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Creators:
Sykes, Maltby
Dates:
1936-1992
Size:
5.1 Linear feet
Collection ID:
AAA.sykewill
Repository:
Archives of American Art

Correspondence, writings, speeches, notes, teaching material, price lists, financial and legal information, press releases, printed material, and photographs relating to Sykes' career as an portrait painter and printmaker, his tenure as Professor of Art at Auburn University, and his 1936 assistantship to muralist Diego Rivera on murals for the Hote...

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Level:
series
Collection ID:
Record Unit 70
Repository:
Smithsonian Institution Archives

To celebrate the hundredth anniversary of the Louisiana Purchase, Congress sanctioned the Louisiana Purchase Exposition ". . . for exhibitions of arts, industries, manufactures, and products of soil, mine, forest, and sea." The exposition was held at St. Louis from April 30 to December 1, 1904. It encompassed 1,240 acres of indoor and ...

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Dates:
1933-1935
Level:
file
Collection ID:
AAA.ameracar
Repository:
Archives of American Art

(includes correspondence about extending fellowship time for Nelson and Chabanne, collaborative problem, exhibitions, fellows)

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Dates:
1936-1968
Level:
series
Size:
40 Items (2 folders)
Collection ID:
AAA.putnanne
Repository:
Archives of American Art

Material on Anne Eisner Putnam includes a completed application to be included in Who's Who of American Women; two letters--one concerning her art collection and one concerning her book; a eulogy of Putnam written by curator Colin Turnball; an obituary; an exhibition press release; and fifteen clippings about her career, her time in the Democratic ...

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Creators:
Loch, Elizabeth B.
Dates:
1968-1971
Size:
5 Items ((on partial microfilm reel))
Collection ID:
AAA.locheliz
Repository:
Archives of American Art

A letter from Loch to Mark Tobey, December 26, 1968, asking for a copy of an exhibition catalog and Tobey's reply suggesting where she might find one, January 2, 1969; a letter from Loch to Theodeore G. Haupt, January 12, 1971, enclosing a snapshot of a painting by Haupt and suggesting that he meet another artist, Rudy Pozzatti, and Haupt's reply t...

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Creators:
Cunningham, Ben, 1904-1975
Dates:
1904-1984
Size:
3 Linear feet ((on a partial microfilm reel))
Collection ID:
AAA.cunnben
Repository:
Archives of American Art

Biographical material, photographs, art works, correspondence, printed material, audio tapes, and notes.

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Dates:
1999, 2001
Size:
10 audiotapes (Reference copies).
Collection ID:
Record Unit 9603
Repository:
Smithsonian Institution Archives

The Smithsonian Institution Archives began its Oral History Program in 1973. The purpose of the program is to supplement the written documentation of the Archives' record and manuscript collections with an Oral History Collection, focusing on the history of the Institution, research by its scholars, and contributions of its staff. Program ...

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Creators:
Linda Farris Gallery
Farris, Linda
Dates:
1969-1995
Size:
13.4 Linear feet (13 Boxes, 1 sol, 1 ov folder)
Collection ID:
AAA.lindfarr
Repository:
Archives of American Art

The records of Seattle's avant-garde Linda Farris Gallery measure 13.4 linear feet and date from 1969-1995. The bulk of the records consist of artists' and exhibition files. Also found are gallery business correspondence, administrative files, event files, reference files, records of sales, scattered legal files, the personal papers of gallery owner Linda Farris, and printed materials.

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Dates:
1853-2015
Size:
40 Cubic feet (85 boxes, 1 oversize folder)
Collection ID:
NMAH.AC.1319
Repository:
Archives Center, National Museum of American History

This collection consists of archival materials compiled by National Museum of American History Curator Katherine Ott, on numerous subjects relating to disability and the rights of the disabled.

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Creators:
Gilliam, Sam, 1933-
Dates:
1957-1989
Size:
7.9 Linear feet
Collection ID:
AAA.gillsam
Repository:
Archives of American Art

The papers of contemporary Color Field painter and educator Sam Gilliam measure 7.9 linear feet and date from 1957 to 1989. The papers include biographical material, correspondence, writings, business records, printed material, subject files, a scrapbook, artwork, and photographic material that document Gilliam's life from his time as a student through his teaching, professorial, and artistic career. The collection highlights Gilliam's close involvement with the art institutions, racial politics, and artistic innovation taking place in 1960s through 1980s America, specifically in Washington D.C.

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