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Creators:
Alexander, Clinton B.
Work and Industry, Division of, NMAH, SI
Clinton B. Alexander Binder Company (Washington, D.C.)
Dates:
1903-1965
bulk 1921-1955
Size:
6 Cubic feet (6 boxes)
Collection ID:
NMAH.AC.1100
Repository:
Archives Center, National Museum of American History

Collection documents the business records of the Alexander Binder Company, as well as the inventions and creations of Clinton B. Alexander. The collection includes business receipts and forms, pamphlets, drawings, trade literature, notes, patents, correspondence, and material samples.

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Creators:
Dale, Chester, b. 1883
Dates:
circa 1883-2003
bulk 1920-1970
Size:
8.4 Linear feet
Collection ID:
AAA.daleches
Repository:
Archives of American Art

The papers of New York art collector Chester Dale measure 8.4 linear feet and date from circa 1883-2003. Dale amassed one of the world's most complete collections of nineteenth and twentieth century French art, was a collector of eighteenth century American portraitists, and a patron and collector of twentieth American artists including George Bellows and Mary Cassatt. The bulk of the collection dates from 1920 to 1970 and documents Dale's activities through biographical material, correspondence, memoirs and other writings, purchase, sales and estate records, printed material, scrapbooks, and photographs.

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Creators:
Oakley, Violet, 1874-1961
Dates:
1841-1981
Size:
56.4 Linear feet
Collection ID:
AAA.oaklviol
Repository:
Archives of American Art

The papers of painter, stained glass artist, and muralist Violet Oakley measure 56.4 linear feet and date from 1841-1981. Found within the papers are biographical materials; personal and business correspondence; writings, including essays, lectures, and project drafts; diaries and journals; financial material; artwork; printed material, including scrapbooks; and photographs, 3 albums, 322 glass plate negatives, and 1600 film negatives of Oakley, her family and friends, and her work.

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Creators:
Smithsonian Institution, Office of Product Development and Licensing
Dates:
circa 1973-1994
Size:
11 cu. ft. (11 record storage boxes)
Collection ID:
Accession 95-007
Repository:
Smithsonian Institution Archives

These records include correspondence with contracted and prospective companies; Smithsonian Institution Engagement Calendar solicited bids, design concepts, production progress, and distribution arrangements; product proposals, licensing contracts, and royalty agreements with private manufacturers; minutes of meetings; information pertaining ...

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Creators:
Eskimo Pie Corporation.
Nelson, Christian Kent, 1893-1992
Dates:
1921-1996
Size:
15 Cubic feet (31 boxes, 19 folders)
Collection ID:
NMAH.AC.0553
Repository:
Archives Center, National Museum of American History

Printed advertisements, photographs (including negatives and slides), sales presentation materials and packaging; patent and legal information, clippings, posters, scripts for radio commercials, sheet music for jingles, etc. Also includes personal papers (correspondence) of Christian Nelson, inventor of the Eskimo Pie.

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Creators:
Ciampaglia, Carlo Alberto, 1891-1975
Dates:
1909-1978
Size:
5.6 Linear feet
Collection ID:
AAA.ciamcarl
Repository:
Archives of American Art

The collection measures 5.6 linear feet, dates from 1909-1978, and documents the career of mural painter and interior designer Carlo Ciampaglia. Found within the papers are biographical material, correspondence, business records, notes and writings, art work, interior decorating and mural project files, printed material, and photographs.

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Creators:
Warshaw, Isadore, d. 1969
Dates:
1832-1977
Size:
60.54 Cubic feet (consisting of 131 boxes, 13 folders, 17 oversize folders, 20 map case folders, 2 flat boxes (1 full, 1 partial), plus digital images of some collection material.)
Collection ID:
NMAH.AC.0060.S01.01.Railroads
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Railroads forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Creators:
Sachs, Charlotte Cramer, 1907-2004
Dates:
1905-2002
bulk 1940-2002
Size:
4 Cubic feet (13 boxes)
Collection ID:
NMAH.AC.0878
Repository:
Archives Center, National Museum of American History

Papers relating to Charlotte Cramer Sachs's life and career as an inventor mainly of food and household-related products: correspondence, photographs, business papers, awards, patents, printed materials, notes, and miscellany. The collection primarily consists of invention-related marketing materials including invention samples and prototypes, notes, clippings, business correspondence, and customer account records.

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Creators:
Rice, Moses P.
Custom Craft
Scurlock Studio (Washington, D.C.)
Scurlock, George H. (Hardison), 1919-2005
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Dates:
1888-1996
Size:
200 Cubic feet
Collection ID:
NMAH.AC.0618
Repository:
Archives Center, National Museum of American History

The collection includes approximately 250,000 photonegatives, photoprints, color transparencies from the photographic business founded by Addison Scurlock in Washington, D.C. Collection also includes business records and ephemera.

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Creators:
Kidder, Priscilla C. (costume designer)
Priscilla of Boston.
Dates:
1940-1996
Size:
4 Cubic feet (13 boxes)
Collection ID:
NMAH.AC.0557
Repository:
Archives Center, National Museum of American History

This collection includes letters, sketches, style books, publicity photographs, tearsheets, articles and clippings, scrapbooks, and business documents relating to Priscilla Kidder, the Priscilla of Boston Company, and the American wedding industry. This collection is extraordinarily useful in documenting the development of wedding fashion during the last half of the 20th century. It also illustrates how a small, family-owned, woman-run business grew into a large, nationally known operation.

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