The records of the Associated American Artists measure 55 linear feet and date from circa 1934 through 1983. The organization was founded in 1934 to stimulate interest in prints throughout the United States by promoting the sale of prints through department stores and other venues. Later, other genres of works of art were added and the department store abandoned in favor of a New York headquarters. The records contain voluminous files on artists; dealers, galleries, and museums; and clients. Also found is business correspondence, financial records, sales and exhibition catalogs, thirteen dismantled scrapbooks, and posters.

The collection was assembled by Museum curators and documents the efforts of persons in eight states to have the Superconducting Super Collider (SSC), a particle accelerator, built in their state. Also documents efforts in each state to oppose locating the SSC in their state. The collection contains correspondence, press kits, posters, signs, bumper stickers, leaflets, handbills, clippings, photographs, and a videotape.

The papers of popular songwriter Harry Warren, three time Academy Award winner and prolific contributer to the American songbook.

The papers of New York City photographer, conceptual artist, and musical composer Cosmos Sarchiapone measure 49.2 linear feet and 0.367 GB and date from circa 1860-2011, with the bulk of the materials dating from 1940-2011. The collection includes biographical material and personal business records; correspondence; extensive writings, including written and recorded music compositions; teaching files; printed material and published sound and video recordings; photographic material; artwork; artifacts; and unpublished sound recordings and born-digital material. Highlights of the collection are more than 40,000 photographic images documenting New York's avant-garde art scene of the 1970s, along with celebrity parties, concerts, exhibition openings and other occasions in the art, music, and theater world. Extensive and somewhat rare printed materials offer users a visual chronical of the downtown art world in the form of posters from the 1970s, including a number of Milton Glaser's, and hundreds of exhibition announcements, theater programs, and playbills.

A collection of promotional photographs and press kits used to promote motion pictures and made for television motion pictures and other entertainment.

(photographs of art; "poster poems" including "Will not harm the ozone" by Angela de Hoyas; symposium/exhibition announcement, keynote address by Lucy R. Lippard: "Contemporary Art By Women", 1990; class, workshop and event schedules; letter to TYF from Kathy Vargas, circa 12/1983; San Antonio Cinefestival Prospectus and Schedule; theater programs;...

The Miscellaneous series includes a variety of materials dated between 1894 and 1983. Consumers' Research contains bulletins produced by this organization between 1948 and 1963. These bulletins with other enclosures or attachments are relevant to the topics discussed in the letters and correspondence between representatives of Sohmer, Consumers' ...

This series includes clippings, exhibition catalogs, press releases, printed ephemera related to Woodstock organizations and events, and over a dozen periodicals and books by and about Woodstock artists and writers. Other materials include letterhead, business cards, brochures, posters, maps, postcards, and other publicity pieces. Exhibition annou...

The papers of African American painter, printmaker, and sculptor Elizabeth Catlett measure 0.3 linear feet and date from 1957 to 1980. The collection consists of printed material, such as project-related press; exhibition announcements, catalogs, and posters; publications featuring articles about Catlett; clippings; and cards featuring reproductions of Catlett's work.

The Fiberworks, Center for the Textile Arts records measure 3.2 linear feet and date from 1973-2005, with the bulk of the records dating from 1974-1987. The collection documents the textile arts school, gallery, and studio through administrative records, photographs, printed matter, and audiovisual material. Records include meeting minutes; photographs of artwork, events, and the Fiberworks community; brochures, announcements, newsletters, and clippings; and sound and video recordings from symposiums, lectures, and interviews.