16618 records — Page 1479 of 1662
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Creators:
Larrabee, Constance Stuart
Dates:
1947-48
Level:
item
Size:
1 Negative ((silver gelatin)., b&w, 6 x 6 cm.)
1 Photographic print ((contact print)., b&w, 6 x 6 cm.)
1 Photographic print ((dupe print)., b&w, 8 x 10 in.)
1 Photographic print ((vintage print)., b&w, 8 x 10 in.)
Collection ID:
EEPA.1998-006
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Basuto Mother Getting Water, 1947-48. Photographic image a woman using a paraffin tin as a container to fill with water for her family. She is wearing a colorful blanket and knit cap. There is a child standing behind her holding a similar container. In the background are squatter settlements made of long stick structures and old sacks for the walls...

Constance Stuart took this series of images in African squatters' settlements on the periphery of Johannesburg. They came to Johannesburg, the "Golden City," from all over southern Africa in hopes of finding employment. They were in constant danger of being evicted and having their settlements destroyed. They fought eviction through peaceful mass p...

There are three 8x10 black and white vintage prints of this negative in the Constance Stuart Larrabee Collection. EEPA also produced an 8x10 study print for reference purposes.

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[ ]
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Creators:
Larrabee, Constance Stuart
Dates:
1947-48
Level:
item
Size:
1 Negative ((silver gelatin)., b&w, 6 x 6 cm.)
1 Photographic print ((contact print)., b&w, 6 x 6 cm.)
1 Photographic print ((dupe print)., b&w, 8 x 10 in.)
1 Photographic print ((vintage print)., b&w, 8 x 10 in.)
Collection ID:
EEPA.1998-006
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Squatter Woman, 1947-48. Photographic image a young woman with her back facing the camera. She has a sheet of paper with words typed on it. This paper is possibly an eviction order. It is a joke to pin it on the back of an unsuspecting neighbor. Photograph by Constance Stuart Larrabee, 1948.

Constance Stuart took this series of images in African squatters' settlements on the periphery of Johannesburg. They came to Johannesburg, the "Golden City," from all over southern Africa in hopes of finding employment. They were in constant danger of being evicted and having their settlements destroyed. They fought eviction through peaceful mass p...

There are four 8x10 black and white vintage prints of this negative in the Constance Stuart Larrabee Collection. EEPA also produced an 8x10 study print for reference purposes.

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[ ]
Expand
Creators:
Larrabee, Constance Stuart
Dates:
1947-48
Level:
item
Size:
1 Negative ((silver gelatin)., b&w, 6 x 6 cm.)
1 Photographic print ((contact print)., b&w, 6 x 6 cm.)
1 Photographic print ((dupe print)., b&w, 8 x 10 in.)
Collection ID:
EEPA.1998-006
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Woman Watching Man Build Settlement, 1947-48. Photographic image a woman standing with her back facing the camera. She is watching a man on the roof with a hammer. He is building a settlement made of wood for the structure, scrap tin roofs for the roof, and old sacks for the walls. Photograph by Constance Stuart Larrabee, 1948.

Constance Stuart took this series of images in African squatters' settlements on the periphery of Johannesburg. They came to Johannesburg, the "Golden City," from all over southern Africa in hopes of finding employment. They were in constant danger of being evicted and having their settlements destroyed. They fought eviction through peaceful mass p...

There are no prints of this negative in the Constance Stuart Larrabee Collection. EEPA produced an 8x10 study print for reference purposes.

[ ]
Collapse
[ ]
Expand
Creators:
Larrabee, Constance Stuart
Dates:
1947-48
Level:
item
Size:
1 Negative ((silver gelatin)., b&w, 6 x 6 cm.)
1 Photographic print ((contact print)., b&w, 6 x 6 cm.)
1 Photographic print ((dupe print)., b&w, 8 x 10 in.)
Collection ID:
EEPA.1998-006
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Man Reading Notice, 1947-48. Photographic image a man leaning on the stub of a tree and looking at typed sheets of paper, which are eviction notices, attached to a gum tree. The following caption on the reverse of a related vintage print that reads as follows: "Apius Shanga, who 'makes the skin for the Zulus,' reads the notice telling him to quit. ...

Constance Stuart took this series of images in African squatters' settlements on the periphery of Johannesburg. They came to Johannesburg, the "Golden City," from all over southern Africa in hopes of finding employment. They were in constant danger of being evicted and having their settlements destroyed. They fought eviction through peaceful mass p...

There are no prints of this negative in the Constance Stuart Larrabee Collection. EEPA produced an 8x10 study print for reference purposes.

[ ]
Collapse
[ ]
Expand
Creators:
Larrabee, Constance Stuart
Dates:
1947-1948
Level:
item
Size:
1 Negative ((silver gelatin)., b&w, 6 x 6 cm.)
1 Photographic print ((contact print)., b&w, 6 x 6 cm.)
1 Photographic print ((dupe print)., b&w, 8 x 10 in.)
1 Photographic print ((vintage print)., b&w, 8 x 10 in.)
Collection ID:
EEPA.1998-006
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Man Reading Notice, 1947-48. Photographic image a man leaning on the stub of a tree and looking at two typed sheets of paper, which are eviction notices, attached to a gum tree. The following caption on the reverse of the vintage print of this image reads as follows: "Apius Shanga, who 'makes the skin for the Zulus,' reads the notice telling him to...

Constance Stuart took this series of images in African squatters' settlements on the periphery of Johannesburg. They came to Johannesburg, the "Golden City," from all over southern Africa in hopes of finding employment. They were in constant danger of being evicted and having their settlements destroyed. They fought eviction through peaceful mass p...

There are three 8x10 black and white vintage prints of this negative in the Constance Stuart Larrabee Collection. EEPA also produced an 8x10 study print for reference purposes.

[ ]
Collapse
[ ]
Expand
Creators:
Larrabee, Constance Stuart
Dates:
1947-48
Level:
item
Size:
1 Negative ((silver gelatin)., b&w, 6 x 6 cm.)
1 Photographic print ((contact print)., b&w, 6 x 6 cm.)
1 Photographic print ((dupe print)., b&w, 8 x 10 in.)
1 Photographic print ((vintage print)., b&w, 8 x 10 in.)
Collection ID:
EEPA.1998-006
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Man Reading Notice, 1947-48. Photographic image a man, with his back facing the camera, looking at typed sheets of paper, which are eviction notices, attached to a gum tree. He is standing among several settlements made of sticks and old sacks. The following caption is on the reverse of a related vintage print that reads as follows: "Apius Shanga, ...

Constance Stuart took this series of images in African squatters' settlements on the periphery of Johannesburg. They came to Johannesburg, the "Golden City," from all over southern Africa in hopes of finding employment. They were in constant danger of being evicted and having their settlements destroyed. They fought eviction through peaceful mass p...

There is one 8x10 black and white vintage print of this negative in the Constance Stuart Larrabee Collection. EEPA also produced an 8x10 study print for reference purposes.

[ ]
Collapse
[ ]
Expand
Creators:
Larrabee, Constance Stuart
Dates:
1947-48
Level:
item
Size:
1 Negative ((silver gelatin)., b&w, 6 x 6 cm.)
1 Photographic print ((contact print)., b&w, 6 x 6 cm.)
1 Photographic print ((dupe print)., b&w, 8 x 10 in.)
Collection ID:
EEPA.1998-006
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Man Reading Notice, 1947-48. Photographic image a man reading an eviction notice attached to the wall of a settlement. The following caption is on the reverse of a related vintage print that reads as follows: "Apius Shanga, who 'makes the skin for the Zulus,' reads the notice telling him to quit. The skins that Apius makes are worn by the Zulu mine...

Constance Stuart took this series of images in African squatters' settlements on the periphery of Johannesburg. They came to Johannesburg, the "Golden City," from all over southern Africa in hopes of finding employment. They were in constant danger of being evicted and having their settlements destroyed. They fought eviction through peaceful mass p...

There are no prints of this negative in the Constance Stuart Larrabee Collection. EEPA produced an 8x10 study print for reference purposes.

[ ]
Collapse
[ ]
Expand
Creators:
Larrabee, Constance Stuart
Dates:
1948
Level:
item
Size:
1 Negative ((silver gelatin)., b&w, 6 x 6 cm.)
1 Photographic print ((contact print)., b&w, 6 x 6 cm.)
1 Photographic print ((dupe print)., b&w, 8 x 10 in.)
1 Photographic print ((vintage print)., b&w, 8 x 10 in.)
Collection ID:
EEPA.1998-006
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Squatter Man Sewing His Settlement, 1948. Photographic image taken from the outside of a man inside the structure of his settlement. He is sewing old sacks together and using them as walls for his settlement. There is a caption on the reverse of one of the vintage prints of this image that reads as follows: "Solomon sews himself in." Original capti...

Constance Stuart took this series of images in African squatters' settlements on the periphery of Johannesburg. They came to Johannesburg, the "Golden City," from all over southern Africa in hopes of finding employment. They were in constant danger of being evicted and having their settlements destroyed. They fought eviction through peaceful mass p...

There are two 8x10 black and white vintage prints of this negative in the Constance Stuart Larrabee Collection. EEPA also produced an 8x10 study print for reference purposes.

[ ]
Collapse
[ ]
Expand
Creators:
Larrabee, Constance Stuart
Dates:
1948
Level:
item
Size:
1 Negative ((silver gelatin)., b&w, 6 x 6 cm.)
1 Photographic print ((contact print)., b&w, 6 x 6 cm.)
1 Photographic print ((dupe print)., b&w, 8 x 10 in.)
1 Photographic print ((fiber-based print)., b&w, 8 x 10 in.)
Collection ID:
EEPA.1998-006
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Mine Dance Performers, 1948. Photographic image of three men standing side by side. The one on the left is playing an accordion. The two other men are holding sticks. All of them are wearing costumes, which consists of feather headdresses, pleated skirts, and jewelry. Photograph by Constance Stuart Larrabee, 1948.

These images were taken in mining compounds in the Johannesburg area, where African miners, migrant workers recruited from all over southern Africa, lived in segregated quarters. As a form of entertainment, miners performed dances and played music on Sundays. These performances attracted white visitors, who received permission from the white owners...

There is one 8x10 black and white fiber-based print of this negative in the Constance Stuart Larrabee Collection. EEPA also produced an 8x10 study print for reference purposes.

[ ]
Collapse
[ ]
Expand
Creators:
Larrabee, Constance Stuart
Dates:
1948
Level:
item
Size:
1 Negative ((silver gelatin)., b&w, 6 x 6 cm.)
1 Photographic print ((dupe print)., b&w, 8 x 10 in.)
1 Photographic print ((fiber-based print)., b&w, 8 x 10 in.)
Collection ID:
EEPA.1998-006
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Mine Dance Performance, 1948. Photographic image of mine dancers performing for a large audience. One man is in the center, his back facing the camera, is holding a spear above his head. He is wearing arm and leg bands made of fur and holding a shield in his other hand. There are other men there dressed similarly. Photograph by Constance Stuart Lar...

These images were taken in mining compounds in the Johannesburg area, where African miners, migrant workers recruited from all over southern Africa, lived in segregated quarters. As a form of entertainment, miners performed dances and played music on Sundays. These performances attracted white visitors, who received permission from the white owners...

There is one 8x10 black and white fiber-based print of this negative in the Constance Stuart Larrabee Collection. EEPA also produced an 8x10 study print for reference purposes.

16618 records — Page 1479 of 1662