4734 records — Page 270 of 470
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Creators:
Elisofon, Eliot
Dates:
1965
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

DahshĊĞr is an ancient site known for its five pyramids, located on the West bank of the Nile. Two pyramids were built in the 4th dynasty by King Snefru (2575-2551 BCE). The earliest of those two is commonly known as the Bent Pyramid, because of a change in angle during construction, and is the only pyramid that has two entrances. The remaining thre...

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Creators:
Elisofon, Eliot
Dates:
1965
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

The enclosure of Ptah (probably the temple to the cult of Ramses II in 'the domain of Ptah'), chief deity of the Memphite region, was one of the largest temple complexes in Egypt, but little remains within it except an embalming house for the apis bull dating to the 26th dynasty, a toppled colossal statue of Ramses II, and the Alabaster Sphinx. "Th...

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Creators:
Elisofon, Eliot
Dates:
1965
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

The enclosure of Ptah (probably the temple to the cult of Ramses II in 'the domain of Ptah'), chief deity of the Memphite region, was one of the largest temple complexes in Egypt, but little remains within it except an embalming house for the apis bull dating to the 26th dynasty, a toppled colossal statue of Ramses II, and the Alabaster Sphinx. "Th...

[ ]
Collapse
[ ]
Expand
Creators:
Elisofon, Eliot
Dates:
1965
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

The enclosure of Ptah (probably the temple to the cult of Ramses II in 'the domain of Ptah'), chief deity of the Memphite region, was one of the largest temple complexes in Egypt, but little remains within it except an embalming house for the apis bull dating to the 26th dynasty, a toppled colossal statue of Ramses II, and the Alabaster Sphinx. "Th...

[ ]
Collapse
[ ]
Expand
Creators:
Elisofon, Eliot
Dates:
1965
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

"It is easy to think of the entrance to the Egyptian temple in terms of the huge pylon gateways which are the most visible parts of temples to have survived. In reality, however, the pylons usually lay well within the domain of the gods, and the actual temple entrances included elements such as the landing quays, kiosks, gates and processional ways...

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Creators:
Elisofon, Eliot
Dates:
1965
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

"It is easy to think of the entrance to the Egyptian temple in terms of the huge pylon gateways which are the most visible parts of temples to have survived. In reality, however, the pylons usually lay well within the domain of the gods, and the actual temple entrances included elements such as the landing quays, kiosks, gates and processional ways...

[ ]
Collapse
[ ]
Expand
Creators:
Elisofon, Eliot
Dates:
1965
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

"Exiting the colonnade through the gateway at its southern end, visitors enter the large peristyle sun court of Amenhotep III. Subsidiary doorways located near three of its corners offer alternative access. The sun court was not part of the core temple originally planned and executed by Amenhotep III, which stood on the stone platform or base immed...

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Creators:
Elisofon, Eliot
Dates:
1965
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

"Simultaneously, the temples depicted the world of gods. The walls and columns teem with gods who are standing, marching, sitting, communing with the king. The coinciding of these two levels of meaning signifies that Egypt's world was a sacred world. This visual cosmographic exposition was drawn into temple ritual so that the cultic performances in...

[ ]
Collapse
[ ]
Expand
Creators:
Elisofon, Eliot
Dates:
1965
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

"Simultaneously, the temples depicted the world of gods. The walls and columns teem with gods who are standing, marching, sitting, communing with the king. The coinciding of these two levels of meaning signifies that Egypt's world was a sacred world. This visual cosmographic exposition was drawn into temple ritual so that the cultic performances in...

[ ]
Collapse
[ ]
Expand
Creators:
Elisofon, Eliot
Dates:
1965
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

"The present entrance is through the pylon of Ramesses II, once fronted with six colossi of the king (two seated and four standing) and two obelisks. One of the obelisks and two of the statues were transported to Paris in the last century, but those that remain provide impressive examples of these monuments. These colossi functioned on several leve...

4734 records — Page 270 of 470