438 records — Page 24 of 44
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Creators:
Elisofon, Eliot
Dates:
1972
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This photograph was taken when Eliot Elisofon was on assignment for National Geographic and traveled to Africa from January 19, 1972 to mid April 1972.

[ ]
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[ ]
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Creators:
Elisofon, Eliot
Dates:
1972
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This photograph was taken when Eliot Elisofon was on assignment for National Geographic and traveled to Africa from January 19, 1972 to mid April 1972.

[ ]
Collapse
[ ]
Expand
Creators:
Elisofon, Eliot
Dates:
1972
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This photograph was taken when Eliot Elisofon was on assignment for National Geographic and traveled to Africa from January 19, 1972 to mid April 1972.

[ ]
Collapse
[ ]
Expand
Creators:
Elisofon, Eliot
Dates:
1972
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This photograph was taken when Eliot Elisofon was on assignment for National Geographic and traveled to Africa from January 19, 1972 to mid April 1972.

[ ]
Collapse
[ ]
Expand
Creators:
Elisofon, Eliot
Dates:
1972
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This photograph was taken when Eliot Elisofon was on assignment for National Geographic and traveled to Africa from January 19, 1972 to mid April 1972.

[ ]
Collapse
[ ]
Expand
Creators:
Elisofon, Eliot
Dates:
1970
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

"In the Bamana world, objects such the antelope headdresses always come in pairs -one male and one female- symbolizing the union of mythical half-animal, half-human beings that taught their ancestors to farm, and the productive union of men and women throughout time." [Wooten S., 2004: Where is my Mate? The Importance of Complementarity: A Bamana H...

[ ]
Collapse
[ ]
Expand
Creators:
Elisofon, Eliot
Dates:
1970
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

"In the Bamana world, objects such the antelope headdresses always come in pairs -one male and one female- symbolizing the union of mythical half-animal, half-human beings that taught their ancestors to farm, and the productive union of men and women throughout time." [Wooten S., 2004: Where is my Mate? The Importance of Complementarity: A Bamana H...

[ ]
Collapse
[ ]
Expand
Creators:
Elisofon, Eliot
Dates:
1970
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

"In the Bamana world, objects such the antelope headdresses always come in pairs -one male and one female- symbolizing the union of mythical half-animal, half-human beings that taught their ancestors to farm, and the productive union of men and women throughout time." [Wooten S., 2004: Where is my Mate? The Importance of Complementarity: A Bamana H...

[ ]
Collapse
[ ]
Expand
Creators:
Elisofon, Eliot
Dates:
1970
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

"In the Bamana world, objects such the antelope headdresses always come in pairs -one male and one female- symbolizing the union of mythical half-animal, half-human beings that taught their ancestors to farm, and the productive union of men and women throughout time." [Wooten S., 2004: Where is my Mate? The Importance of Complementarity: A Bamana H...

[ ]
Collapse
[ ]
Expand
Creators:
Elisofon, Eliot
Dates:
1970
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

"In the Bamana world, objects such the antelope headdresses always come in pairs -one male and one female- symbolizing the union of mythical half-animal, half-human beings that taught their ancestors to farm, and the productive union of men and women throughout time." [Wooten S., 2004: Where is my Mate? The Importance of Complementarity: A Bamana H...

438 records — Page 24 of 44