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Dates:
1926-1997
Level:
series
Size:
8.75 Linear feet (Boxes 1-9, 22)
Collection ID:
AAA.groschai
Repository:
Archives of American Art

Gross's personal and professional correspondence constitutes a rich and substantive record of all aspects of his career and is with family members; friends and colleagues including many artists, architects, writers, and scholars; galleries, museums and other art institutions; synagogues and multiple Jewish philanthropic organizations; publishers; a...

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Dates:
1915, circa 1920s
Size:
0.07 Cubic feet (1 box, Photograph, gelatin silver cellulose acetate transparency (copied from a black and white halftone screened image) mounted in 0.45-inch thick black painted wood frame with rounded corners; thick, flocked, faded burgundy oval vignette mat; backed with text-printed brown paper., 3.4 x 4.25 x 0.45 inches)
Collection ID:
NASM.XXXX.1211
Repository:
National Air and Space Museum Archives

This collection consists of three copies of a photograph of Anthony "Tony" Stadlman and Percy G. B. "Bud" Morriss seated in the cockpit of Morriss's Benoist flying boat in Grand Rapids, Michigan. The photograph, probably produced as a souvenir item at some time in the 1920s, is mounted in a small black-painted wood frame with a thick, flocked, oval mat, and carries this printed text on the reverse: "This is an authentic photograph taken in Grand Rapids, 1915, of P. G. B. (Bud) Morriss at the Controls of his Benoist Flying Boat, accompanied by his Chief mechanician, Tony Stadlman, who later became Superintendant of the Lockheed Airplane Company in Burbank."

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Creators:
Donaldson, Jeff, 1932-2004
Dates:
1918-2005
bulk 1960s-2005
Size:
12.5 Linear feet
0.003 Gigabytes
Collection ID:
AAA.donajeff
Repository:
Archives of American Art

The papers of African American artist and educator Jeff Donaldson measure 12.5 linear feet and 0.003 GB and date from 1918 to 2005, with the bulk of the records dating from the 1960s to 2005. The collection documents Donaldson's work as a professional artist, his academic career at Howard University, and his leadership role in the Black Arts Movement through biographical material, a small amount of professional and personal correspondence, personal business records, writings by Donaldson and others, research files, artist files, sound recordings of interviews Donaldson conducted with over 40 artists, teaching files, exhibition files, printed and digital material, and photographs. Also found are detailed records of his professional activities and leadership roles in AfriCOBRA, CONFABA, FESTAC, and the Organization of Black American Culture (OBAC), including documentation on the Wall of Respect mural.

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Creators:
Dehn, Adolf, 1895-1968
Dates:
1912-1987
Size:
6.6 Linear feet
Collection ID:
AAA.dehnadop
Repository:
Archives of American Art

The papers of printmaker and painter Adolf Dehn measure 6.6 linear feet and date from 1912-1987. The collection contains extensive correspondence, as well as writings, exhibition announcements, catalogs, clippings, invoices, receipts, legal documents, scrapbooks, artwork, and photographs. There is also scattered correspondence of Virginia Dehn, mostly concerning her husband Adolf Dehn.

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Creators:
Smithsonian Institution, Traveling Exhibition Service
Dates:
1995-2006
Size:
11.5 cu. ft. (11 record storage boxes) (1 document box)
Collection ID:
Accession 08-059
Repository:
Smithsonian Institution Archives

These records document the work of the Smithsonian Institution Traveling Exhibition Service (SITES) in the planning, execution, administration, and promotion of traveling exhibitions. Materials include correspondence, memoranda, press releases, press kits, photographs, slides, transparencies, scripts, itineraries, floor plans, checklists, clip...

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Creators:
Hirshhorn Museum and Sculpture Garden. Department of Public Programs/Curatorial Division
Dates:
circa 1975-1997
Size:
7 cu. ft. (7 record storage boxes)
Collection ID:
Accession 98-013
Repository:
Smithsonian Institution Archives

This accession consists of records produced by Judith Zilczer, Curator of Painting at the Hirshhorn Museum and Sculpture Garden (HMSG), which primarily document planning for the Richard Lindner and Sean Scully exhibitions at HMSG. Also included are Zilczer's curatorial files pertaining to research on HMSG collections, as well as papers from ...

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Creators:
Smithsonian Institution, Traveling Exhibition Service
Dates:
circa 1984-2004
Size:
11.69 cu. ft. (11 record storage boxes) (1 16x20 box)
Collection ID:
Accession 07-135
Repository:
Smithsonian Institution Archives

These records document the planning, execution, administration, and promotion of traveling exhibitions. The records are arranged by exhibition title, followed by the exhibition ID number and the dates of the exhibition. Materials include correspondence, memoranda, press releases, press kits, photographs, negatives, slides, transparencies, ...

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Creators:
Cooper-Hewitt, National Design Museum. Product Design and Decorative Arts Department
Dates:
circa 2006
Size:
7.83 cu. ft. (2 record storage boxes) (2 document boxes) (7 16x20 boxes)
Collection ID:
Accession 13-076
Repository:
Smithsonian Institution Archives

This accession consists of records documenting the development and installation of the exhibition, "Feeding Desire: Design and the Tools of the Table, 1500-2005" as well as the creation of a book of the same name. The exhibition ran from May 5 through October 29, 2006 and was organized by Sarah Coffin, Curator of 17th and 18th Century Dec...

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Creators:
Kent, Rockwell, 1882-1971
Dates:
circa 1840-1993
bulk 1935-1961
Size:
88 Linear feet
Collection ID:
AAA.kentrock
Repository:
Archives of American Art

The Rockwell Kent papers measure 88.0 linear feet and date from circa 1840 to 1993 with the bulk of the collection dating from 1935 to 1961. The collection provides comprehensive coverage of Kent's career as a painter, illustrator, designer, writer, lecturer, traveler, political activist, and dairy farmer.

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Creators:
Los Angeles Institute of Contemporary Art
Dates:
1973-1988
Size:
18 Linear feet
Collection ID:
AAA.losangin
Repository:
Archives of American Art

The records of the Los Angeles Institute of Contemporary Art measure 18 linear feet, date from 1973 to 1988, and document the brief thirteen-year history of LAICA's activities as a Southern California visual arts organization and exhibition space for contemporary art. Records detail the founding of the organization, operations and administration, exhibitions, events, and publications. More than half of the collection is comprised of exhibition, program, and event files that include correspondence with artists, curators, and others; printed materials; and photographs, negatives, and slides.

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