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Creators:
Cook Labs
Cook, Emory, 1913-2002
Dates:
1908-2002, bulk 1948-1965
Size:
6.3 Cubic feet (Phonograph albums)
63.5 Cubic feet (Open-reel tapes)
8.75 Cubic feet (Business records)
78.55 Cubic feet
Collection ID:
CFCH.COOK
Repository:
Ralph Rinzler Folklife Archives and Collections

The Cook Labs records, which date from 1939-2002, document the activities of audio engineer Emory Cook and his label Cook Labs. The contents include business records, materials relating to recording artists, photographs, and production materials, as well as phonograph records, master recordings and unpublished recordings produced by or associated with the Cook Labs label. The collection also contains two interviews conducted with Emory Cook in 1990: one by Jeff Place and one by Anthony Seeger and Nicholas Spitzer. There are several physical objects relating to Cook Labs including a bag of powdered vinyl, a binaural playing arm, and a condenser microphone.

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Level:
series
Collection ID:
CFCH.SFF.2010
Repository:
Ralph Rinzler Folklife Archives and Collections
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Level:
series
Collection ID:
CFCH.SFF.2005
Repository:
Ralph Rinzler Folklife Archives and Collections
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Level:
series
Collection ID:
CFCH.SFF.1998
Repository:
Ralph Rinzler Folklife Archives and Collections
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Creators:
Community Life, Div. of, NMAH, SI
Sims, George W.
National Anthropological Archives, NMNH, SI
Dates:
1896-1981.
Size:
5 Cubic feet (22 boxes)
Collection ID:
NMAH.AC.0127
Repository:
Archives Center, National Museum of American History

Collection documents Sims's activities as a traveler and his interest in historic restoration. It includes forty-one notebooks, 6,000 color slides, a smaller number of photographic prints, forty-one stereo view cards, and three boxes of personal papers and ephemera. While some images are personal, the majority form a documentary record of various subjects and places and provide biographical information on Sims.

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Creators:
Bartlett, John Russell, 1805-1886
Husband, Bruce
Encinas, Fr
Whipple, Amiel Weeks, 1817?-1863
More …
Dates:
undated
Size:
183 items (numbered pages )
Collection ID:
NAA.MS1627
Repository:
National Anthropological Archives

On page 129-134, there is a Comanche vocabulary alongside with Spanish and Luiseno. Follows items called for in Smithsonian Institution Comparative Vocabulary. Some Comanche terms lacking.

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Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
June 30-July 11, 2006
Size:
1 Cubic Feet (approximate)
Collection ID:
CFCH.SFF.2006
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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Creators:
Graham, John, 1887-1961
Dates:
1799-1988
bulk 1890-1961
Size:
11.2 Linear feet
Collection ID:
AAA.grahjohn
Repository:
Archives of American Art

The papers of painter, collector, and writer John Graham measure 11.2 linear feet and date from 1799 to 1988, with the bulk of materials dating from 1890 to 1961. Papers document the life of John Graham, born Ivan Dombrowsky, through personal documents related to military service and family history, passports, artifacts, correspondence, appointment books, financial records, inventories, wills, extensive writings and notes, books, clippings, exhibition catalogs, photographs of Graham and his family and friends, and artwork created and collected by Graham.

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Creators:
Howe, Thomas Carr, 1904-1994
Dates:
1932-1984
Size:
4.4 Linear feet
Collection ID:
AAA.howethom
Repository:
Archives of American Art

The Thomas Carr Howe papers measure 4.4 linear feet and date from 1932 to 1984. Howe was director of the California Palace of the Legion of Honor in San Francisco for nearly 40 years, and he served as one of the Monuments Men in the Monuments, Fine Art and Archives (MFAA) Section of the U.S. Army during World War II. The collection documents Howe's MFAA work in Germany and Austria locating and recovering cultural artifacts and artwork stolen by the Nazis. There is significant correspondence with friends and colleagues, as well as fellow Monuments Men such as Samson Lane Faison, Edith Standen, and George Stout. The papers also includes reports, inventories of stolen artwork, maps, annotated photographs, a scrapbook, and photographs. The papers also document Howe's later work at the California Palace of the Legion of Honor.

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