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Creators:
McEntee, Jervis, 1828-1891
Dates:
1796
1848-1905
Size:
1.6 Linear feet
Collection ID:
AAA.mcenjerv
Repository:
Archives of American Art

The papers of Hudson River School painter Jervis McEntee measure 1.6 linear feet and date from 1796 and 1848 to 1905. Letters from close friends and family members to McEntee include many from his mentor Frederic Edwin Church, and fellow artists Samuel Putnam Avery, George Henry Boughton, Sanford Gifford, Richard Henry, Eastman Johnson, Elizabeth B. Stoddard, John Ferguson Weir, Worthington Whittredge, and others. Papers relating to the McEntee family include obituaries, a family genealogy, and letters from and regarding family members. There are also papers relating to the Vaux family (McEntee's brother-in-law's family) and American architect and landscape artist Calvert Vaux, who designed a studio for McEntee. Of special significance are five volumes of diaries dating from 1872 through 1890 which provide a detailed depiction of the American art world in the 1870s and 1880s.

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Creators:
Ottenberg, Simon
Dates:
between 1951-1960
Size:
1068 Slides (photographs) (color)
Collection ID:
EEPA.2000-007
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Photographs taken by Simon Ottenberg in Southeastern Nigeria within the Afikpo Village Group, at the time a group of 22 Eastern Igbo villages (sometimes considered part of the Cross River Igbo grouping) in southeastern Nigeria, while on a pre-doctoral Social Science Research Grant from December of 1951 through March of 1953 and during field research from September of 1959 to December of 1960. Also included are photographs taken from June of 1960 to December of 1960 of Abakaliki, a town and the administrative center of the northestern Igbo people, north of Afikpo. According to Dr. Ottenberg in his publication about masked Afikpo rituals, "The Afikpo belong to an Igbo subgroup called Ada or Edda (Forde and Jones 1950, pp. 51-56), which includes the Okpaha, Edda, Amaseri, and Unwana village-groups, all of which border on the Afikpo, and the Nkporo and Adaeze, both short distances away" (Masked Rituals of Afikpo, 1975, p. 3).

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Creators:
Cooper-Hewitt Museum
Dates:
1881, 1895-1976
Size:
56 cu. ft. (56 record storage boxes) (1 oversize folder)
Collection ID:
Record Unit 267
Repository:
Smithsonian Institution Archives

This finding aid was digitized with funds generously provided by the Smithsonian Institution Women's Committee.

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Creators:
Work and Industry, Division of, NMAH, SI
History of Technology, Division of, NMAH, SI
Holly Manufacturing Company
Worthington Corporation
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Dates:
1840-1982
Size:
18 Cubic feet (54 boxes, 1 map folder)
Collection ID:
NMAH.AC.0916
Repository:
Archives Center, National Museum of American History

This collection documents the products and business activities of the Worthington Corporation, its predecessors and its subsidiaries. The records focus on the products that the Worthington Corporation produced, including steam pumps, hydraulic pumps and gas engines.

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Dates:
1991
Size:
2 videotapes (Reference copies).
Collection ID:
Record Unit 9564
Repository:
Smithsonian Institution Archives

The Smithsonian Videohistory Program, funded by the Alfred P. Sloan Foundation from 1986 until 1992, used video in historical research. Additional collections have been added since the grant project ended. Videohistory uses the video camera as a historical research tool to record moving visual information. Video works best in historical r...

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Creators:
Hunt, Leigh H. (Leigh Harrison), 1858-1937
Dates:
1870-1937
Size:
5.9 Linear feet
Collection ID:
AAA.huntleig
Repository:
Archives of American Art

The collection measures 5.9 linear feet, dates from 1870-1937, and documents the career of art history instructor, printmaker, and physician Leigh Harrison Hunt. Found within the papers are scattered biographical material for Hunt; letters; miscellaneous financial records; diaries written by his wife Grace Storrs Hunt; notes and writings; art work by Hunt; scrapbooks; miscellaneous printed material; photographs; and commercial printing blocks.

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Creators:
Penney, Charles Rand, 1923-2010
Dates:
1923-1994
bulk 1945-1994
Size:
23.1 Linear feet
Collection ID:
AAA.pennchar
Repository:
Archives of American Art

The papers of art collector Charles Rand Penney measure 23.1 linear feet and date from 1923 to 1994 with the bulk of the collection dating from 1945 to 1994. The majority of the collection consists of Penney's art collection files, which include printed materials, correspondence, notes, and photographic materials. Also found within the papers are catalogs from exhibitions that featured artwork from Penney's collection.

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Creators:
Bedini, Silvio A.
Dates:
1952-1996
Size:
25.43 cu. ft. (25 record storage boxes) (1 12x17 box)
Collection ID:
Accession 02-187
Repository:
Smithsonian Institution Archives

This accession primarily consists of Bedini's correspondence and memoranda with Smithsonian colleagues, scholars, professional organizations, publishers, and the general public documenting his research activities for special projects and publications including a project related to Thomas Jefferson. Also included are Bedini's publications; ...

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Dates:
1987
Size:
2 videotapes (Reference copies). 8 digital .wmv files and .rm files (Reference copies).
Collection ID:
Record Unit 9535
Repository:
Smithsonian Institution Archives

The Smithsonian Videohistory Program, funded by the Alfred P. Sloan Foundation from 1986 until 1992, used video in historical research. Additional collections have been added since the grant project ended. Videohistory uses the video camera as a historical research tool to record moving visual information. Video works best in historical r...

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Dates:
1987-1988
Size:
5 videotapes (Reference copies). 7 digital .wmv files and .rm files (Reference copies).
Collection ID:
Record Unit 9530
Repository:
Smithsonian Institution Archives

The Smithsonian Videohistory Program, funded by the Alfred P. Sloan Foundation from 1986 until 1992, used video in historical research. Additional collections have been added since the grant project ended. Videohistory uses the video camera as a historical research tool to record moving visual information. Video works best in historical r...

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