The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

Over two thousand stereographs (or stereoscopic photographs) are among the estimated two million documents and items of business ephemera in the Warshaw Collection. It is likely that Isadore Warshaw collected the stereographs both as examples of business advertising and as pictorial representations of commercial products, historical themes, and oth...

The Thomas Warren Sears Photograph Collection documents examples of the design work of Thomas Warren Sears (1880-1966), a landscape architect and amateur photographer from Brookline, Massachusetts. Sears, who was based for most of his career in Philadelphia, designed a variety of different types of landscapes ranging from private residences, schools, and playgrounds to parks, cemeteries, and urban housing developments located primarily in Pennsylvania, Maryland, and New York. In addition to some of Sears' design work, images in the collection document Sears' domestic and foreign travels, design inspirations, and family. The collection includes over 4,800 black and white negatives and glass lantern slides dated circa 1899 to 1930. While most images show private and public gardens, there are a significant number of unidentified views and views photographed in Europe during two trips he took there in 1906 and 1908. Few images are captioned or dated. In addition, there are over 50 plans and drawings, most notably for Balmuckety in Pikesville, Maryland and Reynolda in Winston-Salem, North Carolina, and 3 monographs by or about Sears.

This accession consists of materials documenting the research and production of the exhibition "Magnificent Voyagers, United States Exploring Expedition, 1838-1842," curated by Herman J. Viola. Materials include research materials, funding proposals, contact sheets, speech notes, loan records, evaluations, committee materials, drafts of s...

This accession consists primarily of records documenting the administrative activities of Miguel A. Bretos as Counselor to the Secretary for Latino Affairs, 1994-1995, and Counselor to the Secretary for Community Affairs and Special Projects, 1995-1998. A few records may have been generated by the Smithsonian Center for Latino Initiatives ...

This accession consists of records documenting the planning and production of exhibitions for the Thomas M. Evans Special Exhibition Gallery in the National Museum of Natural History. Included are photographs and slides of installation of exhibitions, artifacts, and openings; budget and financial documents; planning files; public relations ...

These records of special projects in the National Museum of History and Technology (NMHT), as well as throughout the Smithsonian, focus on several major activities, including the Computer History Project in cooperation with the American Federation of Information Processing Societies (AFIPS), the bicentennial celebration of James Smithson's ...

The Macbeth Gallery records provide almost complete coverage of the gallery's operations from its inception in 1892 to its closing in 1953. Through extensive correspondence files, financial and inventory records, printed material, scrapbooks, reference and research material, and photographs of artists and works of art, the records document all aspects of the gallery's activities, charting William Macbeth's initial intention to lease his store "for the permanent exhibition and sale of American pictures" through over sixty years of success as a major New York firm devoted to American art. The collection measures 131.6 linear feet and dates from 1838 to 1968 with the bulk of the material dating from 1892 to 1953.