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Creators:
Sevruguin, Antoin, 1851-1933
Dates:
1880-1930
Level:
item
Size:
1 glass negative (b&w, 17.9 cm. x 12.9 cm.)
Collection ID:
FSA.A.04
Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

"The Shah is surrounded by twenty-one of his sons and courtiers. In the case of the Qajar princes, the names of each is carved beside their head in the relief. The princes are carved in almost identical attires. The date of construction of the relief is estimated to be the twentieth year of Fath Ali Shah's reign in 1817-18. Fath Ali Shah Qajar was ...

- FSg curatorial research specialist remark on Antoin Sevruguin photo condition reads, "Top and right edge are chopped off."

- Faded handwritten number (inked, probably by Antoin Sevruguin) reads, "1041."

- Myron Bement Smith handwritten caption in English reads, "47.P; Box 56.7: Carving." [Myron Bement Smith Collection, Subseries 2.1: Islamic Archives History, Collection Information; Box 60; Folder 44: 47 P: Antoine Sevruguin, glass negatives, Iran]

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Creators:
Sevruguin, Antoin, 1851-1933
Dates:
1880-1930
Level:
item
Size:
1 glass negative (b&w, 11.8 cm. x 8.9 cm.)
Collection ID:
FSA.A.04
Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

"The view is of the Bazaar and the street in front of the main entrance to Masjid-I Shah. The mosque bears inscriptions with various dates but its construction is generally dated to Fath Ali Shah-I Qajar's (1772-1834) time (early 19th century). The names of the calligrapher and tile workers and designers are visible on the tileworks around the main...

- Myron Bement Smith handwritten caption in English reads, "47.P; Box 1.2: Iran. Tehran - Dawezeyi Dawlat." [Myron Bement Smith Collection, Subseries 2.1: Islamic Archives History, Collection Information; Box 60; Folder 44: 47 P: Antoine Sevruguin, glass negatives, Iran]

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Dates:
1950-2007
Level:
series
Size:
1.2 Linear feet (Boxes 1-2)
Collection ID:
AAA.schemary
Repository:
Archives of American Art

This series includes photocopied book excerpts; a pack of craft-themed playing cards from the 2006 North Carolina Craft Exhibition; exhibition mailings and publicity materials; exhibition catalogs; professional journals and magazines in which Scherr is featured; clippings from newspapers, magazines, and web articles regarding the artist and her wor...

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Creators:
Sevruguin, Antoin, 1851-1933
Dates:
Before 1904
Level:
item
Size:
1 glass negative (b&w, 17.9 cm. x 23.7 cm.)
Collection ID:
FSA.A.04
Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

"The tower is attributed to Seljuk times. Myron Bement Smith refers to it in his own photographic archives (Box 82 of 250). In his description of the photo however, he mentions there are no numbers on it. The negative has a scratched number. The note is date to June of 1936. The image does not appear to have a number in the publication." [Freer Gal...

- FSg curatorial research specialist remark on Antoin Sevruguin photo manipulation reads, "Red ink covers the sky all the way down to the edges of the structure."

- Scratched handwritten number (inked, probably by Antoin Sevruguin) reads, "1706."

- Myron Bement Smith handwritten caption in English reads, "47.P; Box 26.8 (P) [black-and-white print on hand]. Tehran. Rayy. Mausoleum (# 214)." [Myron Bement Smith Collection, Subseries 2.1: Islamic Archives History, Collection Information; Box 60; Folder 44: 47 P: Antoine Sevruguin, glass negatives, Iran]

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Creators:
Sevruguin, Antoin, 1851-1933
Dates:
1894
Level:
item
Size:
1 glass negative (b&w, 17.7 cm. x 12.9 cm.)
Collection ID:
FSA.A.04
Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

"Most probably a scene from Aziz al-Sultan's wedding ceremony. Small sticker on the bottom right side with '111' on it." [Freer Gallery of Art and Arthur M. Sackler Gallery Archives, Curatorial Research Assistant]

- Myron Bement Smith handwritten caption in English reads, "47.P; Box 60.9: Court." [Myron Bement Smith Collection, Subseries 2.1: Islamic Archives History, Collection Information; Box 60; Folder 44: 47 P: Antoine Sevruguin, glass negatives, Iran]

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Creators:
Sevruguin, Antoin, 1851-1933
Dates:
1900-1922
Level:
item
Size:
1 glass negative (b&w, 12.4 cm. x 12.8 cm.)
Collection ID:
FSA.A.04
Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

"The park and palace of Atabak was built between 1886 and 1888 on the orders of Mirza Ali Asghar Khan, The second Amin al-Sultan and the chief minister of Nasir al-Din Shah. After Amin al-Sultan's assassination in 1907, the complex, which was a debt collateral with Russian Bank for discounted loans to Amin al-Sultan, was repossessed by the bank and...

- FSg curatorial research specialist remark on Antoin Sevruguin photo condition reads, "The negative seems to have been broken in almost half."

- Myron Bement Smith handwritten caption in English reads, "47.P; Box 18.3: Palace (?)." [Myron Bement Smith Collection, Subseries 2.1: Islamic Archives History, Collection Information; Box 60; Folder 44: 47 P: Antoine Sevruguin, glass negatives, Iran]

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Creators:
Sevruguin, Antoin, 1851-1933
Dates:
1880-1930
Level:
item
Size:
1 glass negative (b&w, 12 cm. x 16.5 cm.)
Collection ID:
FSA.A.04
Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

"Also known as Nusrat al-Mulk, Mu'iz al-Saltana, Sardar Arfa' and Sardar Aqdas, he was the governor of Khuzestan form 1898 for around thirty years. Shaykh Khaz'al entered into an agreement with the British government at the beginning of the World War I, upon which the British government agreed to protect the sovereignty of Khaz'al's rule against an...

- FSg curatorial research specialist remark on Antoin Sevruguin photo manipulation reads, "Black paper on the front. Black ink in between the paper and the figure. Pencil marks on the face. Small yellowish piece of paper on the bottom left."

- Myron Bement Smith handwritten caption in English reads, "47.P; Box 60.12: Man." [Myron Bement Smith Collection, Subseries 2.1: Islamic Archives History, Collection Information; Box 60; Folder 44: 47 P: Antoine Sevruguin, glass negatives, Iran]

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Creators:
Sevruguin, Antoin, 1851-1933
Dates:
1880s
Level:
item
Size:
1 glass negative (b&w, 8.9 cm. x 11.9 cm.)
Collection ID:
FSA.A.04
Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

"Portrait of a Dervish. Such portraits are numerous in Sevruguin's collection and they share a few characteristics: they are usually close ups of the faces and the upper bodies of the subject matter; the light and dark areas are very consciously set up and controlled by the artist; the figures also have some facial similarities: they usually have l...

- Myron Bement Smith handwritten caption in English reads, "47.P; Box 1.4: Iran - a darvish." [Myron Bement Smith Collection, Subseries 2.1: Islamic Archives History, Collection Information; Box 60; Folder 44: 47 P: Antoine Sevruguin, glass negatives, Iran]

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Creators:
Sevruguin, Antoin, 1851-1933
Dates:
1902-1905
Level:
item
Size:
1 glass negative (b&w, 18.3 cm. x 23.9 cm.)
Collection ID:
FSA.A.04
Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

- FSg curatorial research specialist remark on Antoin Sevruguin photo manipulation reads, "The negative is cleaned around the rock, eliminating the remains of the top part of the cliff."

- Scratched handwritten number (inked, probably by Antoin Sevruguin) reads, "1654."

- Myron Bement Smith handwritten caption in English reads, "47.P; Box 40.10: (P) [black-and-white print on hand]. Fars. Naksh-i Rustam (?). Frescoes." [Myron Bement Smith Collection, Subseries 2.1: Islamic Archives History, Collection Information; Box 60; Folder 44: 47 P: Antoine Sevruguin, glass negatives, Iran]

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Dates:
circa 1950-2015
Level:
series
Size:
0.6 Linear feet (Box 1-2)
Collection ID:
AAA.kozlmax
Repository:
Archives of American Art

Writings date from circa 1950-2015 and include published and unpublished works by Kozloff and a few writings by others. Found here are artist statements, book chapters and proposals including a memoir about art criticism in the 1960s, essays, lectures, and other writings. Artist statements were written for Kozloff's photography exhibitions and incl...

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