16618 records — Page 1283 of 1662
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Creators:
Larrabee, Constance Stuart
Dates:
1949
Level:
item
Size:
1 Negative ((silver gelatin)., b&w, 6 x 6 cm.)
1 Photographic print ((dupe print)., b&w, 8 x 10 in.)
Collection ID:
EEPA.1998-006
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

People at Carisbrooke Train Stop, Natal. There is a group of African men and women waiting by the train tracks in front of a sign that reads "Carisbrooke." There is an African man on a horse nearby. Photograph by Constance Stuart Larrabee, Feb. 1949.

This photograph was taken when Constance Stuart was on assignment for Harper's Bazaar, an American magazine. Her task was to create a portfolio inspired by the seminal book "Cry, The Beloved Country," which had brought the conditions in South Africa to the attention of the world. The author of the book was the South African writer Alan Paton (1903-...

There are no prints of this negative in the Constance Stuart Larrabee Collection. EEPA produced an 8x10 study print for reference purposes.

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Creators:
Larrabee, Constance Stuart
Dates:
1949
Level:
item
Size:
1 Negative ((silver gelatin)., b&w, 6 x 6 cm.)
1 Photographic print ((contact print)., b&w, 6 x 6 cm.)
1 Photographic print ((dupe print)., b&w, 8 x 10 in.)
1 Photographic print ((fiber-based print)., b&w, 8 x 10 in.)
1 Photographic print ((vintage print)., b&w, 10 x 8 in.)
Collection ID:
EEPA.1998-006
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Homestead in Valley, Natal. "The Umzimkulu valley opening scene of Alan Paton's "Cry, the Beloved Country." Original caption by Constance Stuart Larrabee written on the back of the 8x10 black and white vintage print of this image. The image is of a homestead in a valley. Forests and hills are in the background. Photograph by Constance Stuart Larrab...

This photograph was taken when Constance Stuart was on assignment for Harper's Bazaar, an American magazine. Her task was to create a portfolio inspired by the seminal book "Cry, The Beloved Country," which had brought the conditions in South Africa to the attention of the world. The author of the book was the South African writer Alan Paton (1903-...

There is one 8x10 black and white fiber-based print of this negative in the Constance Stuart Larrabee Collection. This print has Constance Stuart Larrabee's signature on the front. There is one vintage print of this negative. EEPA also produced an 8x10 study print for reference purposes.

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Creators:
Larrabee, Constance Stuart
Dates:
1949
Level:
item
Size:
1 Negative ((silver gelatin)., b&w, 5.5 x 9 cm.)
1 Photographic print ((contact print)., b&w, 5.5 x 9 cm.)
1 Photographic print ((dupe print)., b&w, 10 x 8 in.)
Collection ID:
EEPA.1998-006
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Homestead and Landscape, Natal. This photograph is a long-view of one homestead on top of a hill among trees. There is a person walking in front of the homestead. Photograph by Constance Stuart Larrabee, Feb. 1949.

This photograph was taken when Constance Stuart was on assignment for Harper's Bazaar, an American magazine. Her task was to create a portfolio inspired by the seminal book "Cry, The Beloved Country," which had brought the conditions in South Africa to the attention of the world. The author of the book was the South African writer Alan Paton (1903-...

There are no prints of this negative in the Constance Stuart Larrabee Collection. EEPA produced an 8x10 study print for reference purposes.

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Creators:
Larrabee, Constance Stuart
Dates:
1949
Level:
item
Size:
1 Negative ((silver gelatin)., b&w, 5.5 x 9 cm.)
1 Item (photogrpahic print : (contact print)., b&w, 5.5 x 9 cm.)
1 Photographic print ((dupe print)., b&w, 10 x 8 in.)
1 Photographic print ((fiber-based print)., b&w, 10 x 8 in.)
Collection ID:
EEPA.1998-006
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

The Umzimkulu Valley, Natal. Photographic image of several circular homesteads in a valley area called "Umzimkulu." There are large hills behind the homesteads. Photograph by Constance Stuart Larrabee, Feb. 1949.

This photograph was taken when Constance Stuart was on assignment for Harper's Bazaar, an American magazine. Her task was to create a portfolio inspired by the seminal book "Cry, The Beloved Country," which had brought the conditions in South Africa to the attention of the world. The author of the book was the South African writer Alan Paton (1903-...

There are two 8x10 black and white fiber-based prints of this negative in the Constance Stuart Larrabee Collection. EEPA also produced an 8x10 study print for reference purposes.

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Creators:
Larrabee, Constance Stuart
Dates:
1949
Level:
item
Size:
1 Negative ((silver gelatin)., b&w, 5.5 x 9 cm.)
1 Photographic print ((contact print)., b&w, 5.5 x 9 cm.)
1 Photographic print ((dupe print)., b&w, 10 x 8 in.)
Collection ID:
EEPA.1998-006
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Railroad Through Hills, Natal. A railroad track is winding through hills. There are several trees along the side of the railroad. Photograph by Constance Stuart Larrabee, Feb. 1949.

This photograph was taken when Constance Stuart was on assignment for Harper's Bazaar, an American magazine. Her task was to create a portfolio inspired by the seminal book "Cry, The Beloved Country," which had brought the conditions in South Africa to the attention of the world. The author of the book was the South African writer Alan Paton (1903-...

There are no prints of this negative in the Constance Stuart Larrabee Collection. EEPA produced an 8x10 study print for reference purposes.

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Creators:
Larrabee, Constance Stuart
Dates:
1949
Level:
item
Size:
1 Negative ((silver gelatin)., b&w, 5.5 x 9 cm.)
1 Photographic print ((contact print)., b&w, 5.5 x 9 cm.)
1 Photographic print ((dupe print)., b&w, 8 x 10 in.)
Collection ID:
EEPA.1998-006
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Women Carrying Bread, Natal. Three young women are standing in the grass. Two of them are carrying bread in baskets on their head. The other one is putting a container on one of the baskets. Photograph by Constance Stuart Larrabee, Feb. 1949.

This photograph was taken when Constance Stuart was on assignment for Harper's Bazaar, an American magazine. Her task was to create a portfolio inspired by the seminal book "Cry, The Beloved Country," which had brought the conditions in South Africa to the attention of the world. The author of the book was the South African writer Alan Paton (1903-...

There are no prints of this negative in the Constance Stuart Larrabee Collection. EEPA produced an 8x10 study print for reference purposes.

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Expand
Creators:
Larrabee, Constance Stuart
Dates:
1949
Level:
item
Size:
1 Negative ((silver gelatin)., b&w, 5.5 x 9 cm.)
1 Photographic print ((contact print)., b&w, 5.5 x 9 cm.)
1 Photographic print ((dupe print)., b&w, 8 x 10 in.)
Collection ID:
EEPA.1998-006
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Boys in Field, Natal. The boys are tending the field. Photograph by Constance Stuart Larrabee, Feb. 1949.

This photograph was taken when Constance Stuart was on assignment for Harper's Bazaar, an American magazine. Her task was to create a portfolio inspired by the seminal book "Cry, The Beloved Country," which had brought the conditions in South Africa to the attention of the world. The author of the book was the South African writer Alan Paton (1903-...

There are no prints of this negative in the Constance Stuart Larrabee Collection. EEPA produced an 8x10 study print for reference purposes.

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[ ]
Expand
Creators:
Larrabee, Constance Stuart
Dates:
1949
Level:
item
Size:
1 Negative ((silver gelatin)., b&w, 5.5 x 9 cm.)
1 Photographic print ((contact print)., b&w, 5.5 x 9 cm.)
1 Photographic print ((dupe print)., b&w, 10 x 8 in.)
Collection ID:
EEPA.1998-006
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Homesteads and Landscape, Natal. Several homesteads are on a hill in a row. There is a large tree next to them. Photograph by Constance Stuart Larrabee, Feb. 1949.

This photograph was taken when Constance Stuart was on assignment for Harper's Bazaar, an American magazine. Her task was to create a portfolio inspired by the seminal book "Cry, The Beloved Country," which had brought the conditions in South Africa to the attention of the world. The author of the book was the South African writer Alan Paton (1903-...

There are no prints of this negative in the Constance Stuart Larrabee Collection. EEPA produced an 8x10 study print for reference purposes.

[ ]
Collapse
[ ]
Expand
Creators:
Larrabee, Constance Stuart
Dates:
1949
Level:
item
Size:
1 Negative ((silver gelatin)., b&w, 6 x 6 cm.)
1 Photographic print ((contact print)., b&w, 6 x 6 cm.)
1 Photographic print ((dupe print)., b&w, 8 x 10 in.)
Collection ID:
EEPA.1998-006
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Alan Paton, Natal. He is smiling with his arm propped up on a wooden post. Photograph by Constance Stuart Larrabee, Feb. 1949.

This photograph was taken when Constance Stuart was on assignment for Harper's Bazaar, an American magazine. Her task was to create a portfolio inspired by the seminal book "Cry, The Beloved Country," which had brought the conditions in South Africa to the attention of the world. The author of the book was the South African writer Alan Paton (1903-...

There are no prints of this negative in the Constance Stuart Larrabee Collection. EEPA produced an 8x10 study print for reference purposes.

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Creators:
Houlberg, Marilyn
Dates:
1961-circa 2005
Size:
6567 slides (photographs) (11 Binders, color)
14 Documents (1 Binder)
Collection ID:
EEPA.2005-002
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

The collection consists of 6,567 color slides taken by Dr. Marilyn Houlberg during various field studies among the Yoruba in southwest Nigeria between 1961 and circa 2005. The images depict Yoruba art and culture with a special focus on artisans, art objects, body arts, costume, festivals, hairstyles, indigenous photography, weaving and textiles. Cultural events depicted include Balufon festivals, Egungun and Gelede masquerades, social events (weddings, christenings, funerals), and religious ceremonies (initiation and animal sacrifice). Also included are various scenes of daily life, architecture, food preparation, markets, portraits and landscapes. Houlberg extensively documented Yoruba artists in the process of creating their art, including carvers Yesufu Ejigboye, Runshewe, and Lamidi Fakeye, as well as the final pieces themselves. Houlberg documentated art in situ, such as Yoruba house posts, shrines, wall art and wood doors and art objects, including Gelede masks, Ibeji (twin) and Eshu figures, Osanyin staffs, and Ogboni and Shango shrines. Manuscript and printed materials, including Houlberg's resume, thesis, and numerous published articles are also available in this collection.

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16618 records — Page 1283 of 1662