4734 records — Page 302 of 470
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Creators:
Elisofon, Eliot
Dates:
1965
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

"It is easy to think of the entrance to the Egyptian temple in terms of the huge pylon gateways which are the most visible parts of temples to have survived. In reality, however, the pylons usually lay well within the domain of the gods, and the actual temple entrances included elements such as the landing quays, kiosks, gates and processional ways...

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Creators:
Elisofon, Eliot
Dates:
1965
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

"After the conversion of Rome to Christianity and in the Byzantine period, several Christian churches were built in and around the temple precincts. In the 6th century one of these churches was built within the Ramessid court, and on top of this same building, in the 13th century, the Mosque of Abu el-Haggag was constructed. This mosque still remai...

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Creators:
Elisofon, Eliot
Dates:
1965
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

"After the conversion of Rome to Christianity and in the Byzantine period, several Christian churches were built in and around the temple precincts. In the 6th century one of these churches was built within the Ramessid court, and on top of this same building, in the 13th century, the Mosque of Abu el-Haggag was constructed. This mosque still remai...

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Creators:
Elisofon, Eliot
Dates:
1965
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

"Beyond the pylons, the temple's large peristyle court is surrounded by two rows of papyrus-bud columns and contains, on the left, the Abu el-Haggag mosque, and on the right, the tripartite barque shrine built by Ramesses II for the visiting deities, Amun (Amon), Mut and Khonsu of Karnak." [Wilkinson R., 2000: The Complete Temples of Ancient Egypt....

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Creators:
Elisofon, Eliot
Dates:
1965
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

The crown and plaited beard indicate that the god Amen was the subject of this statue, although the round face, naturaliscally modeled eyes, as well as pierced ears, a fullness at the breast, a flaccid torso, and full lips are reminiscent of the later Armana Period and recall the face of Tutankhamen. "With the village of Karnak, Luxor (Al Uqsur) is...

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Creators:
Elisofon, Eliot
Dates:
1965
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

"Exiting the colonnade through the gateway at its southern end, visitors enter the large peristyle sun court of Amenhotep III. Subsidiary doorways located near three of its corners offer alternative access. The sun court was not part of the core temple originally planned and executed by Amenhotep III, which stood on the stone platform or base immed...

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Creators:
Elisofon, Eliot
Dates:
1965
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

"In the northern part of the second court the hall is renowned for the reliefs on its back wall, which represent the imaginery scenes by which Hatshepsut tried to establish her descent from Amun (Amon) and thus her divine right to rule. The hall was extended later in Hatshepsut's reign by adding a small sanctuary for Anubis." [Haeny G., 1997: New K...

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Creators:
Elisofon, Eliot
Dates:
1965
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

"Kom el Hetan is the site of Amenophis (Amenhotep) III's mortuary temple. Unfortunately, virtually nothing remains of this once great edifice beyond the two immense 'Colossi of Memnon' which stood before its entrance. These great sandstone statues of Amenophis III flanked by small figures of his mother and his wife Tiye (Tiyi) are nearly 59ft high ...

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Creators:
Elisofon, Eliot
Dates:
1965
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

"Kom el Hetan is the site of Amenophis (Amenhotep) III's mortuary temple. Unfortunately, virtually nothing remains of this once great edifice beyond the two immense 'Colossi of Memnon' which stood before its entrance. These great sandstone statues of Amenophis III flanked by small figures of his mother and his wife Tiye (Tiyi) are nearly 59ft high ...

[ ]
Collapse
[ ]
Expand
Creators:
Elisofon, Eliot
Dates:
1965
Level:
item
Size:
1 Slide (col.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

"Kom el Hetan is the site of Amenophis (Amenhotep) III's mortuary temple. Unfortunately, virtually nothing remains of this once great edifice beyond the two immense 'Colossi of Memnon' which stood before its entrance. These great sandstone statues of Amenophis III flanked by small figures of his mother and his wife Tiye (Tiyi) are nearly 59ft high ...

4734 records — Page 302 of 470