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Creators:
Deem, George, 1932-2008
Dates:
1904-2015
bulk 1960-2008
Size:
18.2 Linear feet
10.71 Gigabytes
Collection ID:
AAA.deemgeor
Repository:
Archives of American Art

The papers of painter, writer, and dancer George Deem measure 18.2 linear feet and 10.71 GB and date from 1904-2015, with the bulk of the material dating from 1960-2008. The collection documents Deem's path from Midwestern farm child to New York City artist and teacher who specialized in recreating works of great masters, especially Johannes Vermeer. Correspondence, exhibition files, subject files, project files, writings by and about Deem, printed and digital material and photographic materials all show the trajectory of Deem's development as an artist.

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Creators:
Warshaw, Isadore, 1900-1969
Dates:
1787-1964
Size:
1.45 Cubic feet (consisting of 3 boxes, 2 folders, 2 oversize folders, 1 map case folder, plus digital images of some collection material.)
Collection ID:
NMAH.AC.0060.S01.01.Women
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Accounting and Bookkeeping forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Creators:
Berman, Wallace, 1926-1976
Dates:
1907-1979
bulk 1955-1979
Size:
5 Linear feet
Collection ID:
AAA.bermwall
Repository:
Archives of American Art

The Wallace Berman papers date from 1907 to 1979 (bulk 1955-1979). The collection measures 5 linear feet and presents a cursory overview of Berman's career as an assemblage artist and poet. The collection contains business correspondence, letters from other artists and writers of the Beat movement, writings by others, scattered artwork by Berman, photographs by Robert F. Heinecken, and sound recordings of poetry readings.

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Dates:
1923-1960
Level:
series
Size:
2.9 Linear feet (Boxes 2-5)
Collection ID:
AAA.mccaeliz
Repository:
Archives of American Art

Series consists primarily of McCausland's professional and, to a lesser extent, personal correspondence, which includes general, artist, and some family correspondence. Correspondence typically consists of letters to and copies of letters from McCausland, along with enclosures (such as clippings and other printed material; contracts, agreements, an...

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Dates:
1838-1968
Level:
subseries
Collection ID:
AAA.macbgall
Repository:
Archives of American Art

This series contains the gallery's general correspondence with artists, clients, curators, galleries, and art organizations and institutions. Outgoing letters are generally copies on highly-acidic fragile paper and are written by a combination of the gallery's proprietors and employees including William Macbeth, Robert Macbeth, Robert G. McIntyre, ...

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Creators:
Bulliet, C.J. (Clarence Joseph), 1883-1952
Dates:
circa 1888-1959
Size:
34.6 Linear feet
Collection ID:
AAA.bullclar
Repository:
Archives of American Art

The C. J. (Clarence Joseph) Bulliet papers measure 34.6 linear feet and are dated circa 1888-1959. Biographical materials, correspondence, writings, subject and artist files, printed material, photographs, and artwork document the career of the influential Chicago art critic and writer. The records contain extensive information about art and artists in Chicago and the Midwest from the early to mid-twentieth century.

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Dates:
1843-1940, undated
Level:
series
Collection ID:
AAA.kurtchar
Repository:
Archives of American Art

Charles M. Kurtz had a wide circle of friends and acquaintances that often overlapped his personal friends and professional colleagues with his career activities. Certain individuals whose names may not be particularly well known, such as the artists, D.F. Hasbrouck, William Morgan and Patty Thum, for example, were both personal and professional fr...

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Creators:
Fenton, Beatrice, 1887-1983
Dates:
1836-1984
bulk 1890-1978
Size:
9.36 Linear feet
Collection ID:
AAA.fentbeat
Repository:
Archives of American Art

The papers of sculptor Beatrice Fenton date from 1836-1984 (bulk 1890-1978) and measure 9.36 linear feet. The collection documents Fenton's career as a sculptor and art instructor, as well as her life-long friendships with artist Emily Clayton and art educator Marjorie Martinet. Found are scattered biographical materials, correspondence primarily with Martinet (approximately 1/2 of the collection), business records, notes and writings, scattered records of arts organizations, transcripts of interviews with Fenton, sketches and sketchbooks, a scrapbook, brochures, clippings, postcards, reproductions of artwork, and photographs of friends and family, travels, and artwork. Writings include several illustrated hand-made books of poetry by Emily Clayton.

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Creators:
Thompson, Bob, 1937-1966
Dates:
1949-2005
Size:
2 Linear feet
Collection ID:
AAA.thombob
Repository:
Archives of American Art

The papers of New York African American figurative painter Bob Thompson measure 2 linear feet and date from 1949 to 2005. The collection includes biographical material, videocassettes, correspondence, writings by Bob Thompson and others, exhibition files, scattered personal business records, printed material, photographs, and photograph albums. The correspondence is mostly between Carol Thompson, the artist's wife, and others concerning Bob Thompson's artwork.

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Creators:
Frueh, Alfred Joseph, 1880-1968
Dates:
circa 1880-2010
Size:
7.7 Linear feet
3.18 Gigabytes
Collection ID:
AAA.fruealfr
Repository:
Archives of American Art

The papers of caricaturist and illustrator Alfred J. Frueh measure 7.7 linear feet and 3.18 GB and date from circa 1880-2010. These papers consist of biographical information, including a sound recording of reminiscences about Frueh by his children; correspondence that includes many illustrated letters and greeting cards; notes and writings; numerous caricature sketches, cartoons, and 25 sketchbooks by Frueh; printed and digital material; and photographs of Frueh and his artwork. There is a 2.3 linear foot unprocessed addition to this collection donated 2020 that includes bound and unbound scrapbooks and loose newspaper and magazine clippings of caricatures by Frueh from the New Yorker and other publications, circa 1920-1940.

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