Query: Lerner, Abram
Writings
Level:
series
Dates:
circa 1930-1984
Size:
0.6 Linear feet (Box 1)
Collection ID:
AAA.lernabra
Repository:
Archives of American Art
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in AAA.lernabra for Lerner, Abram
Professional Files
Level:
series
Dates:
circa 1958-2006
Size:
0.5 Linear feet (Box 2)
Collection ID:
AAA.lernabra
Repository:
Archives of American Art
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in AAA.lernabra for Lerner, Abram
Abram Lerner papers
Creators:
Lerner, Abram
Dates:
circa 1930-2006
Size:
2.3 Linear feet
Collection ID:
AAA.lernabra
Repository:
Archives of American Art

The papers of art historian, curator and painter, Abram Lerner measure 2.3 linear feet and date from circa 1930 to 2006. The collection is comprised primarily of documents related to Lerner's tenure at the Hirshhorn Museum and Sculpture Garden, including the years leading up to the museum's opening in 1974. Also included are professional files and correspondence following Abram Lerner's departure from the museum in 1984, as well as exhibition files, photographic materials and watercolor and sketchbooks reflecting his career as an artist.

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in AAA.lernabra for Lerner, Abram
Abram Lerner Oral History Interviews
Creators:
Lerner, Abram, interviewee
Dates:
1998
Size:
4 audiotapes (Reference copies).
Collection ID:
Record Unit 9600
Repository:
Smithsonian Institution Archives

The Smithsonian Institution Archives began its Oral History Program in 1973. The purpose of the program is to supplement the written documentation of the Archives' record and manuscript collections with an Oral History Collection, focusing on the history of the Institution, research by its scholars, and contributions of its staff. Program …

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in Record Unit 9600 for Lerner, Abram
Discusses the early exhibitions, trustees, acquisitions and gifts, modern art, S. Dillon Ripley's efforts to persuade Hirshhorn to choose Washington, D.C., and the Smithsonian to house his collection; and life in Washington, D.C., including: the Jesus Raphael Soto retrospective and Elie Nadelman exhibition in 1975;George Heard Hamilton, an early trustee of the Hirshhorn; Lerner's thoughts on selling or deaccessioning pieces from the collection; the variety of exhibitions shown at the Hirshhorn; curator Charles W. Millard, III, and his influence on Hirshhorn exhibitions and acquisitions; the Saul Steinberg, David Levine, David Hockney, and Josef Albers exhibitions; commemoration of the Josef Albers Learning Never Ends stamp, in 1980; the Brancusi as Photographer, The Fifties: Aspects of Painting in New York, and the Edwin Dickinson: Selected Landscapes exhibitions; the site for the National Gallery Sculpture Garden and Lerner's thoughts on the design of the Hirshhorn Sculpture Garden; the modern collection of the National Gallery of Art and other museums; a list of acquisitions to the collection and reminiscences about artists and donors; the work of the artist Gregory Gillespie; Lerner's views on contemporary painting and exhibiting the work of younger artists; reflections on the first Directions exhibit series; his opinions of art after Abstract Expressionism; reminiscences of Joshua Taylor of the National Collection of Fine Arts (now the Smithsonian American Art Museum); Marvin Sadik of the National Portrait Gallery; Lisa Suter Taylor from the Cooper-Hewitt, National Design Museum; Laughlin Philips of the Philips Gallery; collector David Lloyd Kreeger, and Congressman Sidney R. Yates; social life in Washington, including dinners with ambassadors and cultural attachs; scouting various locations and offers to house the collection outside the United States in Italy, London, Israel, and Canada; S. Dillon Ripley and Mrs. Lyndon B. Johnson's role in securing the Hirshhorn collection for the Smithsonian; reminiscences of S. Dillon Ripley, Mary Livingston Ripley and family; reminiscences of other acquaintances in Washington; and the design of the logo for the museum.
Level:
file
Collection ID:
Record Unit 9600
Repository:
Smithsonian Institution Archives

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in Record Unit 9600 for Lerner, Abram
Joe Shannon papers
Creators:
Shannon, Joe
Dates:
circa 1980-2005
Size:
1.4 Linear feet
Collection ID:
AAA.shanjoe
Repository:
Archives of American Art

Letters, writings, exhibition and symposium files regarding the career of Joe Shannon as an exhibition designer, painter, and curator. Letters are from R. B. Kitaj, Sandra Fisher, Abram Lerner, Avigdor Arikha, Francisco Alvarado-Juárez, Isabel McIlvain, Raphael Soyer and others. Writings include drafts of published and unpublished articles, lectures, and reviews …

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in AAA.shanjoe for Lerner, Abram
Emily Nathan papers
Creators:
Nathan, Emily
De Creeft, José, 1884-1982
Lerner, Abram
Goldberg, Rube, 1883-1970
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Dates:
circa 1943-1985
Size:
6 Linear feet
Collection ID:
AAA.nathemil2
Repository:
Archives of American Art

The papers of public relations consultant and journalist Emily Nathan measure 5.0 linear feet and date from circa 1943-1985. Included are files on clients, among them Towle Manufacturing and its gallery; the Smithsonian Institution, including the Archives of American Art, Radio Smithsonian and the National Portrait Gallery.

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in AAA.nathemil2 for Lerner, Abram
Oral history interview with Abraham Walkowitz
Creators:
Walkowitz, Abraham, 1880-1965
Cowdrey, Mary Bartlett, 1910-1974
Lerner, Abram
Dates:
1958 December 8-22
Size:
66 Pages (Transcript)
Collection ID:
AAA.walkow58
Repository:
Archives of American Art

An interview of Abraham Walkowitz conducted by Abram Lerner and Mary Bartlett Cowdrey for the Archives of American Art.

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in AAA.walkow58 for Lerner, Abram
Lerner, Abram
Level:
file
Dates:
1968 September 5
Size:
1 Sound tape reel
Collection ID:
AAA.bowmruth2
Repository:
Archives of American Art
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in AAA.bowmruth2 for Lerner, Abram
Lerner, Abram (1968 September 5), Digital Audio Recording
Level:
file
Dates:
2018
Size:
0.298 Gigabytes (One computer file)
Collection ID:
AAA.bowmruth2
Repository:
Archives of American Art
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in AAA.bowmruth2 for Lerner, Abram
278 records — Page 13 of 28