16618 records — Page 1144 of 1662
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Creators:
Ottenberg, Simon
Dates:
1951-1953
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.2000-007
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This photograph was taken by Dr. Simon Ottenberg while conducting field research at Afikpo village-group, southeastern Nigeria, from December 1951 to March 1953.

Original title reads, "Ndibe Beach at the Cross-River. This is the main water shipping point from Afikpo, both north up the river and south to Calabar. Dugout canoes. Afikpo pots yams especially going south, various goods coming back north. Rainy season, when river high is a good time to travel." [Ottenberg field research notes, O Series,December 1...

"For some Afikpo, fishing is an important seasonal activity, especially in the dry season, when the river is low and it is possible for canoe crews to move about easily and to live on the numerous sandbanks which appear at the time. The Afikpo fishermen spend many months on the river, moving northeast to the border of Cameroun and as far south as t...

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Creators:
Ottenberg, Simon
Dates:
1951-1953
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.2000-007
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This photograph was taken by Dr. Simon Ottenberg while conducting field research at Afikpo village-group, southeastern Nigeria, from December 1951 to March 1953.

Original title reads, "Ndibe Beach at the Cross-River. This is the main water shipping point from Afikpo, both north up the river and south to Calabar. Dugout canoes. Afikpo pots yams especially going south, various goods coming back north. Rainy season, when river high is a good time to travel. Building up superstructure on a canoe to carry potter...

"For some Afikpo, fishing is an important seasonal activity, especially in the dry season, when the river is low and it is possible for canoe crews to move about easily and to live on the numerous sandbanks which appear at the time. The Afikpo fishermen spend many months on the river, moving northeast to the border of Cameroun and as far south as t...

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[ ]
Expand
Creators:
Ottenberg, Simon
Dates:
1951-1953
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.2000-007
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This photograph was taken by Dr. Simon Ottenberg while conducting field research at Afikpo village-group, southeastern Nigeria, from December 1951 to March 1953.

Original title reads, "Ndibe Beach at the Cross-River. This is the main water shipping point from Afikpo, both north up the river and south to Calabar. Dugout canoes. Afikpo pots yams especially going south, various goods coming back north. Rainy season, when river high is a good time to travel. Afikpo made pots waiting for shipment." [Ottenberg fi...

"For some Afikpo, fishing is an important seasonal activity, especially in the dry season, when the river is low and it is possible for canoe crews to move about easily and to live on the numerous sandbanks which appear at the time. The Afikpo fishermen spend many months on the river, moving northeast to the border of Cameroun and as far south as t...

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Collapse
[ ]
Expand
Creators:
Ottenberg, Simon
Dates:
1951-1953
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.2000-007
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This photograph was taken by Dr. Simon Ottenberg while conducting field research at Afikpo village-group, southeastern Nigeria, from December 1951 to March 1953.

Original title reads, "Ndibe Beach at the Cross-River. This is the main water shipping point from Afikpo, both north up the river and south to Calabar. Dugout canoes. Afikpo pots yams especially going south, various goods coming back north. Rainy season, when river high is a good time to travel. Eka fish nets at the beach." [Ottenberg field researc...

"For some Afikpo, fishing is an important seasonal activity, especially in the dry season, when the river is low and it is possible for canoe crews to move about easily and to live on the numerous sandbanks which appear at the time. The Afikpo fishermen spend many months on the river, moving northeast to the border of Cameroun and as far south as t...

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Collapse
[ ]
Expand
Creators:
Ottenberg, Simon
Dates:
1951-1953
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.2000-007
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This photograph was taken by Dr. Simon Ottenberg while conducting field research at Afikpo village-group, southeastern Nigeria, from December 1951 to March 1953.

Original title reads, "Ndibe Beach at the Cross-River. This is the main water shipping point from Afikpo, both north up the river and south to Calabar. Dugout canoes. Afikpo pots yams especially going south, various goods coming back north. Rainy season, when river high is a good time to travel. Women disembarking and unloading cassava (manioc)." [...

"For some Afikpo, fishing is an important seasonal activity, especially in the dry season, when the river is low and it is possible for canoe crews to move about easily and to live on the numerous sandbanks which appear at the time. The Afikpo fishermen spend many months on the river, moving northeast to the border of Cameroun and as far south as t...

[ ]
Collapse
[ ]
Expand
Creators:
Ottenberg, Simon
Dates:
1951-1953
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.2000-007
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This photograph was taken by Dr. Simon Ottenberg while conducting field research at Afikpo village-group, southeastern Nigeria, from December 1951 to March 1953.

Original title reads, "Ndibe Beach at the Cross-River. This is the main water shipping point from Afikpo, both north up the river and south to Calabar. Dugout canoes. Afikpo pots yams especially going south, various goods coming back north. Rainy season, when river high is a good time to travel. Women paddling canoe, not too common at Ndibe Beach."...

"For some Afikpo, fishing is an important seasonal activity, especially in the dry season, when the river is low and it is possible for canoe crews to move about easily and to live on the numerous sandbanks which appear at the time. The Afikpo fishermen spend many months on the river, moving northeast to the border of Cameroun and as far south as t...

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Dates:
ca. 1910
Level:
item
Size:
1 Postcard (b&w, 14 x 9 cm.)
Collection ID:
EEPA.2001-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Original caption reads, "Jeune arabe du sud." Translated text reads, "Young arab boy from the South."

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Creators:
Larrabee, Constance Stuart
Dates:
1949
Level:
item
Size:
1 Negative ((silver gelatin)., b&w, 6 x 6 cm.)
1 Photographic print ((contact print)., b&w, 6 x 6 cm.)
1 Photographic print ((dupe print)., b&w, 8 x 10 in.)
Collection ID:
EEPA.1998-006
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Goats in Front of Homesteads, Natal. A mother goat is sitting with her baby goats. There are two circular homesteads in the background. Photograph by Constance Stuart Larrabee, Feb. 1949.

This photograph was taken when Constance Stuart was on assignment for Harper's Bazaar, an American magazine. Her task was to create a portfolio inspired by the seminal book "Cry, The Beloved Country," which had brought the conditions in South Africa to the attention of the world. The author of the book was the South African writer Alan Paton (1903-...

There are no prints of this negative in the Constance Stuart Larrabee Collection. EEPA produced an 8x10 study print for reference purposes.

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Creators:
Larrabee, Constance Stuart
Dates:
1946
Level:
item
Size:
1 Negative ((silver gelatin)., b&w, 6 x 6 cm.)
1 Photographic print ((contact print)., b&w, 6 x 6 cm.)
1 Photographic print ((dupe print)., b&w, 8 x 10 in.)
Collection ID:
EEPA.1998-006
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Female Church Members Singing, 1946. An older woman and younger woman are standing beside each other in a church singing. The one on the left is only partially in the photographic image. Both are wearing white dresses and a sash across their chest. From left to right the sash reads "Zion, S. Teffa; Zion, Mrs. J. Teffa." Photograph by Constance Stua...

Constance Stuart documented church services, processions, and baptisms in several African churches. A 1938 series of photographs shows a baptism near Pretoria. In 1946, she spent time with several congregations in the Johannesburg area. Some of these photographs were published in Bengt Sundlker's book "Bantu Prophets in South Africa" (first publish...

There are no prints of this negative in the Constance Stuart Larrabee Collection. EEPA produced an 8x10 study print for reference purposes.

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[ ]
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Creators:
Larrabee, Constance Stuart
Dates:
1946
Level:
item
Size:
1 Negative ((silver gelatin)., b&w, 6 x 6 cm.)
1 Photographic print ((contact print)., b&w, 6 x 6 cm.)
1 Photographic print ((dupe print)., b&w, 8 x 10 in.)
Collection ID:
EEPA.1998-006
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Church Leader With Female Members, 1946. A young male church leader is standing with two older women, one on either side of him. They are dressed in their church attire. Behind them is a tree and a wire fence with small buildings on the other side of it. Photograph by Constance Stuart Larrabee, 1948.

Constance Stuart documented church services, processions, and baptisms in several African churches. A 1938 series of photographs shows a baptism near Pretoria. In 1946, she spent time with several congregations in the Johannesburg area. Some of these photographs were published in Bengt Sundlker's book "Bantu Prophets in South Africa" (first publish...

There are no prints of this negative in the Constance Stuart Larrabee Collection. EEPA produced an 8x10 study print for reference purposes.

16618 records — Page 1144 of 1662