16616 records — Page 1276 of 1662
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Creators:
Larrabee, Constance Stuart
Dates:
1949
Level:
item
Size:
1 Negative ((silver gelatin)., b&w, 6 x 6 cm.)
1 Photographic print ((contact print)., b&w, 6 x 6 cm.)
1 Photographic print ((dupe print)., b&w, 8 x 10 in.)
1 Photographic print ((fiber-based print)., b&w, 8 x 10 in.)
Collection ID:
EEPA.1998-006
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Minister With Stick and Bag, Natal. The African minister is wearing a suit and hat and his side is facing the camera. He is holding a stick over his shoulder with a briefcase hanging from the stick. Photograph by Constance Stuart Larrabee, Feb. 1949.

This photograph was taken when Constance Stuart was on assignment for Harper's Bazaar, an American magazine. Her task was to create a portfolio inspired by the seminal book "Cry, The Beloved Country," which had brought the conditions in South Africa to the attention of the world. The author of the book was the South African writer Alan Paton (1903-...

There are two 8x10 black and white fiber-based prints of this negative in the Constance Stuart Larrabee Collection. EEPA produced an 8x10 study print for reference purposes.

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Creators:
Larrabee, Constance Stuart
Dates:
1949
Level:
item
Size:
1 Negative ((silver gelatin)., b&w, 6 x 6 cm.)
1 Photographic print ((contact print)., b&w, 6 x 6 cm.)
1 Photographic print ((dupe print)., b&w, 8 x 10 in.)
1 Photographic print ((fiber-based print)., b&w, 8 x 10 in.)
Collection ID:
EEPA.1998-006
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Minister and His Wife, Natal. "A Natal minister and his wife walking beside the Indian Ocean." The prior inscription is found on the back of the fiber-based print, written by Constance Stuart Larrabee. The African minister is wearing a suit and hat. He is holding his stick and briefcase. His wife is walking down a dirt road by his side. Photograph ...

This photograph was taken when Constance Stuart was on assignment for Harper's Bazaar, an American magazine. Her task was to create a portfolio inspired by the seminal book "Cry, The Beloved Country," which had brought the conditions in South Africa to the attention of the world. The author of the book was the South African writer Alan Paton (1903-...

There is one 8x10 black and white fiber-based print of this negative in the Constance Stuart Larrabee Collection. On the back of this print the following inscription, written by Contstance Stuart Larrabee, reads as follows: "A Natal minister and his wife walking beside the Indian Ocean."EEPA also produced an 8x10 study print for reference purposes.

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Creators:
Larrabee, Constance Stuart
Dates:
1949
Level:
item
Size:
1 Negative ((silver gelatin)., b&w, 5.5 x 9 cm.)
1 Photographic print ((contact print)., b&w, 5.5 x 9 cm.)
1 Photographic print ((dupe print)., b&w, 10 x 8 in.)
Collection ID:
EEPA.1998-006
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Man at Carisbrooke Train Station Stop, Natal. A man of European decent is standing in front of a train sign that says "Carisbrooke." Photograph by Constance Stuart Larrabee, Feb. 1949.

This photograph was taken when Constance Stuart was on assignment for Harper's Bazaar, an American magazine. Her task was to create a portfolio inspired by the seminal book "Cry, The Beloved Country," which had brought the conditions in South Africa to the attention of the world. The author of the book was the South African writer Alan Paton (1903-...

There are no prints of this negative in the Constance Stuart Larrabee Collection. EEPA produced an 8x10 study print for reference purposes.

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[ ]
Expand
Creators:
Larrabee, Constance Stuart
Dates:
1949
Level:
item
Size:
1 Negative ((silver gelatin)., b&w, 5.5 x 9 cm.)
1 Photographic print ((contact print)., b&w, 5.5 x 9 cm.)
1 Photographic print ((dupe print)., b&w, 10 x 8 in.)
Collection ID:
EEPA.1998-006
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

People at Carisbrooke Train Station Stop, Natal. A small group of African men and women are standing near the train tracks in front of a sign that says "Carisbrooke." Photograph by Constance Stuart Larrabee, Feb. 1949.

This photograph was taken when Constance Stuart was on assignment for Harper's Bazaar, an American magazine. Her task was to create a portfolio inspired by the seminal book "Cry, The Beloved Country," which had brought the conditions in South Africa to the attention of the world. The author of the book was the South African writer Alan Paton (1903-...

There are no prints of this negative in the Constance Stuart Larrabee Collection. EEPA produced an 8x10 study print for reference purposes.

[ ]
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[ ]
Expand
Creators:
Larrabee, Constance Stuart
Dates:
1949
Level:
item
Size:
1 Negative ((silver gelatin)., b&w, 6 x 6 cm.)
1 Photographic print ((contact print)., b&w, 6 x 6 cm.)
1 Photographic print ((dupe print)., b&w, 8 x 10 in.)
Collection ID:
EEPA.1998-006
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Bus, Natal. The bus has people on board and a bicycle attached to the roof. There are words painted on the side of the bus, possibly written in a native Southern African language. Photograph by Constance Stuart Larrabee, Feb. 1949.

This photograph was taken when Constance Stuart was on assignment for Harper's Bazaar, an American magazine. Her task was to create a portfolio inspired by the seminal book "Cry, The Beloved Country," which had brought the conditions in South Africa to the attention of the world. The author of the book was the South African writer Alan Paton (1903-...

There are no prints of this negative in the Constance Stuart Larrabee Collection. EEPA produced an 8x10 study print for reference purposes.

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[ ]
Expand
Creators:
Larrabee, Constance Stuart
Dates:
February 1949
Level:
item
Size:
1 Negative ((silver gelatin)., b&w, 6 x 6 cm.)
1 Photographic print ((contact print)., b&w, 6 x 6 cm.)
1 Photographic print ((dupe print)., b&w, 8 x 10 in.)
1 Photographic print ((fiber-based print)., b&w, 8 x 10 in.)
1 Photographic print ((vintage print)., b&w, 10 x 8 in.)
Collection ID:
EEPA.1998-006
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This photograph was taken when Constance Stuart was on assignment for Harper's Bazaar, an American magazine. Her task was to create a portfolio inspired by the seminal book "Cry, The Beloved Country," which had brought the conditions in South Africa to the attention of the world. The author of the book was the South African writer Alan Paton (1903-...

There is one 8x10 black and white vintage print and three 8x10 black and white fiber-based prints of this negative in the Constance Stuart Larrabee Collection. EEPA also produced an 8x10 study print for reference purposes.

[ ]
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[ ]
Expand
Creators:
Larrabee, Constance Stuart
Dates:
February 1949
Level:
item
Size:
1 Negative ((silver gelatin)., b&w, 6 x 6 cm.)
1 Photographic print ((contact print)., b&w, 6 x 6 cm.)
1 Photographic print ((dupe print)., b&w, 8 x 10 in.)
1 Photographic print ((fiber-based print)., b&w, 8 x 10 in.)
Collection ID:
EEPA.1998-006
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This photograph was taken when Constance Stuart was on assignment for Harper's Bazaar, an American magazine. Her task was to create a portfolio inspired by the seminal book "Cry, The Beloved Country," which had brought the conditions in South Africa to the attention of the world. The author of the book was the South African writer Alan Paton (1903-...

Thereare two 8x10 black and white fiber-based print of this negative in the Constance Stuart Larrabee Collection. EEPA also produced an 8x10 study print for reference purposes.

[ ]
Collapse
[ ]
Expand
Creators:
Larrabee, Constance Stuart
Dates:
February 1949
Level:
item
Size:
1 Negative ((silver gelatin)., b&w, 6 x 6 cm.)
1 Photographic print ((contact print)., b&w, 6 x 6 cm.)
1 Photographic print ((dupe print)., b&w, 8 x 10 in.)
Collection ID:
EEPA.1998-006
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Men on Train, Natal. There are three African men on-board the train hanging out of their respective windows. Photograph by Constance Stuart Larrabee, Feb. 1949.

This photograph was taken when Constance Stuart was on assignment for Harper's Bazaar, an American magazine. Her task was to create a portfolio inspired by the seminal book "Cry, The Beloved Country," which had brought the conditions in South Africa to the attention of the world. The author of the book was the South African writer Alan Paton (1903-...

There are no prints of this negative in the Constance Stuart Larrabee Collection. EEPA produced an 8x10 study print for reference purposes.

[ ]
Collapse
[ ]
Expand
Creators:
Larrabee, Constance Stuart
Dates:
1949
Level:
item
Size:
1 Negative ((silver gelatin)., b&w, 5.5 x 9 cm.)
1 Photographic print ((contact print)., b&w, 5.5 x 9 cm.)
1 Photographic print ((dupe print)., b&w, 10 x 8 in.)
Collection ID:
EEPA.1998-006
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Homestead on Hill, Natal. To the left of the homestead is a fenced area with animals in it. There are trees to the left and right of the homestead. Photograph by Constance Stuart Larrabee, Feb. 1949.

This photograph was taken when Constance Stuart was on assignment for Harper's Bazaar, an American magazine. Her task was to create a portfolio inspired by the seminal book "Cry, The Beloved Country," which had brought the conditions in South Africa to the attention of the world. The author of the book was the South African writer Alan Paton (1903-...

There are no prints of this negative in the Constance Stuart Larrabee Collection. EEPA produced an 8x10 study print for reference purposes.

[ ]
Collapse
[ ]
Expand
Creators:
Larrabee, Constance Stuart
Dates:
1949
Level:
item
Size:
1 Negative ((silver gelatin)., b&w, 5.5 x 9 cm.)
1 Photographic print ((contact print)., b&w, 5.5 x 9 cm.)
1 Photographic print ((dupe print)., b&w, 10 x 8 in.)
Collection ID:
EEPA.1998-006
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Women Carrying Bread, Natal. Three young women are walking down a road side by side. The two women on the outside are carrying baskets of bread on their respective heads. The woman in the middle is carrying bread and a container. Photograph by Constance Stuart Larrabee, Feb. 1949.

This photograph was taken when Constance Stuart was on assignment for Harper's Bazaar, an American magazine. Her task was to create a portfolio inspired by the seminal book "Cry, The Beloved Country," which had brought the conditions in South Africa to the attention of the world. The author of the book was the South African writer Alan Paton (1903-...

There are no prints of this negative in the Constance Stuart Larrabee Collection. EEPA produced an 8x10 study print for reference purposes.

16616 records — Page 1276 of 1662