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Creators:
Jackler, Robert K.
Dates:
circa 1898-2017
undated
Size:
20 Cubic feet (40 boxes, 1 map-folder)
Collection ID:
NMAH.AC.1224
Repository:
Archives Center, National Museum of American History

The collection documents the history of tobacco advertising in America through print advertisements (magazine and newspaper), emphasizing the deceptive advertising practices employed by the tobacco industry to lure and keep smokers. Many of the advertisements contain images of celebrities, athletes, and other notable persons who endorsed tobacco products as well as ethinic imagery.

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Creators:
Warshaw, Isadore, 1900-1969
Dates:
1865-1896
undated
Size:
2.33 Cubic feet (consisting of 5 boxes, 1 folder, 2 oversize folders, 1 map folder.)
Collection ID:
NMAH.AC.0060.S01.01.Corsets
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Corsets forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Creators:
Pulford, Florence
Dates:
1993
1968-1989
undated
Size:
722 Photographic prints
458 slides (photographs)
2580 negatives (photographic)
65 Sound cassettes
Collection ID:
NMAI.AC.027
Repository:
National Museum of the American Indian

The Florence Pulford collection includes both audio recordings and photographs that were made during the twenty years Pulford worked among Native American quilt makers in the 1970's and 1980's from Montana and the Dakotas. Quilt makers featured in this collection include; Ella First Kill Brown, Frances Weasel Woman Fox, Artie Crazy Bull, Almira Buffalo Bone Jackson and Regina Brave Bull.

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Creators:
Apeda Studio (New York, N.Y.)
Camuzzi, M.
Harris & Ewing
Sommariva, Emilio, Photographer, 1883-1956
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Dates:
circa 1850-1997
Size:
25.54 Linear feet (46 boxes; 3 cabinet drawers)
Collection ID:
ACMA.06-016
Repository:
Anacostia Community Museum Archives
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Creators:
Kaplan, Flora S.
Dates:
1951-2012, bulk 1969-2012
Size:
134 sound recordings
31.5 Linear feet (72 boxes)
Collection ID:
NAA.2015-21
Repository:
National Anthropological Archives

The Flora S. Kaplan papers document her field work, research, and professional activities from 1951-2012 (bulk 1969-2012) and primarily deal with her work as the director and founder of New York University's Museum Studies program and her field work in Benin and Mexico. The collection consists of correspondence, research files, book files, photographs, sound recordings, ephemera, and writings.

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Creators:
Rosin, Henry D., Dr.
Lyman, Benjamin Smith, 1835-1920
Ueno, Hikoma, 1838-1904
Beato, Felice, b. ca. 1825
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Dates:
1860 - ca. 1900
Size:
616 Items (approximate count)
Collection ID:
FSA.A1999.35
Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

Assembled by collectors Dr. Henry D. Rosin and Nancy Rosin to document nineteenth-century and early twentieth-century photography of Japan. Includes albumen prints, portions handcolored, some signed and numbered in the negative. Taken by photographers Felice Beato (b. ca. 1825), Baron Raimon von Stillfried (1938-1911), Kusakabe Kimbei (active 1880s...

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Creators:
Warshaw, Isadore, 1900-1969
Dates:
1750-1965
undated
Size:
11.35 Cubic feet (consisting of 20 boxes, 8 folder, 30 oversize folders, 17 map case folders, 3 flat boxes (partial), plus digital images of some collection material.)
Collection ID:
NMAH.AC.0060.S01.01.Tobacco
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Tobacco Trade and Industry forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Dates:
1921-1979
Size:
13 Linear feet (26 boxes, 2 audio reels)
Collection ID:
NAA.2006-22
Repository:
National Anthropological Archives

The bulk of this collection documents the professional life of Ruth Leah Bunzel from the 1940s to 1970s. The collection contains correspondence, manuscripts, notes, research files, teaching materials, card files, artwork, and sound recordings.

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Creators:
Harper, Marion, 1916-1989 (advertising executive)
Dates:
circa 1920-1995, undated
Size:
27 Cubic feet (51 boxes)
Collection ID:
NMAH.AC.0394
Repository:
Archives Center, National Museum of American History

Notes, clippings, published and unpublished manuscripts on business and marketing; but primarily personal materials.

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Creators:
Taylor, Prentiss, 1907-1991
Dates:
1885-1991
Size:
20.4 Linear feet
Collection ID:
AAA.taylpren
Repository:
Archives of American Art

The collection measures 20.4 linear feet, dates from 1885 to 1991 (bulk dates 1908-1986) and documents the career of Harlem Renaissance lithographer, teacher, and painter Prentiss Taylor. The collection consists primarily of subject/correspondence files (circa 16 ft.), reflecting Prentiss' career as a lithographer and painter, his association with figures prominent in the Harlem Renaissance, notably Carl Van Vechten and Langston Hughes, his activities as president of the Society of Washington Printmakers and other art organizations, his work in art therapy treating mental illness, and his teaching position at American University. The subject files contain mostly correspondence, but many include photographs and printed material. Also included are biographical, financial, legal and printed material; several hundred photographs; notes and writings; sketchbooks, drawings and a few prints by Taylor; and scrapbooks dating from 1885-1956.

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