540 records — Page 31 of 44
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Creators:
Marsh, Reginald, 1898-1954
Dates:
1897-1955
Size:
9.3 Linear feet
Collection ID:
AAA.marsregi
Repository:
Archives of American Art

The papers of Reginald Marsh (1898-1954) measure approximately 9.3 linear feet and date from circa 1897 to 1955. The collection documents the life and work of the artist, who was best known for his paintings and illustrations depicting scenes of vaudeville, night clubs, burlesque, and New York City. Marsh was a lifelong free-lance illustrator for the New Yorker, Esquire and many other national magazines. Papers include correspondence, diaries, notebooks, sketches, scrapbooks, business and financial papers, and photographs, as well as some biographical and printed material.

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Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
June 24-July 5, 1998
Size:
1 Cubic foot (approximate)
Collection ID:
CFCH.SFF.1998
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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Creators:
National Museum of American Art. Curatorial Department
Dates:
1994-1996
Size:
1 cu. ft. (1 record storage box)
Collection ID:
Accession 00-014
Repository:
Smithsonian Institution Archives

This accession consists of exhibition proposals declined by the National Museum of American Art (NMAA) and the Renwick Gallery. Materials include correspondence, notes, memoranda, proposals, brochures, and color slides.

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Dates:
1922-1979, 1993
Level:
series
Size:
1.5 Linear feet (Boxes 1-2)
Collection ID:
AAA.cahiholg
Repository:
Archives of American Art

This series consists of personal and work-related correspondence (primarily incoming correspondence) between Cahill and various friends and colleagues. While a large portion of the series documents Cahill's position as Director of the FAP, it also extends beyond those years and illuminates other aspects of Cahill's career including his interest in ...

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Creators:
Pullman Palace Car Co.
Pullman-Standard
Dates:
circa 1882-1955
Size:
128.5 Cubic feet (147 boxes)
Collection ID:
NMAH.AC.1175
Repository:
Archives Center, National Museum of American History

Collection consists of approximately 13,500 images (original photographs, copy prints, and film and glass plate negatives) for freight, passenger, private, and street and rapid transit cars manufactured by the Pullman Palace Car Company. The collection contains primarily early railroad Americana, including interior and exterior views of private and business cars as well as passenger and street cars. The collection is an important part of the historical record of the railroad car-building industry as well as the history of architecture and interior design.

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Creators:
Somerson, Rosanne, 1954-
Michie, Thomas S.
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America
Dates:
2006 August 7 and 2007 June 22
Size:
61 Pages (Transcripts)
Collection ID:
AAA.somers06
Repository:
Archives of American Art

An interview of Rosanne Somerson conducted 2006 August 7-2007 June 22, by Thomas Michie, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at the Rhode Island School of Design, in Providence, Rhode Island. In part one of this interview, Somerson speaks of growing up outside of Phil...

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Creators:
Brooks, James, 1906-1992
Dates:
1909-2010
bulk 1930-2010
Size:
20.1 Linear feet
Collection ID:
AAA.broojame
Repository:
Archives of American Art

The papers of Abstract Expressionist painters James Brooks and Charlotte Park measure 18.7 linear feet and are dated 1909-2010, bulk 1930-2010. Correspondence, subject files, personal business records, printed material, and a sound recording document his painting career, interests, professional and personal activities. Also found are biographical materials, interviews, writings, and art work. The collection also includes papers of his wife, Abstract Expressionist painter Charlotte Park, regarding her painting career, personal life, activities as executor of James Brooks' estate, and some material concerning the James Brooks and Charlotte Park Brooks Foundation. There is a 1.4 linear foot addition to this collection donated in 2017 that includes 58 "week-at-a-glance" appointment books, three journals and one address/ telephone book of Charlotte Park; a hand written chronology with significant dates and notes; postcards and exhibition announcements sent to Charlotte and James; doodles; and a sketch, possibly by Don Kingman.

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Creators:
Freeman, Linda, 1941-
Dates:
1971-2015
bulk 1990-2011
Size:
32.9 Linear feet
Collection ID:
AAA.freelind
Repository:
Archives of American Art

The papers of multimedia artist and filmmaker Linda Freeman measure 32.9 linear feet and date from 1971-2015, with the bulk of the material dating from 1990-2011. The collection primarily consists of the production archives of Freeman's video documentary production company L and S Video, producer of 27 short subject documentaries on contemporary American art and artists. Subjects include Emma Amos, Benny Andrews, Romare Bearden, Charles Burchfield, Elizabeth Catlett, Chuck Close, Robert Colescott, Jimmy and Max Ernst, Red Grooms, Jacob Lawrence, Richard Mayhew, Howardena Pindell, Horace Pippin, Faith Ringgold, and Betye and Alison Saar. Additional documentaries on subjects other than single artists include works on Luba artists of Central Africa, the creative process (on Freeman and five other artists featured in other documentaries in the collection), mixed media artists (on Alvin Loving, Flo Oy Wong, and Alison Saar), self-taught artists (on William Hawkins, Bill Traylor, and Grandma Moses), and a six-part series on art subjects for children called I Can Fly.

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Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
October 4-9, 1978
Size:
1 Cubic foot (approximate)
Collection ID:
CFCH.SFF.1978
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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Creators:
Smithsonian American Art Museum. Curatorial Office
Dates:
1996-2001
Size:
1 cu. ft. (1 record storage box)
Collection ID:
Accession 08-057
Repository:
Smithsonian Institution Archives

This accession consists of exhibition proposals declined by the Smithsonian American Art Museum (SAAM) and the Renwick Gallery. Also includes records from when SAAM was known as the National Museum of American Art (NMAA). Materials include correspondence, notes, memoranda, proposals, brochures, press kits, and color slides.

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540 records — Page 31 of 44