[ ]
Collapse
[ ]
Expand
Dates:
1928-circa 1970s
Level:
series
Size:
0.4 Linear feet (Box 1, OV 4)
Collection ID:
AAA.dharrene
Repository:
Archives of American Art

Published articles include "Pancho el Juguetero" ("Pancho the Toy Maker") (1928) and "Las Artes Populares de México" (1930), both published in rare editions of Mexican Folkways, the latter including a cover; "The Mexican Exhibition" (Design, 1930); "The Loan Exhibition of Mexican Arts" (Bulletin of the Metropolitan Museum of Art, October 1930); "Ex...

[ ]
Collapse
[ ]
Expand
Dates:
1970-2017
Level:
series
Size:
0.5 Linear feet (Boxes 1, 8)
2.86 Gigabytes (ER01-ER04)
Collection ID:
AAA.bojochaz
Repository:
Archives of American Art

Professional files document exhibitions, community talks and events, and business dealings. Correspondence found here may include attached deeds for donations, loan agreements, and other business records. Other files document Bojórquez's activities with several graffiti advocacy groups, a ledger that includes a few photographs of artwork, and a pr...

[ ]
Collapse
[ ]
Expand
Dates:
1995
Level:
file
Collection ID:
AAA.andremmg
Repository:
Archives of American Art
[ ]
Collapse
[ ]
Expand
Creators:
Hofmann, Hans, 1880-1966
Dates:
circa 1904-2011
Size:
29.92 Linear feet
5 Gigabytes
Collection ID:
AAA.hofmhans
Repository:
Archives of American Art

The papers of painter, teacher, and writer Hans Hofmann measure 29.92 linear feet and 5.00 GB and date from circa 1904 to 2011, with the bulk of the materials dating from 1945 to 2000. The majority of the papers were created after 1932 and document Hofmann's life and professional career after settling in the United States. Among his papers are personal and professional correspondence; records of his schools in Munich, New York City, and Provincetown, Mass.; writings and notes; financial records; photographs; printed matter; estate records; and a small number of personal papers of his second wife, Renate Schmitz Hofmann. Hofmann's personal papers are augmented by a large selection of printed matter, including exhibition catalogs, articles, news clippings, and monographs about Hofmann and modern art, as well as documentary projects including Tina Dickey's compilation of oral histories and records of Hofmann's students, and research materials, sound and video recordings, digital material, and motion picture film created and gathered by Madeline Amgott during the production of two video documentaries about Hans Hofmann released in 1999 and 2002. Hofmann's Library was acquired with his papers; inscribed/annotated volumes have been retained with the collection.

Found In
[ ]
Collapse
[ ]
Expand
Dates:
1976-2007
Level:
file
Collection ID:
AAA.fiscarli
Repository:
Archives of American Art

Includes manuscripts and conference material for the Craft at the Limits conference at The Getty Center, World Crafts Council conferences, and lectures in conjunction with exhibitions and other events.

[ ]
Collapse
[ ]
Expand
Creators:
Smithsonian American Art Museum. Exhibitions Manager
Dates:
2003-2010
Size:
2 cu. ft. (2 record storage boxes)
Collection ID:
Accession 12-065
Repository:
Smithsonian Institution Archives

This accession consists of exhibition records created and maintained by the Exhibitions Manager, Marie Elena Amatangelo, in her work planning and coordinating exhibitions at the Smithsonian American Art Museum (SAAM) and the Renwick Gallery as well as for a traveling exhibition sponsored by SAAM. Exhibitions represented include Local Color: ...

Found In
[ ]
Collapse
[ ]
Expand
Creators:
Sevruguin, Antoin, 1851-1933
Dates:
1880s-1928
Level:
item
Size:
1 Item (photographic print, b&w, 16.5 cm. x 22.6 cm.)
Collection ID:
FSA.A.04
Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

Joseph Upton purchased 66 black-and-white gelatin silver photoprints in 1928 from Antoin Sevruguin in Tehran (Iran), and subsequently donated them to the Committee for Islamic Culture, as reported in their official minutes of October 24, 1953.

- On recto of the print, handwritten number (inked, probably by Antoin Sevruguin) reads, "214."

- On verso of the print, handwritten caption (penciled, probably by Antoin Sevruguin) in French reads, "Kurdesse."

[ ]
Collapse
[ ]
Expand
Creators:
Sevruguin, Antoin, 1851-1933
Dates:
1880s-1930
Level:
item
Size:
1 Item (photographic print, b&w, 16.6 cm. x 22.3 cm.)
Collection ID:
FSA.A.04
Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

Joseph Upton purchased 66 black-and-white gelatin silver photoprints in 1928 from Antoin Sevruguin in Tehran (Iran), and subsequently donated them to the Committee for Islamic Culture, as reported in their official minutes of October 24, 1953.

- On recto of the print, handwritten number (inked, probably by Antoin Sevruguin) reads, "1453."

- On recto of the print, scratched handwritten number (inked, probably by Antoin Sevruguin) reads, "1453."

- On verso of the print, handwritten caption (penciled, probably by Antoin Sevruguin) in French reads, "Derviche."

[ ]
Collapse
[ ]
Expand
Creators:
Sevruguin, Antoin, 1851-1933
Dates:
1880s-1928
Level:
item
Size:
1 Item (photographic print, b&w, 17.1 cm. x 23 cm.)
Collection ID:
FSA.A.04
Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

Joseph Upton purchased 66 black-and-white gelatin silver photoprints in 1928 from Antoin Sevruguin in Tehran (Iran), and subsequently donated them to the Committee for Islamic Culture, as reported in their official minutes of October 24, 1953.

- On recto of the print, handwritten number (inked, probably by Antoin Sevruguin) reads, "675."

- On verso of the print, handwritten caption (penciled, probably by Antoin Sevruguin) in French reads, "Maître des Cérémonies."

[ ]
Collapse
[ ]
Expand
Creators:
Sevruguin, Antoin, 1851-1933
Dates:
1880s-1928
Level:
item
Size:
1 Item (photographic print, b&w, 17.1 cm. x 22.9 cm.)
Collection ID:
FSA.A.04
Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

Joseph Upton purchased 66 black-and-white gelatin silver photoprints in 1928 from Antoin Sevruguin in Tehran (Iran), and subsequently donated them to the Committee for Islamic Culture, as reported in their official minutes of October 24, 1953.

- On recto of the print, handwritten number (inked, probably by Antoin Sevruguin) reads, "742."

- On verso of the print, handwritten caption (penciled, probably by Antoin Sevruguin) reads, "Fatali Schah."