negative brown. Slight coloring on the glasses of Nasir."

- Handwritten number (inked, probably by Antoin Sevruguin) reads, "1151."

- Myron Bement Smith handwritten caption in English reads, "47.P; Box 51.6: Nasr Din Shah and court." [Myron Bement Smith Collection, Subseries 2.1: Islamic Archives History, Collection Information; Box 60; Folder 44: 47 P: Antoine Sevruguin, glass negatives, Iran]

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Creators:
Sevruguin, Antoin, 1851-1933
Dates:
1902-1905
Level:
item
Size:
1 glass negative (b&w, 23.7 cm. x 17.8 cm.)
Collection ID:
FSA.A.04
Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

- FSg curatorial research specialist remark on Antoin Sevruguin photo condition reads, "The glass negative is in remarkable condition. The image is very well exposed and the glass is very thin compared to the other negatives of the same series."

- Handwritten number (inked, probably by Antoin Sevruguin) reads, "572."

- Myron Bement Smith handwritten caption in English reads, "47.P; Box 29.5: Fars. Persepolis or Naqsh-i Rustam." [Myron Bement Smith Collection, Subseries 2.1: Islamic Archives History, Collection Information; Box 60; Folder 44: 47 P: Antoine Sevruguin, glass negatives, Iran]

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Creators:
Sevruguin, Antoin, 1851-1933
Dates:
1902-1905
Level:
item
Size:
1 glass negative (b&w, 23.8 cm. x 17.9 cm.)
Collection ID:
FSA.A.04
Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

- FSg curatorial research specialist remark on Antoin Sevruguin photo condition reads, "The glass negative is in remarkable condition. The image is very well exposed and the glass is very thin compared to the other negatives of the same series."

- Handwritten number (inked, probably by Antoin Sevruguin) reads, "225."

- Scratched handwritten number (inked, probably by Antoin Sevruguin) reads, "1655."

- Myron Bement Smith handwritten caption in English reads, "47.P; Box 29.10: (P) [black-and-white print on hand]. Fars. Naqsh-i Rustam." [Myron Bement Smith Collection, Subseries 2.1: Islamic Archives History, Collection Information; Box 60; Folder 44: 47 P: Antoine Sevruguin, glass negatives, Iran]

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Creators:
Thread Waxing Space (Gallery)
Dates:
1980s-2001
bulk 1991-2001
Size:
36.7 Linear feet
3.86 Gigabytes
Collection ID:
AAA.threwaxs
Repository:
Archives of American Art

The records of the New York City gallery Thread Waxing Space measure 36.7 linear feet and 3.86 GB and date from 1980s-2001 (bulk 1991-2001). Exhibitions and events held at the gallery are documented through correspondence, artists' bios, printed and digital materials, shipping records, photographic materials, audiovisual materials, and other administrative records. Also found are a handful of artist research files, clippings, and press books.

Found In
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Dates:
1957-1969
Level:
file
Collection ID:
AAA.fiscarli
Repository:
Archives of American Art
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Creators:
Sevruguin, Antoin, 1851-1933
Dates:
1890-1896
Level:
item
Size:
1 glass negative (b&w, 18 cm. x 17.9 cm.)
Collection ID:
FSA.A.04
Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

"Aqa Mohammad Khan Khaja was one of Nasir al-Din shah's favorite Eunuchs who was also very well trusted by the court. The second figure from left is Aziz Khan Khaja. The taller figure standing to the right side of Nasir al-Din Shah and in the back row is Haji Sarvar Khan I'timad al-Harem. Initially one of Muayyir al-Mulk's eunuchs, he was then give...

- Handwritten number (inked, probably by Antoin Sevruguin) reads, "928."

- Myron Bement Smith handwritten caption in English reads, "47.P; Box 51.2: Nasr Din Shah and court." [Myron Bement Smith Collection, Subseries 2.1: Islamic Archives History, Collection Information; Box 60; Folder 44: 47 P: Antoine Sevruguin, glass negatives, Iran]

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Dates:
1988, 1991
Size:
5 videotapes (Reference copies). 21 digital .wmv files and .rm files (Reference copies).
Collection ID:
Record Unit 9534
Repository:
Smithsonian Institution Archives

The Smithsonian Videohistory Program, funded by the Alfred P. Sloan Foundation from 1986 until 1992, used video in historical research. Additional collections have been added since the grant project ended. Videohistory uses the video camera as a historical research tool to record moving visual information. Video works best in historical r...

Found In