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Dates:
1923-1986
Level:
series
Size:
5.3 Linear feet (Boxes 1-6, OV 47; Reels 5708-5717)
Collection ID:
AAA.breumarc
Repository:
Archives of American Art

Correspondents in this series include a wide range of international architects, designers, and artists who interacted with Breuer. The letters discuss his training and the execution of his hundreds of architectural projects and designs for furnishings. Researchers will find the letters between Breuer and his Bauhaus colleagues, including Josef Albe...

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Creators:
Ripley, S. Dillon (Sidney Dillon), 1913-2001, interviewee
Dates:
1977-1993
Size:
48 audiotapes (Reference copies).
Collection ID:
Record Unit 9591
Repository:
Smithsonian Institution Archives

The Smithsonian Institution Archives began its Oral History Program in 1973. The purpose of the program is to supplement the written documentation of the Archives' record and manuscript collections with an Oral History Collection, focusing on the history of the Institution, research by its scholars, and contributions of its staff. Program ...

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Dates:
1909-1991
undated
Level:
series
Size:
3.6 Linear feet ((Boxes 1-4))
Collection ID:
AAA.cunnimog
Repository:
Archives of American Art

Correspondence found in this series is with both family members and business colleagues, reflecting both aspects of Cunningham's life. See Appendix for a list of notable correspondents from Series 2.

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Creators:
Gurr, Lena, 1897-1992
Dates:
1908-1979
Size:
7 Linear feet
Collection ID:
AAA.gurrlena
Repository:
Archives of American Art

The Lena Gurr (1897-1992) papers date from 1908 to 1979 and measure 7.0 linear feet. Gurr was a painter and printmaker who studied under John sloan and Maurice Sterne at the Art Students League between 1920-1922. She also studied in France and married painter and photographer Joseph Biel in 1931. The papers document both Gurr and Biel's careers through correspondence, notes, art work, printed material, scrapbooks, and photographs. The collection offers researchers a valuable resource for studying the New York art community of the pre-war era.

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Creators:
Ehricke, Krafft, 1917-1984
Dates:
1949-1984
Size:
124.9 Cubic feet
Collection ID:
NASM.2003.0025
Repository:
National Air and Space Museum Archives

This collection is composed of Krafft Ehricke's files including Ehricke's published and unpublished papers as well as papers and works by others that Ehricke gathered, presumably as reference material.

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Creators:
Asch, Moses
Distler, Marian, 1919-1964
Folkways Records
Dates:
1926-1986
bulk 1948-1986
Size:
841 Cubic feet
Collection ID:
CFCH.ASCH
Repository:
Ralph Rinzler Folklife Archives and Collections

This collection, which dates from 1926-1986, documents the output of Moses Asch through the various record labels he founded and co-founded, and includes some of his personal papers. The Asch collection includes published recordings, master tapes, outtakes, business records, correspondence, photographs, and film.

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Creators:
Kranzberg, Melvin, Dr., 1917-1995
Dates:
1934 - 1988
Size:
140 Cubic feet (433 boxes )
Collection ID:
NMAH.AC.0266
Repository:
Archives Center, National Museum of American History

Personal papers of Dr. Kranzberg from his undergraduate years at Amherst College through his professional career. Collection documents his involvement with development of the new field of history of technology and his role as principal founder of the Society for the History of Technology (SHOT); work as consultant and advisor to domestic and international agencies, colleges, and universities; personal affiliations, lectureships, publications; and teaching and administrative activities for more than 40 years as a college professor.

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Creators:
Wheatland, Richard, II, 1923-2009
Dates:
1929-1971
bulk 1952-1969
Size:
7.63 Cubic feet (7 records center boxes)
Collection ID:
NASM.1992.0052
Repository:
National Air and Space Museum Archives

Collection consists of materials created by and collected by Richard Wheatland II during the period when he served as a Vice President of New York Airways (1953-1968), a helicopter airline operating in the New York City metropolitan area from 1952-1977.

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Creators:
Sears, Thomas Warren, 1880-1966
Sears & Wendell
Olmsted Brothers
Harvard University
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Dates:
1899-1964
Size:
44.5 Cubic feet (4,317 glass negatives. 363 film negatives. 182 glass lantern slides. 12 photograph albums. 56 plans and drawings. 3 monographs. )
Collection ID:
AAG.SRS
Repository:
Archives of American Gardens

The Thomas Warren Sears Photograph Collection documents examples of the design work of Thomas Warren Sears (1880-1966), a landscape architect and amateur photographer from Brookline, Massachusetts. Sears, who was based for most of his career in Philadelphia, designed a variety of different types of landscapes ranging from private residences, schools, and playgrounds to parks, cemeteries, and urban housing developments located primarily in Pennsylvania, Maryland, and New York. In addition to some of Sears' design work, images in the collection document Sears' domestic and foreign travels, design inspirations, and family. The collection includes over 4,800 black and white negatives and glass lantern slides dated circa 1899 to 1930. While most images show private and public gardens, there are a significant number of unidentified views and views photographed in Europe during two trips he took there in 1906 and 1908. Few images are captioned or dated. In addition, there are over 50 plans and drawings, most notably for Balmuckety in Pikesville, Maryland and Reynolda in Winston-Salem, North Carolina, and 3 monographs by or about Sears.

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Creators:
Brumbaugh, Thomas B. (Thomas Brendle), 1921-
Dates:
1831-1979
Size:
73 Items (Letters, written in ink, ball point, graphite, typewriter)
26 Items (Stamps)
3 Items (Photographs)
Collection ID:
FSA.A2009.06
Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

This collection is an amalgamation of letters written and recieved by prominent figures in 19th and 20th century American Art. Included in the collection is a significant portion of letters from Abbott Thayer to correspondents from his circle of family, friends and art world figures such as Maria Oakey Dewing and Samuel Coleman.

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