4734 records — Page 268 of 470
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Creators:
Elisofon, Eliot
Dates:
1947
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

"Kom el Hetan is the site of Amenophis (Amenhotep) III's mortuary temple. Unfortunately, virtually nothing remains of this once great edifice beyond the two immense 'Colossi of Memnon' which stood before its entrance. These great sandstone statues of Amenophis III flanked by small figures of his mother and his wife Tiye (Tiyi) are nearly 59ft high ...

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Creators:
Elisofon, Eliot
Dates:
1965
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

"The dominant appearance of the Step Pyramid inside the complex of Djoser is designed to denote the divine position of the dead king. The different structures inside represent a selection of units that were essential for the existence of the king in the afterlife: the south tomb and its mortuary chapel, the Hed-Sed chapels and temple 'T', the mortu...

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Creators:
Elisofon, Eliot
Dates:
1965
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

"Kom el Hetan is the site of Amenophis (Amenhotep) III's mortuary temple. Unfortunately, virtually nothing remains of this once great edifice beyond the two immense 'Colossi of Memnon' which stood before its entrance. These great sandstone statues of Amenophis III flanked by small figures of his mother and his wife Tiye (Tiyi) are nearly 59ft high ...

[ ]
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[ ]
Expand
Creators:
Elisofon, Eliot
Dates:
1965
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Dahshūr is an ancient site known for its five pyramids, located on the West bank of the Nile. Two pyramids were built in the 4th dynasty by King Snefru (2575-2551 BCE). The earliest of those two is commonly known as the Bent Pyramid, because of a change in angle during construction, and is the only pyramid that has two entrances. The remaining thre...

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Creators:
Elisofon, Eliot
Dates:
1965
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

"The Nile river flooded every summer, depositing fertile soil on the fields. Its flow is disturbed at several points by cataracts, which are sections of faster-flowing water with many small islands, shallow water, and rocks, forming an obstacle to navigation by boats. While most Egyptians still live in the Nile valley, the construction of the Aswan...

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Creators:
Elisofon, Eliot
Dates:
1965
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

"The Aswan Dam was subsequently supplemented by a barrage at Asyut, halfway between Aswan and Cairo. The function of this barrier is to divert the flow of the reservoir water into a network of canals. The results were impressive. Egypt's cultivable land increased dramatically and three harvests a year were ensured." [Kamil Jill, 1993: Aswan and Abu...

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Creators:
Elisofon, Eliot
Dates:
1959
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

The photograph depicts young female dancers from the Liberian National Dance Troupe of William Lewis. Mr. Lewis was at the time director of Folklore and Culture Affairs in the Liberian government. "African ballet, as a scenic art for modern audiences, is a montage of traditional sequences making a comprehensive story with an exposition, a plot, and...

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Creators:
Elisofon, Eliot
Dates:
1959
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

The photograph depicts young female dancers from the Liberian National Dance Troupe of William Lewis. Mr. Lewis was at the time director of Folklore and Culture Affairs in the Liberian government. "African ballet, as a scenic art for modern audiences, is a montage of traditional sequences making a comprehensive story with an exposition, a plot, and...

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Creators:
Elisofon, Eliot
Dates:
1959
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

The photograph depicts young female dancers from the Liberian National Dance Troupe of William Lewis. Mr. Lewis was at the time director of Folklore and Culture Affairs in the Liberian government. "African ballet, as a scenic art for modern audiences, is a montage of traditional sequences making a comprehensive story with an exposition, a plot, and...

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Creators:
Ottenberg, Simon
Dates:
1959-1960
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.2000-007
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This photograph was taken by Dr. Simon Ottenberg while conducting field research at Afikpo village-group, southeastern Nigeria, from September 1959 to December 1960.

Original title reads, "Boy Christmas performers in front of our home. The red mask is in Ibibo style, possibly made at Afikpo, possibly purchased in Ibibio country at Ikot Ekpene, the craft market or elsewhere. Children perform at Christmas for gifts." [Ottenberg field research notes, September 1959-December 1960, Part I].

Publication title reads, "Young masqueraders outside of author's home during the 1959 Christmas season at Afikpo. The mask is a modern Ibibio, probably made outside of Afikpo."

4734 records — Page 268 of 470