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Creators:
Louis, Morris, 1912-1962
Dates:
circa 1910s-2007
bulk 1965-2000
Size:
17.8 Linear feet
Collection ID:
AAA.louimorr
Repository:
Archives of American Art

The Morris Louis and Morris Louis Estate papers measure 17.8 linear feet and date from circa 1912-2007, with the bulk of the material dating from 1965-2000. The collection documents Morris Louis' career as a Color Field painter and founding participant in the Washington Color School, as well as the subsequent administration of his estate by his wife Marcella Brenner. Found within Morris Louis' papers are biographical materials, correspondence, photographs, scattered financial records, notes, writings, printed materials, and a canvas sample. The Morris Louis Estate papers include records of gallery exhibitions, mostly André Emmerich Gallery; artwork inventories; legal records concerning the lawsuit Bernstein v. Brenner; financial records of the sale of Louis' artwork; printed materials; writings about Louis; photographs of exhibition installations and artwork; and project files which include documentation of film projects by Robert Pierce Productions, a catalog raisonne, documentation of PBS documentaries, video recordings of the exhibition "Morris Louis Now", and numerous sound recordings of interviews with artists discussing Morris Louis conducted by Anita Faatz.

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Creators:
Blue Eagle, Acee, 1907-1959
Dates:
1907 - 1975
Size:
673 Paintings (visual works) (approximate)
30 Linear feet (55 document boxes and 8 oversize boxes)
Collection ID:
NAA.1973-51
Repository:
National Anthropological Archives

Acee Blue Eagle was a Pawnee-Creek artist, poet, dancer, teacher, and celebrity. The papers relate to both Blue Eagle's personal and professional life. Also included are some materials of Blue Eagle's friend Mae Abbott and a collection of art by other Indians.

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Creators:
Smithsonian Latino Center
Dates:
FY 1995-FY 2007
Size:
3 cu. ft. (3 record storage boxes)
Collection ID:
Accession 10-202
Repository:
Smithsonian Institution Archives

This accession consists of records which document the administration of the Latino Initiatives Pool. It covers a time period when SLC was known as the Smithsonian Center for Latino Initiatives (SCLI) and from before the creation of SLC, when the Latino Initiatives Pool was administered by the Office of the Provost and the Office of the Secreta...

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Dates:
1936-1984
Level:
series
Size:
5.7 Linear feet (Boxes 1-7; 28, OV 33, FCs 39-41)
Collection ID:
AAA.kepegyor
Repository:
Archives of American Art

Correspondence represents almost one quarter of the collection and relates to all aspects of Kepes's career including his relationships and collaborations with artists, architects, and writers; his ideas and achievements as an educator and aesthetic theorist; the publication of his writings; and exhibitions which featured both his artwork and his ...

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Dates:
1885-1935
Level:
subseries
Collection ID:
AAA.halephil
Repository:
Archives of American Art

General correspondence, 1885-1935, arranged alphabetically, is both personal and professional. Some of the artist friends and colleagues with whom Hale corresponded are Roswell Bacon, Frank W. Benson, James Britton, Theodore E. Butler, Ercole Cartotto, Stephen Codman, Kenyon Cox, William Howard ("Peggy") Hart, Haydon Jones, Dodge MacKnight, William...

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Creators:
Cinque Gallery
Dates:
1959-2010, bulk 1976-2004
Size:
1.1 Linear feet
Collection ID:
AAA.cinqgall2
Repository:
Archives of American Art

The records of the New York City-based Cinque Gallery, a nonprofit organization, measure 1.1 linear feet and date from 1959 to 2010, with the bulk of materials dating from 1976 to 2004. The gallery's mission was to exhibit African American artists, to educate the public about their work, and to offer art programs to the community. This is documented by administrative records, artists' files, financial and legal records, printed material, and photographs. Materials dated before and after the gallery's years of operation relate to African American community organizations and were compiled by former Cinque Gallery Executive Director, Ruth Jett.

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Creators:
Pearis, Ella B. Howard., interviewee
Dates:
1986
Size:
1 audiotape (Reference copy). 2 digital .wmv files and .rm files (Reference copies).
Collection ID:
Record Unit 9540
Repository:
Smithsonian Institution Archives

The Smithsonian Institution Archives began its Oral History Program in 1973. The purpose of the program is to supplement the written documentation of the Archives' record and manuscript collections with an Oral History Collection, focusing on the history of the Institution, research by its scholars, and contributions of its staff. Program ...

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Creators:
National Museum of American Art. Office of Program Support
Dates:
1947-1981
Size:
146.04 cu. ft. (5 record storage boxes) (280 document boxes) (1 5x8 box) (1 film box) (2 oversize folders)
Collection ID:
Record Unit 321
Repository:
Smithsonian Institution Archives

The records of the Office of Program Support, National Museum of American Art, 1965-1981, with related records from 1947, were received in the Archives from 1981 through 1994.

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Creators:
National Museum of the American Indian. Film and Video Center
Dates:
1977-2016
Size:
21.5 cu. ft. (21 record storage boxes) (1 document box)
Collection ID:
Accession 17-252
Repository:
Smithsonian Institution Archives

This accession consists of records that document the breadth and history of the programs and work of the FVC, including the NAFVF, film screenings, the Native Americans on Film and Video publications, and the Native Networks / Redes Indigenas website. Some materials date to when the before the National Museum of the American Indian as was...

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Creators:
Aikins, Russell Chorley, 1896-
U.S. Steel Corporation
Dates:
circa 1940s
Size:
3 Cubic feet (8 boxes)
Collection ID:
NMAH.AC.1037
Repository:
Archives Center, National Museum of American History

The collection comprises of 21 albums depicting the steel making and finishing operations of the United States Steel Corporation. All of the images were made by Russell Aikins around 1940. The albums contain photographic prints (8" x 9-1/2"). The majority of prints are mounted on spiral-bound pages. The photographs were created for public relations...

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