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Creators:
Swartz, Anne
Dates:
1998-1999
Size:
2.3 Linear feet
Collection ID:
AAA.swaranne
Repository:
Archives of American Art

The Anne Swartz interviews with artists measure 2.3 linear feet and contain video interviews with contributors to the Pattern and Decoration movement, conducted in 1998 for the production of the documentary Pattern and Decoration: The Great Untold Story (1999). Additional video of exhibitions and studio space are included, as well as the final version of the documentary.

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Creators:
Ostroff, Elaine
Dates:
1965 - 2009
Size:
16 Cubic feet (37 boxes, 1 oversize folder)
Collection ID:
NMAH.AC.1356
Repository:
Archives Center, National Museum of American History

Collection documents activist and educator Elaine Ostroff who advocated for improved access for people with disabilities in public places, co-founded the Adaptive Environments Center and who taught universal design in several institutions.

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Creators:
Music, Sports and Entertainment, Division of, NMAH, SI
Sidney, Corinne Entratter
Sidney, George, 1916-2002
Dates:
1885-2002
bulk 1940-1967
Size:
54 film reels
96 Cubic feet (288 boxes, 6 oversize folders)
Collection ID:
NMAH.AC.0867
Repository:
Archives Center, National Museum of American History

George Sidney (1916-2002) was a film director during the Golden Age of Hollywood filmmaking (1927-1954). He spent the longest period of his career at Metro-Goldwyn-Mayer (MGM) until the 1950s. He later produced and directed films for Columbia Pictures and Paramount Pictures. He was a president of the Directors Guild of America and an avid photographer. He was the recipient of three awards from the Academy of Motion Picture Arts and Sciences (Oscar). The collection consists of photographs, photographic negatives, personal and business materials, and film. The collection also contains material created by George Sidney's uncle, George Sidney, vaudevillian and motion picture actor.

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Creators:
Garden Club of America
Dates:
circa 1920-present
Size:
37,000 Slides (35mm slides)
33 Linear feet ((garden files))
3,000 lantern slides
Collection ID:
AAG.GCA
Repository:
Archives of American Gardens

This collection contains over 37,000 35mm slides, 3,000 glass lantern slides and garden files that may include descriptive information, photocopied articles (from journals, newspapers, or books), planting lists, correspondence, brochures, landscape plans and drawings. Garden files were compiled by Garden Club of America (GCA) members for most of the gardens included in the collection. Some gardens have been photographed over the course of several decades; others only have images from a single point in time. In addition to images of American gardens, there are glass lantern slides of the New York Flower Show (1941-1951) and trips that GCA members took to other countries, including Mexico (1937), Italy, Spain, Japan (1935), France (1936), England (1929), and Scotland. A number of the slides are copies of historic images from outside repositories including horticultural and historical societies or from horticultural books and publications. The GCA made a concerted effort in the mid-1980s to acquire these images in order to increase its documentation of American garden history. Because of copyright considerations, use of these particular images may be restricted.

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Creators:
Wheeler, Perry H., 1914-1989
University of Georgia
Garden Club of America
Emory University
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Dates:
1880-1984
bulk 1950-1965
Size:
25.75 Cubic feet
3,958 photographic items
Collection ID:
AAG.WHE
Repository:
Archives of American Gardens

The Perry H. Wheeler Collection includes the design, client and business records of Perry H. Wheeler, a landscape architect best known for his work on numerous townhouse gardens in the Georgetown neighborhood of Washington, D.C., during the 1960s as well as the redesign of the White House Rose Garden in collaboration with Rachel Lambert ('Bunny') Mellon during the Kennedy administration.

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Creators:
Freer Gallery of Art and Arthur M. Sackler Gallery. Curatorial - Ancient Near Eastern Art
Dates:
1983-1984, 1990-2008
Size:
5 cu. ft. (5 record storage boxes)
Collection ID:
Accession 15-346
Repository:
Smithsonian Institution Archives

This accession consists of records documenting the curatorial activities of Ann Clyburn Gunter, Assistant Curator of Ancient Near Eastern Art, 1987-1994; Associate Curator, 1994-2004; and Curator, 2004-2008. Curatorial activities documented in this accession include research, exhibition development, publishing, and collection management. ...

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Creators:
Fuller Brush Company
Dates:
1890-2017
Size:
32.5 Cubic feet (77 boxes, 1 map-folder)
Collection ID:
NMAH.AC.1459
Repository:
Archives Center, National Museum of American History

The collection documents the Fuller Brush Company founded by Alfred C. Fuller in 1906.

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Creators:
Patterson, M. Marvin Breckinridge
Dates:
1932, circa 1960s-1970s
bulk 1932
Size:
113 Photographic prints ((0.4 cubic feet), black and white, 8 x 10 in. or smaller )
3 Photographs ((1 folder), color)
7 manuscripts (document genre) ((4 folders), publications)
47 contact sheets ((0.2 cubic feet), black and white)
Collection ID:
EEPA.1985-009
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

The collection measures 0.65 cubic feet, dates from 1932 - circa 1970s, and is primarily comprised of photographs taken by M. Marvin Breckinridge Patterson during her trip with Olivia Stokes Hatch from Capetown, South Africa, to Cairo, Egypt in 1932. The photographs document the peoples of Africa in Egypt, Kenya, South Africa, Sudan, Tanganyika (now Tanzania), Uganda, Congo (Democratic Republic) and Zanzibar, including the Baila, San, Shona, Xhosa and Zulu peoples. There are also some publications and contact sheets in the collection.

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Creators:
Ailey, Alvin
Mitchell, Jack, 1925-
Dates:
1961-2004
Size:
16 Linear feet
Collection ID:
NMAAHC.A2013.245
Repository:
National Museum of African American History and Culture

Jack Mitchell (1925- 2013) was an acclaimed photographer who began chronicling the work of the Alvin Ailey American Dance Theater in 1961. Alvin Ailey (1931- 1989), one of the most influential African American choreographers of modern dance, dedicated himself and his dance company to creating ballets that not only accelerated the careers of young African American dancers, but also stole the attention of national and international audiences in displaying the racial perspective of dance in the African American experience. This collection serves as Mitchell's documentation of the dance company's evolution while capturing the true idiosyncrasies and physicality of movement through still images. Through Alvin Ailey and Jack Mitchell's partnership, they were able to collaborate and produce a unique production of art, fusing the meaning and movements of dance and the techniques of photography.

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Creators:
Scurlock, Addison N., 1883-1964
Custom Craft
Scurlock Studio (Washington, D.C.)
Scurlock, George H. (Hardison), 1919-2005
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Dates:
1900-1949
Size:
16 Boxes
The subseries contains glass plate negatives.
Collection ID:
NMAH.AC.0618.S04.10
Repository:
Archives Center, National Museum of American History

The Scurlock photographic studio was a fixture in the Shaw area of Washington, D.C. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Subseries 4.10 consists of orders placed at the Scurlock Studio. The negatives depict individual portrait sittings and formal group portraits. An overview to the entire Scurlock collection is available here: Scurlock Studio Records

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