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Creators:
Elisofon, Eliot
Dates:
1947
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

"In the northern part of the second court the hall is renowned for the reliefs on its back wall, which represent the imaginery scenes by which Hatshepsut tried to establish her descent from Amun (Amon) and thus her divine right to rule. The hall was extended later in Hatshepsut's reign by adding a small sanctuary for Anubis." [Haeny G., 1997: New K...

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Creators:
Elisofon, Eliot
Dates:
1965
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

"In the northern part of the second court the hall is renowned for the reliefs on its back wall, which represent the imaginery scenes by which Hatshepsut tried to establish her descent from Amun (Amon) and thus her divine right to rule. The hall was extended later in Hatshepsut's reign by adding a small sanctuary for Anubis." [Haeny G., 1997: New K...

[ ]
Collapse
[ ]
Expand
Creators:
Elisofon, Eliot
Dates:
1965
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

"In the northern part of the second court the hall is renowned for the reliefs on its back wall, which represent the imaginery scenes by which Hatshepsut tried to establish her descent from Amun (Amon) and thus her divine right to rule. The hall was extended later in Hatshepsut's reign by adding a small sanctuary for Anubis." [Haeny G., 1997: New K...

[ ]
Collapse
[ ]
Expand
Creators:
Elisofon, Eliot
Dates:
1965
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

"In the northern part of the second court the hall is renowned for the reliefs on its back wall, which represent the imaginery scenes by which Hatshepsut tried to establish her descent from Amun (Amon) and thus her divine right to rule. The hall was extended later in Hatshepsut's reign by adding a small sanctuary for Anubis." [Haeny G., 1997: New K...

[ ]
Collapse
[ ]
Expand
Creators:
Elisofon, Eliot
Dates:
1965
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

The photograph depicts the vestibule containing a small niche, above which "Thutmose III" is seen offering wine to the god Sokar. "In the northern part of the second court the hall is renowned for the reliefs on its back wall, which represent the imaginery scenes by which Hatshepsut tried to establish her descent from Amun (Amon) and thus her divin...

[ ]
Collapse
[ ]
Expand
Creators:
Elisofon, Eliot
Dates:
1965
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

The photograph depicts the vestibule containing a small niche, above which "Thutmose III" is seen offering wine to the god Sokar. "In the northern part of the second court the hall is renowned for the reliefs on its back wall, which represent the imaginery scenes by which Hatshepsut tried to establish her descent from Amun (Amon) and thus her divin...

[ ]
Collapse
[ ]
Expand
Creators:
Elisofon, Eliot
Dates:
1965
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

The photograph depicts the vestibule containing a small niche, above which "Thutmose III" is seen offering wine to the god Sokar. "In the northern part of the second court the hall is renowned for the reliefs on its back wall, which represent the imaginery scenes by which Hatshepsut tried to establish her descent from Amun (Amon) and thus her divin...

[ ]
Collapse
[ ]
Expand
Creators:
Elisofon, Eliot
Dates:
1965
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

The photograph depicts the vestibule containing a small niche, above which "Thutmose III" is seen offering wine to the god Sokar. "In the northern part of the second court the hall is renowned for the reliefs on its back wall, which represent the imaginery scenes by which Hatshepsut tried to establish her descent from Amun (Amon) and thus her divin...

[ ]
Collapse
[ ]
Expand
Creators:
Elisofon, Eliot
Dates:
1965
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

The photograph depicts the vestibule containing a small niche, above which "Thutmose III" is seen offering wine to the god Sokar. "In the northern part of the second court the hall is renowned for the reliefs on its back wall, which represent the imaginery scenes by which Hatshepsut tried to establish her descent from Amun (Amon) and thus her divin...

[ ]
Collapse
[ ]
Expand
Creators:
Elisofon, Eliot
Dates:
1967
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

"The Lega village (kyumo) is traditionally built on a hill in a more or less natural clearing 'kilungulabo' of primary rain forest. It consists of two parallel rows (mikeke) of contiguous huts, a plan that creates an impression of longhouses. The open space (mulungu) between the two rows of houses serves as main street, a dance floor, and a public ...