The papers of New York City abstract expressionist painter William Baziotes and his wife Ethel measure 6.3 linear feet and date from circa 1900-1992, bulk 1935-1980. The collection includes William Baziotes biographical material, correspondence, writings, printed material, and photographs. The papers of Ethel Baziotes consists of correspondence mostly dated after her husband's death regarding exhibitions of his work, along with limited biographical material and writings.

The papers of New York conceptual and performance artist Jaime Davidovich, measure 2.3 linear feet and date from 1949 to 2014. The collection document's Davidovich's transition from Argentina to the United States, his early artistic career in both countries, specific projects and exhibitions, and the way in which Davidovich's work intersected with audiovisual media and the New York avant-garde in the 1960s and 1970s. Papers include biographical materials, correspondence, writings including memoirs, exhibition and project files, scrapbooks, and printed materials.

The papers of painter Henry Mosler (1841-1920), who began his career in Cincinnati, Ohio, lived in Germany and Paris for at least 2 decades, and finally settled in New York, measure 4.8 linear feet and date from 1856-1929. The collection documents Mosler's life and career through biographical material, personal and professional letters from members of the military, museums, family, friends and colleagues, writings including an 1862 Civil War diary, personal business records, printed material, artwork and sketchbooks, and photographs of Mosler, his family, colleagues and artwork.

The papers of Bill Barrett measure 8.9 linear feet and 2.70 GB and date from 1930-2013, with the bulk of the material dating from 1950-2013. The collection consists of biographical material, lectures, exhibition files, scrapbooks, printed and digital material, artwork, sketchbooks, and photographic materials that document Bill Barrett's career as a sculptor and painter.

The papers of California artist, curator, and educator Bruria Finkel measure 12.1 linear feet and 13.04 gigabytes, and date from 1953 to 2020. This collection includes biographical materials, correspondence, writings, project files, professional records, exhibition files, artists' files, personal business records, printed materials, photographic materials, sound and video cassettes, and numerous electronic discs. There is a born-digital unprocessed addition to this collection donated in 2020 that includes a video and photographs of Womanspace, Bruria's 88th birthday party video, a website, and a video interview with Finkel from #womanpower, CityTV, Channel 16, Santa Monica, California, January 24, 2019.

The papers of painter and illustrator W. Langdon Kihn measure approximately 8.5 linear feet and date from 1904-1990, with the bulk of the materials dating from 1904-1957. Papers document Kihn's career and travels associated with his interests in documenting the native American tribal nations of the United States and Canada in portraiture and writings. Found here are biographical materials, voluminous correspondence, memoirs and writings, one travel diary, printed material, financial records, three sketchbooks, sketches, and photographs.

"According to the encyclopedia Iranica, Jeanne d'Arc schhool, was one of the two Lazarist French schools of tehran, and "the well-known school for girls to which many of the members of the upper classes sent their daughters, was in operation until the 1979 revolution. In the early 1960s, it had about a thousand pupils in the secondary school and ab...

- FSg curatorial research specialist remark on Antoin Sevruguin photo manipulation reads, "Red paper on all the four sides. Varnish on and around the figures. The centre of the image has wiped out varnish. The faces are also very Lightly touch up."

- Handwritten information on slip of paper (from a 1943-1944 cash book, produced by the Bathni Brothers, Tehran) reads, "Jean d'Arc School." [Myron Bement Smith Collection, Subseries 2.1: Islamic Archives History, Collection Information]

- Myron Bement Smith handwritten caption in English reads, "47.P; Box 41.5: Tehran. Jean d'Arc School. Girls." [Myron Bement Smith Collection, Subseries 2.1: Islamic Archives History, Collection Information; Box 60; Folder 44: 47 P: Antoine Sevruguin, glass negatives, Iran]

"According to the encyclopedia Iranica, Jeanne d'Arc schhool, was one of the two Lazarist French schools of tehran, and "the well-known school for girls to which many of the members of the upper classes sent their daughters, was in operation until the 1979 revolution. In the early 1960s, it had about a thousand pupils in the secondary school and ab...

- FSg curatorial research specialist remark on Antoin Sevruguin photo manipulation reads, "Red paper on all the four edges. Varnish all over the figures. Faces touched up."

- Myron Bement Smith handwritten caption in English reads, "47.P; Box 41.9: Tehran. Jean d'Arc School. Girls." [Myron Bement Smith Collection, Subseries 2.1: Islamic Archives History, Collection Information; Box 60; Folder 44: 47 P: Antoine Sevruguin, glass negatives, Iran]

"According to the encyclopedia Iranica, Jeanne d'Arc schhool, was one of the two Lazarist French schools of tehran, and "the well-known school for girls to which many of the members of the upper classes sent their daughters, was in operation until the 1979 revolution. In the early 1960s, it had about a thousand pupils in the secondary school and ab...

- FSg curatorial research specialist remark on Antoin Sevruguin photo manipulation reads, "Varnish all over the figures. Faces touched up."

- Handwritten information on slip of paper (from a 1943-1944 cash book, produced by the Bathni Brothers, Tehran) reads, "Jean d'Arc School." [Myron Bement Smith Collection, Subseries 2.1: Islamic Archives History, Collection Information]

- Myron Bement Smith handwritten caption in English reads, "47.P; Box 41.10: Tehran. Jean d'Arc School. Girls." [Myron Bement Smith Collection, Subseries 2.1: Islamic Archives History, Collection Information; Box 60; Folder 44: 47 P: Antoine Sevruguin, glass negatives, Iran]