American Federation of Arts records
bulk 1909-1969
The records of the American Federation of Arts (AFA) provide researchers with a complete set of documentation focusing on the founding and history of the organization from its inception through the 1960s. The collection measures 79.8 linear feet, and dates from 1895 through 1993, although the bulk of the material falls between 1909 and 1969. Valuable for its coverage of twentieth-century American art history, the collection also provides researchers with fairly comprehensive documentation of the many exhibitions and programs supported and implemented by the AFA to promote and study contemporary American art, both nationally and abroad.
John Victor Murra papers
Swift, Arthur L.
Sturtevant, William C.
Yanez Perez, Luis
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The Papers of John Victor Murra document his personal and professional life through audiovisual materials, correspondence, diaries, graduate school notes, lectures, photocopies of archival materials, photographs, published materials collected by Murra, reading and research notes and his own writings. The materials span more than 70 years. The collection includes materials relating to Murra's immigration to the United States and later lawsuit for naturalization, his undergraduate and graduate studies at the University of Chicago, his experiences in the Spanish Civil War and in Ecuador during the Second World War as Don Collier's assistant, his teaching career at a number of colleges and universities in the United States and abroad including the University of Puerto Rico, Vassar College, Yale University, and Cornell University, and his research interests such as the fieldwork projects he directed at Hunuco and Lake Titicaca. The bulk of his correspondence may be found in Series I - Correspondence which mostly consists of his communications with former classmates from the University of Chicago, colleagues in the United States and abroad, and former students. Series IV - Biographical and Series VII - Graduate School and Teaching contain a significant amount of material pertaining to Murra's studies at the University of Chicago and his lawsuit for naturalization. Correspondence and newspaper editorials from F. C. Cole and Robert Redfield as well as oral history transcripts of Murra's personal reminiscences are among the items found in these series. For many years, Murra also kept personal diaries, originally intended as records of his dreams, which form Series III - Dream Archives. Although this collection is primarily textual in nature, there are also a photograph and an audio-visual series. The later includes recordings of Murra's Lewis Henry Morgan lectures. The occasional photograph also appears throughout other series.
Smithsonian Folklife Festival records: 1983 Festival of American Folklife
The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.
Collector Records business records
McGee, Bobbie
Collector Records
Magpie
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bulk 1960-1990
This collection documents the activities of Joe Glazer's record label Collector Records. Materials include the label's original commercial recordings, paper records related to day-to-day business operations and production, field recordings made by Joe Glazer, and Glazer's personal music collection.
Richard Marchand historical postcard collection (35mm slides)
bulk 1910-1940
The Richard Marchand Historical Postcard Collection contains approximately 1,200 35mm slide reproductions of postcard images depicting early twentieth century architectural and garden views of over 600 private estates throughout the United States. The collection includes views of estates owned by popular movie stars of the 1920s and 1930s, including Charlie Chaplin, Mary Pickford, Douglas Fairbanks, Claudette Colbert and Buster Keaton.
Arhoolie Records Business Records and Audio Recordings
Smithsonian Folklife Festival records: 1994 Festival of American Folklife
The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.
Duncan P. Schiedt Photograph Collection
Duncan Schiedt (1921-2014) was a jazz scholar, writer, photographer, film maker, researcher and pianist. He authored four books relating to jazz history. Many of his photographs and articles were featured in magazines, periodicals and documentaries. Schiedt also collected the work of other photographers on the subject of jazz. The collection primarily consists of photographs created by or collected by Mr. Schiedt.
Moses and Frances Asch Collection
Distler, Marian, 1919-1964
Folkways Records
bulk 1948-1986
This collection, which dates from 1926-1986, documents the output of Moses Asch through the various record labels he founded and co-founded, and includes some of his personal papers. The Asch collection includes published recordings, master tapes, outtakes, business records, correspondence, photographs, and film.
J. Horace McFarland Company collection
American Rose Society
The J. Horace McFarland Collection includes over 3,100 photographic images of private and public gardens throughout the United States, as well as some from foreign countries, dating from 1899 to 1963. Many of these images, generated for Mount Pleasant Press (later the J. Horace McFarland Company), were used to illustrate trade catalogs published by the firm as well as journal and newspaper articles. The collection also contains color records that were used as reference aids during the printing process, plant patents, and various publications of the McFarland Company.
