438 records — Page 23 of 44
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Creators:
Elisofon, Eliot
Dates:
1970
Level:
item
Size:
1 negatives (photographic) (b&w, 35mm.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

"In the Bamana world, objects such the antelope headdress always come in pairs -one male and one female- symbolizing the union of mythical half-animal, half-human beings that taught their ancestors to farm, and the productive union of men and women throughout time." [Wooten S., 2004: Where is my Mate? The Importance of Complementarity: A Bamana Hea...

[ ]
Collapse
[ ]
Expand
Creators:
Elisofon, Eliot
Dates:
1970
Level:
item
Size:
1 negatives (photographic) (b&w, 35mm.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

"Horses represent prestige, power, and wealth for the Dogon and often find their way into their carved sculpture." [Hollyman S. and Van Beek W., 2001: Dogon, Africa's People of the Cliffs. Harry N Abrams, Inc.]. During his trip to Mali, Elisofon visited the Dogon people in the Sanga region. This photograph was taken when Eliot Elisofon traveled to ...

[ ]
Collapse
[ ]
Expand
Creators:
Elisofon, Eliot
Dates:
1970
Level:
item
Size:
1 negatives (photographic) (b&w, 35mm.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

"Horses represent prestige, power, and wealth for the Dogon and often find their way into their carved sculpture." [Hollyman S. and Van Beek W., 2001: Dogon, Africa's People of the Cliffs. Harry N Abrams, Inc.]. During his trip to Mali, Elisofon visited the Dogon people in the Sanga region. This photograph was taken when Eliot Elisofon traveled to ...

[ ]
Collapse
[ ]
Expand
Creators:
Elisofon, Eliot
Dates:
1970
Level:
item
Size:
1 negatives (photographic) (b&w, 35mm.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

"Horses represent prestige, power, and wealth for the Dogon and often find their way into their carved sculpture." [Hollyman S. and Van Beek W., 2001: Dogon, Africa's People of the Cliffs. Harry N Abrams, Inc.]. During his trip to Mali, Elisofon visited the Dogon people in the Sanga region. This photograph was taken when Eliot Elisofon traveled to ...

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[ ]
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Creators:
Elisofon, Eliot
Dates:
1971
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

The photograph depicts Kuba man weaving a mat from palm leaf ribs. This photograph was taken when Eliot Elisofon was on assignment for Westinghouse Film and traveled to Africa from October 26, 1970 to end of March 1971.

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Creators:
Elisofon, Eliot
Dates:
1971
Level:
item
Size:
1 Slide (col)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

The photograph depicts Kuba man weaving a mat from palm leaf ribs. This photograph was taken when Eliot Elisofon was on assignment for Westinghouse Film and traveled to Africa from October 26, 1970 to end of March 1971.

[ ]
Collapse
[ ]
Expand
Creators:
Elisofon, Eliot
Dates:
1971
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

The photograph depicts Kuba man weaving a mat from palm leaf ribs. This photograph was taken when Eliot Elisofon was on assignment for Westinghouse Film and traveled to Africa from October 26, 1970 to end of March 1971.

[ ]
Collapse
[ ]
Expand
Creators:
Elisofon, Eliot
Dates:
1971
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

The photograph depicts Kuba man weaving a mat from palm leaf ribs. This photograph was taken when Eliot Elisofon was on assignment for Westinghouse Film and traveled to Africa from October 26, 1970 to end of March 1971.

[ ]
Collapse
[ ]
Expand
Creators:
Elisofon, Eliot
Dates:
1971
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

"After the dyeing, the cloth is ready to be embroidered. Most Kuba embroidery combines on one cloth two types of decoration: stem-stitching and cut-pile or plush stitching. The equipment is simple: a needle and, for cut-pile or plush-work, a knife. The embroideress needs an enormous amount of steadiness and patience. Because of the time required, p...

[ ]
Collapse
[ ]
Expand
Creators:
Elisofon, Eliot
Dates:
1971
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

"After the dyeing, the cloth is ready to be embroidered. Most Kuba embroidery combines on one cloth two types of decoration: stem-stitching and cut-pile or plush stitching. The equipment is simple: a needle and, for cut-pile or plush-work, a knife. The embroideress needs an enormous amount of steadiness and patience. Because of the time required, p...

438 records — Page 23 of 44